Arts & Entertainment
Kim Petras and Beyoncé make history at the 65th annual Grammys
The 65th annual Grammys served up a night of LGBTQ significance as Beyoncé and Kim Petras both make history
The 65th annual GRAMMY Award Ceremonies held Sunday evening at the Crypto.com Arena saw a significant LGBTQ+ presence and wins in several categories including a GRAMMY for Best Solo Pop Duo/Group Performance awarded to Out Trans artist Kim Petras along side nonbinary artist Sam Smith for their song “Unholy.”
Madonna was on hand to introduce the duo, and in doing so, seemed to shout praise to the entire queer community. “Here’s what I have learned after four decades in music. If they call you shocking, scandalous, troublesome, problematic, provocative, or…dangerous. You are definitely on to something. So I am here to give thanks to all the rebels out there forging a new path, and taking the heat for all of it. You guys need to know, all you trouble makers out there, you need to know your fearlessness does not go unnoticed, you are seen, you are heard, and most of all you are appreciated.”
While online chatter seemed obsessed with Madonna’s physical appearance, there is hope her message reached queer teens, currently under the ire of current conservative politics, in the same way the singer elevated HIV positive people in the 1980s by not only accepting them, but calling them heroes.
Sam Smith insisted that Kim Petras give their acceptance speech so that she could experience the full effect of being the first transgender woman to receive the award in the Recording Academy’s 65 year history.
Petras acknowledged Madonna’s effect as an icon when she said in her acceptance speech, “I want to thank Madonna for always fighting for LGBTQ rights, I would not be here if not for Madonna.”
She also called out SOPHIE, the transgender Grammy-nominated DJ, producer and recording artist who died in Athens after a tragic accident. “I just want to thank all the incredible transgender legends before me who kicked these doors open for me so I could be here tonight. SOPHIE, especially, my friend who passed away two years ago, who told me this would happen and always believed in me. Thank you so much for your inspiration, SOPHIE. I adore you and your inspiration will always be in my music.”
“I grew up next to a highway in nowhere, Germany, and my mother believed me that I was a girl and I wouldn’t be here without her and her support,” Petras concluded her historic speech. “Sam, thank you, you’re a true angel and hero in my life and I love you. And everyone who made the song, too, I love you guys. Sorry, I didn’t write down the names. I love you.”
Longtime LGBTQ+ ally Harry Styles received a GRAMMY for Album of the Year for his Harry’s House. Styles also picked up a GRAMMY win Best Pop Vocal Album for Harry’s House. Earlier Styles received a GRAMMY trophy for Best Engineered Album, Non-Classical also for Harry’s House.
Beyoncé, who was the most nominated artist going into Sunday’s ceremonies, made GRAMMY history breaking the record for the most wins ever by an artist. In her acceptance speech where she mentioned her late uncle who died from HIV/AIDS she acknowledged the queer community for their support and “for inventing the genre” of dance music, which she honors in her album.
“I’m trying not to be too emotional. I’m trying to just receive this night. I want to thank God for protecting me. Thank you, God. I’d like to thank my uncle Johnny who’s not here, but he’s here in spirit.
I’d like to thank my parents, my father, my mother for loving me and pushing me. I’d like to thank my beautiful husband, my beautiful three Children who are at home watching.
I’d like to thank the queer community for your love, for inventing the genre. God bless you.
Thank you so much to the GRAMMYs. Thank you.”
She also posted a thank you note on Instagram celebrating the three awards she won earlier in the evening: Best Traditional R&B Performance (“Plastic Off the Sofa”), Best R&B Song (“Cuff It”), and Best Dance/Electronic Recording (“Break My Soul”).
First Lady Dr. Jill Biden walked on stage during the ceremonies to a standing ovation. GRAMMYs host Trevor Noah, who introduced her, described her as “the only person in the world who knows which of tonight’s songs the President sings in the shower.”
The First Lady presented two awards – the Song of the Year and the new award “Best Song for Social Change.”
Iranian singer Shervin Hajipour won the new social change award. His song Baraye has been described as the anthem of the Mahsa Amini protests in Iran. Biden described the song as a “powerful and poetic call for freedom and women’s rights.”
He was arrested on September 29, 2022 – two days after his song was released on social media – and was released two days later. He is not allowed to leave Iran.
Biden then presented Song of the Year to Just Like That by Bonnie Raitt. She kissed Raitt on the cheek.
Vanessa Valdivia, Press Secretary for Biden told the traveling press pool: “The First Lady was honored to be asked by the Recording Academy to announce the GRAMMYs’ first Social Change award to Shervin Hajipour for his song ‘Baraye’. As a steadfast champion for women and girls around the world, the First Lady was inspired by his song that served as an anthem for freedom and women’s rights.”
