Arts & Entertainment
Stonewall wasn’t the only LGBT riot
Lesser-known protests erupted in San Francisco

With the 50th anniversary of the June 1969 Stonewall riots in New York’s Greenwich Village taking place this weekend, the compelling story of how LGBT people fought back following the police raid on the Stonewall Inn gay bar will likely capture the attention this week of the LGBT community and its allies.
But those familiar with LGBT history point out that there were three other riots besides Stonewall in which LGBT people fought back against injustices by police, government officials, and society in general. All of them took place in San Francisco.
Compton’s Cafeteria Riot
One of them, known as the Compton’s Cafeteria Riot, took place in San Francisco’s Tenderloin neighborhood in August 1966, three years before Stonewall. Those familiar with it say it was led by LGBT people known then as drag queens and “cross dressers” but who today would be known to be transgender women.
Many of them hung out at the late night cafeteria, which operated as a restaurant.
According to an account by transgender historian Susan Stryker in her 2008 book “Transgender History,” the cafeteria’s trans customers and their gay male friends were frequently harassed by the cafeteria’s management and by police in the early and mid-1960s.
At the time, so-called “cross-dressing” was illegal in San Francisco, and police and local regulatory agencies often threatened to close bars or eateries like Compton’s for allowing such people to patronize their establishments.
Stryker reports in her book that the Compton’s Cafeteria riot was triggered when a police officer attempted to arrest a trans woman inside the cafeteria and she responded by throwing the coffee she was drinking in the officer’s face.
That act of defiance, coming on the heels of years of harassment by the police, prompted other trans people and their friends to “erupt,” Stryker wrote. People began to throw dishes and furniture and the cafeteria’s plate glass windows were smashed. When police reinforcements rushed to the scene the fighting spilled into the street, where people smashed the windows of a police car and set a sidewalk newsstand on fire.
Stryker, who also co-produced a documentary film on the riot called “Screaming Queens: The Riot at Compton’s Cafeteria,” reports that more than a dozen people were taken away by police in paddy wagons that night.
She reported that on the next night more transgender people, sex workers, Tenderloin neighborhood “street people,” and LGBT people in general returned to the scene to picket Compton’s Cafeteria after learning the management had banned transgender people from going back to the establishment.
In what observers consider an important pre-Stonewall development for LGBT rights, trans and LGBT youth under the guidance of the progressive Glide Memorial Church in San Francisco formed a group that staged protests over the next year or two against police harassment of trans and gay youth in the Tenderloin area.
White Night Riots
What has become known as the White Night Riots erupted in San Francisco on May 21, 1979 hours after news broke that a jury had rejected prosecutors’ call for a first-degree murder conviction for the man who assassinated gay rights icon and San Francisco Supervisor Harvey Milk and the city’s pro-LGBT mayor George Moscone.
To the shock and horror of San Francisco’s large LGBT community and its allies, the jury instead convicted ex-police officer and former supervisor Dan White of voluntary manslaughter for the two killings, prompting a judge to sentence him to seven years and eight months in prison. With good behavior, he would be eligible for release after serving just five years.
Legal observers said the jury appeared to have been persuaded by the defense attorneys’ argument that White suffered from an impaired mental state due to depression and the excessive consumption of fast food, which later became known as the “Twinkie defense.”
Police and prosecutors said White shot Milk and Moscone on Nov. 27, 1978 multiple times in the head and body execution style with a handgun inside their offices at City Hall, which White entered through an unguarded door he knew about as a former supervisor.
According to accounts by the media and by longtime LGBT and AIDS activist Cleve Jones, who worked on Milk’s staff and who was present during the riots, the LGBT community responded to the news about White’s verdict by organizing a peaceful protest in the city’s largely gay Castro neighborhood.
What started with about 500 people quickly grew to 1,500 as the protesters marched through the streets and swelled to more than 5,000 as the crowed reached City Hall in what observers described as an angry mood that took on the air of a mob.
Media accounts say some in the crowd began to smash the windows and glass front doors of the City Hall building as several of Milk’s friends and longtime supporters attempted to hold the crowd back. Although police officials said later that the large number of police officers dispatched to the scene were directed to hold back the crowd, many officers waded into the crowd and attacked the protesters with nightsticks, inflaming what was already a volatile situation.
The police action prompted angry protesters to begin smashing the windows of police cars and setting them and other cars on fire by tossing lit matchbooks into the cars, causing the gas tanks to explode. At least a dozen police cars and eight other cars were destroyed that way before the rioting ended later in the evening.
Media reports said at least 61 police officers and an estimated 100 or more protesters or members of the public were hospitalized as a result of the rioting. Additional people were injured, media reports said, when a group of police officers disobeyed orders from the chief of police not to retaliate and raided a gay bar in the Castro neighborhood later in the evening.
Witnesses said the renegade officers, who placed tape over their nametags and badges, smashed the Elephant Walk bar’s windows and attacked its patrons for about 15 minutes. They then went out on the street and attacked others they believed to be gays who participated in the rioting.
Further LGBT organized protests took place in the following days that did not trigger violence. One of the later protests drew more than 20,000 people who assembled peacefully at Castro and Market Streets. The city’s then mayor, Dianne Feinstein, and gay Supervisor Harry Britt, who replaced Milk on the Board of Supervisors, vowed to take steps to protect the rights of LGBT people and curtail anti-LGBT violence.
AB 101 Veto Riot
The last of the three known other LGBT riots took place in San Francisco on Sept. 30, 1991. Similar to the White Night Riots, it was triggered by breaking news earlier that day.
Then-California Gov. Pete Wilson (R) vetoed a major gay rights bill approved by the state legislature known as Assembly Bill 101, which called for banning employment discrimination based on someone’s sexual orientation. Wilson initially suggested he would sign the legislation, but political observers said he changed his mind at the behest of his party’s religious right faction and other conservatives whose support he needed for his re-election bid.
Several thousand outraged LGBT activists and their supporters marched from the Castro district to a downtown state office building to protest Wilson’s veto. The crowd far outnumbered startled police officers, who were not expecting such a large turnout. According to media reports, a small number of protesters smashed the building’s first floor windows and door, entered the building and started a fire that was quickly extinguished by firefighters but which resulted in more than $150,000 in damages.
That same week about 2,000 angry LGBT protesters in Los Angeles marched from West Hollywood to the Los Angeles Museum of Art, where Wilson was attending an opening of an exhibition of Mexican art, according to the L.A. Times. The protesters stopped short of rioting but set a California state flag on fire and burned Wilson in effigy, the Times reported.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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