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GLAAD’s ‘Together in Pride’ raises $225,000

Online fundraiser featured dozens of LGBTQ celebrities

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Billy Eichner, gay news, Washington Blade
Billy Eichner, gay news, Washington Blade
Billy Eichner served as a host of GLAAD’s ‘Together in Pride’ fundraiser. (Photo via Instagram)

After weeks of social distancing, connecting with the rest of the world only from a screen is starting to wear a little thin.

With that in mind, it’s even more remarkable that GLAAD last weekend managed to pull off an impressive show of solidarity and support for the LGBTQ+ community with a virtual gathering that actually felt – almost, at least – like the real thing.

“Together in Pride: You Are Not Alone,” which streamed live on GLAAD’s YouTube channel Sunday evening, brought together dozens of celebrities to participate and perform from the safety of their living rooms, in an event that was intended to highlight the LGBTQ response to the COVID-19 pandemic, to bring the LGBTQ community together with messages of acceptance, to honor LGBTQ heroes providing direct services during COVID-19, and to raise much-needed funds for local LGBTQ centers affected by the crisis.

The livestream was presented by GLAAD to benefit CenterLink, a coalition of more than 250 LGBTQ community centers from 45 states, Puerto Rico, and the District of Columbia, as well as Canada, China, Mexico, and Australia.

If you were not one of the thousands who watched live or have since viewed it on YouTube, it won’t be a spoiler to say that the event succeeded in raising over $225,000 in initial funds ($150,000 of which was gifted by the Ariadne Getty Foundation), all of which will go to CenterLink, and that number is still rising as donations continue to be accepted.

The livestream event, at just under two hours, never seemed to drag. Juxtaposing interviews, performances, and discussions of topics surrounding the impact of the virus on the queer community, the slickly produced show maintained – for the most part – a healthy balance between entertainment, advocacy, and passing the hat. Much of that is thanks to Billy Eichner and Lilly Singh, who split hosting duties for the evening and provided a welcome upbeat energy to the whole affair.

Eichner started things off on a light note that prevailed throughout the livestream without undermining the importance of its underlying purpose. In several engaging interviews, interspersed throughout the show, he spoke with LGBTQ trailblazers like “Schitt’s Creek” creator and star Dan Levy, former presidential candidate Pete Buttigieg and his husband Chasten, “American Idol” star and Queen front-man Adam Lambert, and (as Eichner introduced him) “the hideous” Matt Bomer.

Alternating with Eichner was Singh, who matched his good-natured presence with her own infectious joy, gleefully changing outfits from one segment to the next. Among her interviews were “Will & Grace” star Sean Hayes and his husband Scott Icenogle, LGBTQ ally and “Orphan Black” star Tatiana Maslany, and “Queer Eye” star Jonathan Van Ness, who talked about the importance of breaking down the stigma around people living with HIV.

There were a lot of highlights. Other interviewers included Rosie O’Donnell, Wilson Cruz, Brian Michael Smith, and Michelle Visage; there were appearances from Tony and Emmy Award-winner Billy Porter, Gigi Gorgeous and Nats Getty, Ross Mathews, “Hamilton” star Javier Muñoz, Bebe Rexha, Patrick Starrr, and D.J. “Shangela” Pierce, as well as longtime ally and GLAAD supporter Sharon Stone. There was even a special message to the LGBTQ community from beloved superstar Barbra Streisand.

The standout moments of the livestream, however, were undoubtedly the performances. Headliners Kesha and Melissa Etheridge delivered performances – Kesha sang “Rainbow” while Etheridge gave renditions of “Everybody Has a Pulse” and the classic “Come To My Window” – that were as committed and polished as if they had been executed on any concert stage, and were made all the more affecting by the intimate setting.

Their efforts were matched by a stunning performance from gender non-conforming actor Alex Newell, whose powerful delivery of “Stand Up for Love” surely moved more than a few sheltered-at-home viewers to stand up from their couches in ovation, and by the cast of Broadway’s “Jagged Little Pill,” whose multi-split-screen performance of “You Learn” reminded us of both the complex and inclusive humanity layered into the lyrics of Alanis Morrisette and the irrepressible talent of the professional theater community – a segment particularly hard-hit by the economic impact of the coronavirus shutdowns across the nation.

Each of these performances could be called a stand-out, but the livestream’s show-stopping moment came with the duet “Suddenly, Seymour,” from “Little Shop of Horrors,” performed by actor George Salazar and “Pose” star Mj Rodriguez. The two performers, who last year starred in an acclaimed Pasadena Playhouse production of the Howard Ashman/Alan Menken-penned musical, brought an intensity of feeling to the screen that made us forget, for a few precious minutes, that they were separated from each other, and even from us – we might have been watching from the front row. It was an outstanding performance, by any standard, and proof that each of these gifted actors deserve to be taken seriously as members of a diverse new wave of talent in the entertainment industry.

Of course, throughout “Together in Pride,” in between all the “fun stuff,” were the reminders of why we were gathered virtually to begin with – the plight of LGBTQ centers, cornerstones of the queer community and important providers of much-needed services to under-served segments within that population, that are struggling to stay open long enough to survive into a still-uncertain future. GLAAD is a powerful ally, but even having the world’s largest LGBTQ media advocacy organization on your side is no guarantee of survival.

There are also the inevitable questions about the future of our culture that arise from the vague, indefinable dissatisfaction many of us feel when watching these kinds of entertainment experiences, patched together remotely from disparate places and assembled, hopefully, into something that can help us escape, just for awhile, the day-to-day drudgery of life during lockdown. Is this what we have to look forward to for the foreseeable future? Will we ever be able to be in the same room with our favorite performers again? Will they ever be able to be in the same room with each other?

Fortunately, “Together in Pride: You Are Not Alone” succeeded not only in raising money and awareness, it succeeded in raising consciousness. Through its sincerity, its welcoming spirit, and its dedication to elevating the efforts of those in our community who are playing the role of helpers throughout this crisis, the GLAAD livestream event reminded us that we are, indeed, all together in this, even if we’re far apart, and if we are going to make it through it will be because we have each other’s backs.

The hope that springs from that recognition is more than enough to dispel any doom-and-gloom feelings you might have going into the show, and that’s as much a win for GLAAD, in its own way, as its success at bringing in donations.

You can watch the event in its entirety on GLAAD’s YouTube channel.

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Movies

‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

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Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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Photos

PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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