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Scarlett Johansson blasted for being cast as transgender man

The crime drama ‘Rub & Tug’ is based on the life of Dante ‘Tex’ Gill

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Scarlett Johansson (Photo by Dick Thomas Johnson via Wikimedia Commons)

Scarlett Johansson is facing backlash for choosing to play a transgender man in the upcoming crime drama “Rub & Tug.”

“Rub & Tug” is based on the life of Dante “Tex” Gill, a transgender man who operated a string of massage parlors that doubled as brothels in Pittsburgh.

Transgender actress Trace Lysette, who appeared in “Transparent,” fired back at the casting choice and brought up the double standards of transgender representation in Hollywood.

“Oh word?? So you can continue to play us but we can’t play y’all? Hollywood is so fucked… I wouldn’t be as upset if I was getting in the same rooms as Jennifer Lawrence and Scarlett for cis roles, but we know that’s not the case. A mess,” Lysette tweeted.

In another tweet, she added, “And not only do you play us and steal our narrative and our opportunity but you pat yourselves on the back with trophies and accolades for mimicking what we have lived… so twisted. I’m so done…”

“Sense8” star Jamie Clayton also weighed in tweeting, “Actors who are trans never even get to audition FOR ANYTHING OTHER THAN ROLES OF TRANS CHARACTERS. THATS THE REAL ISSUE. WE CANT EVEN GET IN THE ROOM. Cast actors WHO ARE TRANS as NON TRANS CHARACTERS. I DARE YOU.”

Transgender activist Jen Richards pitched to the Hollywood Reporter that they should have a roundtable discussion on the issue of transgender casting in Hollywood. “Orange is the New Black” star Laverne Cox agreed.

In response to the criticism, a representative for Johansson sent this statement to Bustle: “Tell them that they can be directed to Jeffrey Tambor, Jared Leto, and Felicity Huffman’s reps for comment.”

Tambor played the lead role in “Transparent” earning two Emmys before he was fired from the series. Jared Leto won an Academy Award for his role as a transgender woman in the 2013 film “Dallas Buyers Club.”  Huffman portrayed transgender woman Bree Osbourne in the 2005 film “Transamerica.”

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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