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Oscar noms 2020: ‘And the loser is… diversity’

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John Cho and Issa Rae announced the nominees for the 92nd Academy Awards on Monday morning (Image via YouTube)

After 2019’s record year of inclusion for LGBTQ and LGBTQ-themed nominees, it looks like Oscars 2020 has taken a huge step backward.

Announced Monday morning from the David Geffen Theatre at the new, yet-to-be-opened Academy Museum in Los Angeles, the list of nominations for the 92nd Academy Awards contained few surprises, aside from a few notable snubs, but is nevertheless noteworthy not only for a shortfall in LGBTQ inclusion, but also for a general lack of overall diversity.

Of the twenty acting nominees, none identify as LGBTQ, but Margot Robbie, nominated for Best Supporting Actress for “Bombshell,” and Antonio Banderas, who made the Best Actor category for his performance in “Pain and Glory,” both portray LGBTQ characters. Only one acting nominee – Cynthia Erivo, nominated for her starring role in the film “Harriet” – is a person of color (Banderas, who is of Spanish descent, is classified by US Census guidelines as “European”). No women were nominated in the Best Director category, and only one of the nine Best Picture nominees was directed by a woman – Greta Gerwig, for “Little Women.” In addition, the majority of the nine nominated films are dominated by male characters, with only “Little Women,” “Marriage Story,” and “Parasite” featuring women among its central cast. In the two screenplay categories, only two women received nods: Gerwig for “Little Women,” and Krysty Wilson-Cairns for co-writing “1917” with director Sam Mendes. “Pain and Glory,” directed by openly-LGBTQ filmmaker Pedro Almodóvar, scored a nomination as Best International Feature.

The lack of diversity in this year’s list of nominations is made even more glaring by several of its omissions:

  • Notably left out of the final cut were Latina actress Jennifer Lopez, who was widely expected to score a nod for her performance in “Hustlers.”
  • Recent Golden Globe winner Awkwafina, the Phillipina-American rapper-turned-actress who starred in Lulu Wang’s acclaimed mixed-language film, “The Farewell,” was shut out of the Best Actress category, and the movie itself failed to score a slot in the Best International Feature category.
  • Former Oscar-winner Lupita Nyong’o failed to garner a nomination for her strong performance in Jordan Peele’s “Us.”
  • Bong Joon-ho’s “Parasite,” which earned the rare distinction of being nominated as both Best Picture and Best International Feature, also failed to earn nods for any of its Korean cast, including Song Kang Ho, who was thought to be a likely contender for Best Supporting Actor.
  • Actor Jamie Foxx, another favorite for his supporting performance in “Just Mercy,” was snubbed in that category.
  • Besides the snub for Gerwig in the director category, strong female contenders Wang (“The Farewell”), Marielle Heller (“A Beautiful Day in the Neighborhood”), Lorene Scafaria (“Hustlers”) and Alma Har’el (“Honey Boy”) were all shut out. To date, only five women have been nominated as Best Director – Kathryn Bigelow (“The Hurt Locker”), Lina Wertmüller (“Seven Beauties”), Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”) and Gerwig (“Lady Bird”). Bigelow is the only woman to have won the award in the Academy’s 92 year history.
  • Even Beyoncé, considered a shoe-in for a Best Original Song nod with “Spirit” from Disney’s remake of “The Lion King,” was overlooked.
  • Also raising eyebrows was the omission of Eddie Murphy in any category for his well-received Netflix film, “My Name is Dolemite,” or former Oscar-winner Ruth Carter for its costume design. In addition, there was a surprising lack of recognition for the Elton John biopic “Rocketman” or its star, Taron Egerton, which failed to earn nominations for Best Picture or Best Actor despite both having been heavy favorites for inclusion in those categories. “Rocketman” did receive a nomination for John and longtime collaborator Bernie Taupin in the Best Original Song category, for “(I’m Gonna) Love Me Again.”

There was an inescapable irony evident in the Academy’s choice of Asian-American actor John Cho and actress of color Issa Rae to announce the nominees at this morning’s event. After the pair read off the names in the Best Director category, Rae quipped, “Congratulations to all those men.”

The film with the most nominations was Todd Phillips’ “Joker,” which received 11 total nods. The first comic book film to lead the race in nominations, Phillips’ movie has been controversial for its portrayal of the iconic “Batman” villain, drawing criticism for glamorizing “incel” culture.

Following “Joker” in total nominations are “The Irishman,” “1917,” and “Once Upon a Time… in Hollywood,” with eight each. “Jojo Rabbit,” “Little Women,” “Marriage Story,” and “Parasite” each received six. Each of the leading films are contenders for the Best Picture category.

The nominations are determined by Academy members who vote in their own categories – with actors nominating actors, directors nominating directors, etc. – while the final winners in all categories are chosen by vote from the entire Academy membership. The Oscar presentation will take place on February 9, 2020, to be televised by ABC. For the second year in a row, the ceremony will not have a designated host, but will split hosting duties among individual presenters.

For a complete list of nominations, click here.

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PHOTOS: Equality Prince William Pride

Fourth annual event held in Old Town Manassas

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Muffy Blake Stephyns performs at 2025 Prince William Equality Pride. (Washington Blade photo by Michael Key)

The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.

(Washington Blade photos by Michael Key)

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PHOTOS: Blade Summer Kickoff Party

Gov. Meyer speaks at annual Rehoboth event

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Delaware Gov. Matt Meyer speaks at the Washington Blade's 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. (Washington Blade photo by Daniel Truitt)

The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting. 

(Washington Blade photos by Daniel Truitt)

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Dining

Lucky Pollo stretches its wings at 14th and U

Come for the chicken, stay for the cock

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Lucky Pollo opened its doors last week above District Eagle.

In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”

Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.

Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.

Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.

“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.

Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”

Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.

Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.

Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.

Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.

Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.

Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”

The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.

Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.

“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.

On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”

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