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‘Stonewall 50’ expected to draw millions to NYC

Marches, rallies, celebrities to commemorate 50th anniversary of riots

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World Pride, gay news, Washington Blade
Melissa Etheridge is among the entertainers scheduled to perform at the World Pride Closing Ceremony on Sunday. (Photo courtesy Concord Media)

Organizers of the many events this weekend in New York City to commemorate the 50th anniversary of the 1969 Stonewall riots, credited with launching the modern LGBT rights movement, say an expected turnout of 4.5 million people will make it the world’s largest ever LGBT Pride celebration.

In addition to the larger turnout expected from people from throughout the U.S., New York City Pride this year is the official host of World Pride, an international LGBT Pride event originally started in Europe that will take place for the first time this year in the United States.

Heritage of Pride, the group that has organized New York City’s LGBT Pride events for more than 20 years, has said more than 4 million people were expected to turn out for the official New York Pride March on Sunday, June 30. The group says about 115,000 people were expected to march in over 100 contingents and the remainder of the crowds would be lining the streets as spectators.

A spokesperson for Heritage of Pride said a large number of march contingents would be comprised of LGBT people and their supporters from other countries who were coming to New York to participate in World Pride events that began earlier this week.

Among the Heritage of Pride, or HOP, events planned for June 30 is the official World Pride Closing Ceremony beginning at 7 p.m. in New York’s Times Square, which will include “a slate of influential speakers” and big name entertainers. Among the entertainers scheduled to perform are Melissa Etheridge, Deborah Cox, Jake Shears, MNEK, and The Prom Musical. Lesbian comedian Margaret Cho will host the event.

The official New York City Pride March, organized by Heritage of Pride, is scheduled to kick off on Sunday at noon at 26th Street and 5th Avenue. It will travel past the Stonewall Inn gay bar in Greenwich Village, the site of the Stonewall riots, which has been designated a U.S. Historic Landmark.

The march will end in Manhattan’s Chelsea neighborhood. Organizers and longtime activists in New York say in recent past years the march has lasted as long as eight hours or more and this year’s march could last even longer.

For the first time this year a dissident group in New York City, the Reclaim Pride Coalition, has organized a separate Queer Liberation March set to take place the same day as the official New York City Pride March on June 30.

But the Queer Liberation March is scheduled to begin at 9:30 a.m., at the site of the Stonewall Inn bar in Greenwich Village. It will travel from its starting point at Sheridan Square in front of the Stonewall along 7th Avenue to 10th Street where it will turn onto 6th Avenue and travel to Central Park, where a rally will take place.

“The Queer Liberation March is a people’s political march – there will be no corporate floats, and no police in our march,” according to a statement released by the Reclaim Pride Coalition. “Our march is a truly grassroots action that will mobilize the community to address the many social and political battles that continue to be fought locally, nationally, and globally,” the statement says.

Although not as large as the World Pride closing ceremony in Times Square organized by Heritage of Pride, the Queer Liberation March Rally, set to take place on Central Park’s Great Lawn, will include speakers and performers. Among them will be nationally acclaimed playwright and co-founder of the AIDS protest group ACT UP, Larry Kramer.  

Among those scheduled to perform at the rally are Kevin Aviance and the lesbian singing group Betty.

Activists in New York who have been following the plans for the two marches say many plan to participate in both since the Queer Liberation March will likely end before the New York Pride March begins at noon.

James Fallarino, a spokesperson for Heritage of Pride, has said that while corporate floats will take part in the New York City Pride March in their role as corporate sponsors, such floats will be far outnumbered by contingents made up of nonprofit LGBT or LGBT supportive organizations.

However, the New York City Pride website says that due to the large number of participants in the march, individuals interested in marching must be part of a group or contingent that has registered in advance to join the march. An individual that shows up on the day of the march won’t be allowed to join the march if he or she isn’t part of a preregistered contingent, although they will be allowed to watch the march on the sidelines, which will be fenced off from the street by security barriers set up by the New York City Police Department.

Ann Northrop, one of the lead organizers of the Queer Liberation March, said that march will allow anyone to join its ranks at any location along its route.

Northrop said for people unable to come to New York for the weekend events, organizers will be livestreaming the Queer Liberation March and rally on its website, reclaimpridenyc.org.

The New York City Pride March will be broadcast live from noon to 4 p.m. on WABC TV Channel 7, the ABC Television Network’s New York City affiliate station. It couldn’t immediately be determined whether out of town viewers could see the ABC7 broadcast through a livestreaming on the station’s website.

The following are some of the main events scheduled for this weekend by New York City Pride and the Reclaim Pride Coalition:

• Stonewall 50 Commemoration Rally—Friday, June 28, 6 p.m. at Christopher Street and Waverly Place in Greenwich Village

• Youth Pride—Saturday, June 29, 12 p.m. at Summer Stage in Central Park

• Pride Island Celebration—Saturday, June 29, 2 p.m.; Hudson River Park’s Pier 97. The event will feature big name entertainers, including legendary singer Grace Jones, Teyana Taylor, Kim Petras, Pabllo Vittar, and Amara La Negra.

• PrideFest street fair—Sunday, June 30; 11 a.m.; 4th Avenue between Union Square and Astor Place. The event includes exhibitors, entertainers and fun activities.

• Queer Liberation March—Sunday, June 30, 9:30 a.m., begins at Sheridan Square in Greenwich Village outside the Stonewall Inn. The march ends in Central Park, where a rally will be held.

• New York City Pride March—Sunday, June 30; 12 p.m.; begins at 26th Street and 5th Avenue. Grand marshals include the cast of “Pose,” Phyll Opoku-Gyimah, Gay Liberation Front members, the Trevor Project, and Monica Helms.

• World Pride Closing Ceremony—Sunday, June 30; 7 p.m. in Times Square; Melissa Etheridge is among the entertainers scheduled to perform.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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