Arts & Entertainment
GLAAD’s ‘Together in Pride’ raises $225,000
Online fundraiser featured dozens of LGBTQ celebrities

After weeks of social distancing, connecting with the rest of the world only from a screen is starting to wear a little thin.
With that in mind, it’s even more remarkable that GLAAD last weekend managed to pull off an impressive show of solidarity and support for the LGBTQ+ community with a virtual gathering that actually felt – almost, at least – like the real thing.
“Together in Pride: You Are Not Alone,” which streamed live on GLAAD’s YouTube channel Sunday evening, brought together dozens of celebrities to participate and perform from the safety of their living rooms, in an event that was intended to highlight the LGBTQ response to the COVID-19 pandemic, to bring the LGBTQ community together with messages of acceptance, to honor LGBTQ heroes providing direct services during COVID-19, and to raise much-needed funds for local LGBTQ centers affected by the crisis.
The livestream was presented by GLAAD to benefit CenterLink, a coalition of more than 250 LGBTQ community centers from 45 states, Puerto Rico, and the District of Columbia, as well as Canada, China, Mexico, and Australia.
If you were not one of the thousands who watched live or have since viewed it on YouTube, it won’t be a spoiler to say that the event succeeded in raising over $225,000 in initial funds ($150,000 of which was gifted by the Ariadne Getty Foundation), all of which will go to CenterLink, and that number is still rising as donations continue to be accepted.
The livestream event, at just under two hours, never seemed to drag. Juxtaposing interviews, performances, and discussions of topics surrounding the impact of the virus on the queer community, the slickly produced show maintained – for the most part – a healthy balance between entertainment, advocacy, and passing the hat. Much of that is thanks to Billy Eichner and Lilly Singh, who split hosting duties for the evening and provided a welcome upbeat energy to the whole affair.
Eichner started things off on a light note that prevailed throughout the livestream without undermining the importance of its underlying purpose. In several engaging interviews, interspersed throughout the show, he spoke with LGBTQ trailblazers like “Schitt’s Creek” creator and star Dan Levy, former presidential candidate Pete Buttigieg and his husband Chasten, “American Idol” star and Queen front-man Adam Lambert, and (as Eichner introduced him) “the hideous” Matt Bomer.
Alternating with Eichner was Singh, who matched his good-natured presence with her own infectious joy, gleefully changing outfits from one segment to the next. Among her interviews were “Will & Grace” star Sean Hayes and his husband Scott Icenogle, LGBTQ ally and “Orphan Black” star Tatiana Maslany, and “Queer Eye” star Jonathan Van Ness, who talked about the importance of breaking down the stigma around people living with HIV.
There were a lot of highlights. Other interviewers included Rosie O’Donnell, Wilson Cruz, Brian Michael Smith, and Michelle Visage; there were appearances from Tony and Emmy Award-winner Billy Porter, Gigi Gorgeous and Nats Getty, Ross Mathews, “Hamilton” star Javier Muñoz, Bebe Rexha, Patrick Starrr, and D.J. “Shangela” Pierce, as well as longtime ally and GLAAD supporter Sharon Stone. There was even a special message to the LGBTQ community from beloved superstar Barbra Streisand.
The standout moments of the livestream, however, were undoubtedly the performances. Headliners Kesha and Melissa Etheridge delivered performances – Kesha sang “Rainbow” while Etheridge gave renditions of “Everybody Has a Pulse” and the classic “Come To My Window” – that were as committed and polished as if they had been executed on any concert stage, and were made all the more affecting by the intimate setting.
Their efforts were matched by a stunning performance from gender non-conforming actor Alex Newell, whose powerful delivery of “Stand Up for Love” surely moved more than a few sheltered-at-home viewers to stand up from their couches in ovation, and by the cast of Broadway’s “Jagged Little Pill,” whose multi-split-screen performance of “You Learn” reminded us of both the complex and inclusive humanity layered into the lyrics of Alanis Morrisette and the irrepressible talent of the professional theater community – a segment particularly hard-hit by the economic impact of the coronavirus shutdowns across the nation.
Each of these performances could be called a stand-out, but the livestream’s show-stopping moment came with the duet “Suddenly, Seymour,” from “Little Shop of Horrors,” performed by actor George Salazar and “Pose” star Mj Rodriguez. The two performers, who last year starred in an acclaimed Pasadena Playhouse production of the Howard Ashman/Alan Menken-penned musical, brought an intensity of feeling to the screen that made us forget, for a few precious minutes, that they were separated from each other, and even from us – we might have been watching from the front row. It was an outstanding performance, by any standard, and proof that each of these gifted actors deserve to be taken seriously as members of a diverse new wave of talent in the entertainment industry.
Of course, throughout “Together in Pride,” in between all the “fun stuff,” were the reminders of why we were gathered virtually to begin with – the plight of LGBTQ centers, cornerstones of the queer community and important providers of much-needed services to under-served segments within that population, that are struggling to stay open long enough to survive into a still-uncertain future. GLAAD is a powerful ally, but even having the world’s largest LGBTQ media advocacy organization on your side is no guarantee of survival.
There are also the inevitable questions about the future of our culture that arise from the vague, indefinable dissatisfaction many of us feel when watching these kinds of entertainment experiences, patched together remotely from disparate places and assembled, hopefully, into something that can help us escape, just for awhile, the day-to-day drudgery of life during lockdown. Is this what we have to look forward to for the foreseeable future? Will we ever be able to be in the same room with our favorite performers again? Will they ever be able to be in the same room with each other?
Fortunately, “Together in Pride: You Are Not Alone” succeeded not only in raising money and awareness, it succeeded in raising consciousness. Through its sincerity, its welcoming spirit, and its dedication to elevating the efforts of those in our community who are playing the role of helpers throughout this crisis, the GLAAD livestream event reminded us that we are, indeed, all together in this, even if we’re far apart, and if we are going to make it through it will be because we have each other’s backs.
The hope that springs from that recognition is more than enough to dispel any doom-and-gloom feelings you might have going into the show, and that’s as much a win for GLAAD, in its own way, as its success at bringing in donations.
You can watch the event in its entirety on GLAAD’s YouTube channel.
Theater
Ford’s ‘First Look’ festival showcases three new productions
A chance to enjoy historical dramas for free before they’re completed
The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org
When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings.
“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”
This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.
The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp.
“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo.
Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping.
“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves.
Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026.
“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.”
At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored.
For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”
One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season.
Increasingly, the readings at Ford’s have become popular with both artists and audiences.
At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone.
Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work.
Is this year’s festival queer influenced? Yes, both by those involved and the topics explored.
Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us.
“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”
Bars & Parties
Mid-Atlantic Leather kicks off this week
Parties, contests, vendor expo and more planned for annual gathering
The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.
This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.
There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle.
For more details, visit MAL’s website.
A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.
“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.
(Washington Blade photos by Michael Key)









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