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2022 DC Brau Pride Pils can is ‘Proud to Say GAY!’

DC Brau Reveals Winning Design of its 5th Annual Pride Pils Can and Announces The Upcoming Pride Pils Dance Party & Launch, Co-Hosted by DACHA Beer Garden and Electric Rainbow

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DC Brau, D.C.’s original craft brewery, reveals the winning design of its 5th annual Pride Pils can and announces the celebratory Pride Pils Dance Party & Launch event. In support of The Blade Foundation and SMYAL, DC Brau partnered with local artist Chord Bezerra of District Co-Op to design this year’s can, with locals voting for their favorite art on The Washington Blade.   

DC Brau will showcase the winning Pride Pils design, kicking off DC Pride with a celebration at DACHA Beer Garden in Navy Yard on Thursday, June 2nd, from 6pm – 11pm. In partnership with Dacha and beloved local LGBTQIA+ dance party, Electric Rainbow, guests will enjoy DC Brau beer, featuring the newly minted 2022 Pride Pils can and bites available for purchase from Dacha. Artist and DJ, Chord Bezerra, will close out the evening with a live DJ set and dance party kicking off at 8pm. 

2022 Pride Pils Can Art

The winning art, designed by Chord Bezerra, was created in direct response to Florida’s “Don’t Say Gay” bill, which limits what classrooms can teach about sexual orientation and gender identity, which disenfranchises vulnerable youth. This design seeks to counter the bill’s harmful message and celebrate Pride across the LGBTQIA+ community. In addition to the design being featured on DC Brau’s 2022 Pride Pils can, supporters can purchase Proud to Say GAY! merchandise, including T-shirts, sweatshirts, stickers, and more from District Co-Op. Proceeds from each purchase will benefit The Blade Foundation and SMYAL.

Since launching Pride Pils in 2017, DC Brau has donated more than $42,083 to The Blade Foundation and SMYAL, selling more than 81,576 Pride Pils cans. This year, the can labels have been generously donated by Blue Label Packaging Co. along with PakTech’s donation of packaging handles. 

Guests are encouraged to RSVP in advance via Eventbrite. General admission tickets are free, with VIP tickets available for a donation of $20, which includes a complimentary can of Pride Pils and access to the VIP area near the DJ booth. All donations and event proceeds will go directly to The Blade Foundation and SMYAL.  

About DC Brau:

DC Brau Brewing Company is DC’s original craft brewery, brewing award-winning beer utilizing a delicious and uniquely American blend of North American and European techniques and ingredients. Founded in 2011, DC Brau is distributed throughout the greater National Capital Region, Maryland, Delaware, Pennsylvania, and internationally in the UK. Co-Founders Brandon Skall, Jeff Hancock and Mari Rodela have become pillars in the DC beer community by creating DC’s first craft brewery with creative, expertly brewed beers and hard seltzers. For more information on DC Brau, visit www.dcbrau.com, and follow on social media @dcbrau. 

About The Washington Blade: The Washington Blade was founded in 1969 and is known as the “newspaper of record” for the LGBTQ community both locally and nationally. For more information, visit washingtonblade.com and follow on Facebook (@WashingtonBlade) & Twitter/Instagram (@WashBlade).

About District CoOp: District CoOp is a collection of artists celebrating design, diversity and the culture of D.C. We’re all about supporting and empowering local artists and creating a brand for the people by the people. All designs are available in both men’s and women’s and as a tank or crew. Follow us on Instagram (@District_CoOp) or Facebook (@DistrictCoOp).

About SMYAL:

SMYAL (Supporting and Mentoring Youth Advocates and Leaders) supports and empowers lesbian, gay, bisexual, transgender, and questioning (LGBTQ) youth in the Washington, DC, metropolitan region. Through youth leadership, SMYAL creates opportunities for LGBTQ youth to build self-confidence, develop critical life skills, and engage their peers and community through service and advocacy. Committed to social change, SMYAL builds, sustains, and advocates for programs, policies, and services that LGBTQ youth need as they grow into adulthood. To learn more, visit SMYAL.org

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Transgender Day of Remembrance

Observance held at Metropolitan Community Church

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Transgender Day of Remembrance was observed at Metropolitan Community Church of Washington, D.C. on Nov. 20. (Washington Blade photo by Michael Key)

Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.

Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.

(Washington Blade photos by Michael Key)

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Books

Pioneering gay journalist takes on Trump 2.0 in new book

Nick Benton’s essays appeared in Fall Church News-Press

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(Book cover image via Amazon)

Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.

In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump. 

His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young. 

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”

Please Dont Eat Your Children

In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.

As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.

Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.

But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.

It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”

Nick Benton’s new book is available now at Amazon.

The Blade may receive commissions from qualifying purchases made via this post.

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