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‘Queer Eye’s Jonathan Van Ness comes out as non-binary

‘Some days I feel like a man, but then other days I feel like a woman’

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Jonathan Van Ness. (Screenshot via YouTube)

“Queer Eye” star Jonathan Van Ness has come out as non-binary and gender non-conforming.

In an interview with Out, the grooming and skincare expert opened up about his gender identity.

“The older I get, the more I think that I’m non-binary,” Van Ness, who uses male pronouns, says. “I’m gender non-conforming. Like, some days I feel like a man, but then other days I feel like a woman. I don’t really — I think my energies are really all over the place. Any opportunity I have to break down stereotypes of the binary, I am down for it, I’m here for it.”

Van Ness reveals that although he just recently discovered a label for his identity, it’s been a part of who he is since he was a child.

“Growing up, I definitely put on every nail polish, every heel, every scarf,” Van Ness says. As a result, he dealt with “really femme-shamey, gender-shamey [comments]” and learned to avoid it by doing it “before the sun came up or after the sun came down, like, in the basement and it needed to be something I couldn’t wear to school — like when I would do it, it had to be behind closed doors.”

Now, Van Ness is ready to break down gender stereotypes.

“I think that a lot of times gender is used to separate and divide. It’s this social construct that I don’t really feel like I fit into the way I used to. I always used to think, ‘Oh, I’m like a gay man,’ but I think any way I can let little boys and little girls know that they can express themselves … no matter how they present is really important and exciting,” Van Ness says.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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