Arts & Entertainment
New docuseries claims repressed sexuality key in downfall of Aaron Hernandez
A Netflix docuseries dropping this week alleges that former NFL star and convicted murderer Aaron Hernandez was gay, and that repression of his sexuality was a key factor in his crimes.
“Killer Inside: The Mind of Aaron Hernandez,” which debuts on January 15, is a three-part expansion by director Geno McDermott of his 2018 documentary, “My Perfect World: The Aaron Hernandez Story.” In it, McDermott contends that the former New England Patriots tight end experienced an irreconcilable inner conflict over his sexuality, nurtured by an unstable and homophobic family background and exacerbated by a shady social life coupled with an aggressively heteronormative work environment. According to Daily Beast, Hernandez’ increasingly violent behavior was the result of this conflict.
In addition, the documentary alleges that Hernandez’ spiral into violence may have been tied to CTE (chronic traumatic encephalopathy), a neurodegenerative disorder resulting from repeated head trauma. With a long history of players dying from CTE, the NFL has been accused of covering up and downplaying its significance, and the organization only acknowledged the connection between CTE and football in 2016. A postmortem examination revealed that Hernandez’ brain had been more damaged by CTE than any 27-year-old to date.
McDermott ultimately implies, through extensive trial and news footage, recorded conversations, and interviews with subjects like Dennis SanSoucie (Hernandez’ high school quarterback with whom he allegedly had a sexual relationship) and former Patriots offensive tackle Ryan O’Callaghan (who was closeted throughout his own NFL career), that the NFL was at least partly complicit in Hernandez’ downfall, and therefore in his crimes as well.
In 2015, Hernandez was convicted for the murder of Odin Lloyd, who was the boyfriend of his then-fiancée’s sister. Sentenced to life in prison without possibility of parole, he was also tried in a 2012 shooting of two men over a spilled drink. He was acquitted of those murders in 2017; but days later, he was found hanging from bedsheets in his prison cell. The death was officially ruled a suicide.
You can watch a the trailer for “Killer Inside” below.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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