2023 GRAMMY Award Winners
* Winners in bold
Album of the Year:
Harry Styles – Harry’s House
ABBA – Voyage
Adele – 30
Bad Bunny – Un Verano Sin Ti
Beyoncé – Renaissance
Mary J. Blige – Good Morning Gorgeous (Deluxe)
Brandi Carlile – In These Silent Days
Coldplay – Music of the Spheres
Kendrick Lamar – Mr. Morale & the Big Steppers
Lizzo – Special
Song of the Year:
Bonnie Raitt – “Just Like That”
Gayle – “abcdefu”
Lizzo – “About Damn Time”
Taylor Swift – “All Too Well (10 Minute Version)”
Harry Styles – “As It Was”
Steve Lacy – “Bad Habit”
Beyoncé – “Break My Soul”
Adele – “Easy On Me”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Kendrick Lamar – “The Heart Part 5”
Record of the Year:
Lizzo – “About Damn Time”
ABBA – “Don’t Shut Me Down”
Adele – “Easy On Me”
Beyoncé – “Break My Soul”
Mary J. Blige – “Good Morning Gorgeous”
Brandi Carlile feat. Lucius – “You and Me on the Rock”
Doja Cat – “Woman”
Steve Lacy – “Bad Habit”
Kendrick Lamar – “The Heart Part 5”
Harry Styles – “As It Was”
Best New Artist:
Samara Joy
Anitta
Omar Apollo
Domi & JD Beck
Muni Long
Latto
Måneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg
Best Alternative Music Album:
Wet Leg – Wet Leg
Arcade Fire – WE
Big Thief – Dragon New Warm Mountain I Believe in You
Björk – Fossora
Yeah Yeah Yeahs – Cool It Down
Best Alternative Music Performance:
Wet Leg – “Chaise Lounge”
Arctic Monkeys – “There’d Better Be a Mirrorball”
Big Thief – “Certainity”
Florence + The Machine – “King”
Yeah Yeah Yeahs feat. Perfume Genius – “Spitting Off the Edge of the World”
Best Rock Performance:
Brandi Carlile – “Broken Horses”
Bryan Adams – “So Happy It Hurts”
Beck – “Old Man”
The Black Keys – “Wild Child”
IDLES – “Crawl!”
Ozzy Osbourne feat. Jeff Beck – “Patient Number 9”
Turnstile – “Holiday”
Best Rock Song:
Brandi Carlile – “Broken Horses”
Red Hot Chili Peppers – “Black Summer”
Turnstile – “Blackout”
The War on Drugs – “Harmonia’s Dream”
Ozzy Osbourne feat. Jeff Beck – “Patient Number 9″
Best Rock Album:
Ozzy Osbourne – Patient Number 9
The Black Keys – Dropout Boogie
Elvis Costello & The Imposters – The Boy Named If
IDLES – Crawler
Machine Gun Kelly – Mainstream Sellout
Spoon – Lucifer on the Sofa
Best Metal Performance:
Ozzy Osbourne feat. Tony Iommi – “Degradation Rules”
Ghost – “Call me Little Sunshine”
Megadeth – “We’ll Be Back”
Muse – “Kill or Be Killed”
Turnstile – “Black Out”
Best Solo Pop Performance:
Adele – “Easy on Me”
Bad Bunny – “Moscow Mule”
Doja Cat – “Woman”
Steve Lacy – “Bad Habit”
Lizzo – “About Damn Time”
Harry Styles – “As It Was”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Best Solo Pop Duo/Group Performance:
Sam Smith & Kim Petras – “Unholy”
ABBA – “Don’t Shut Me Down”
Camila Cabello feat. Ed Sheeran – “Bam Bam”
Coldplay & BTS – “My Universe”
Post Malone & Doja Cat – “I Like You (A Happier Song)”
Best Pop Vocal Album:
Harry Styles – Harry’s House
ABBA – Voyage
Adele – 30
Coldplay – Music of the Sphere
Lizzo – Special
Best Dance/Electronic Recording:
Beyoncé – “Break My Soul”
Bonobo – “Rosewood”
Diplo & Miguel – “Don’t Forget My Love”
David Guetta & Bebe Rexha – “I’m Good (Blue)”
Kaytranada feat. H.E.R. – “Intimidated”
RÜFÜS DU SOL – “Intimidated”
Best Dance/Electronic Album:
Beyoncé – Renaissance
Bonobo – Fragments
Diplo – Diplo
Odesza – The Last Goodbye
RÜFÜS DU SOL – Surrender
Best Rap Album:
Kendrick Lamar – Mr. Morale & the Big Steppers
DJ Khaled – God Did
Future – I Never Liked You
Jack Harlow – Come Home the Kids Miss You
Pusha T – It’s Almost Dry
Best Rap Song:
Kendrick Lamar – “The Heart Part 5”
Future feat. Drake and Tems – “Wait for U”
Jack Harlow feat. Drake – “Churchill Downs”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Gunna and Future feat. Young Thug – “Pushin’ P”
Best Rap Performance:
Kendrick Lamar – “The Heart Part 5”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Doja Cat – “Vegas”
Gunna & Future feat. Young Thug – “Pushin P”
Hitkidd & GloRilla – “F.N.F. (Let’s Go)”
Best Melodic Rap Performance:
Future feat. Drake and Tems – “Wait for U”
DJ Khaled feat. Future and SZA – “Beautiful”
Jack Harlow – “First Class”
Kendrick Lamar feat. BLXST and Amanda Reifer – “Die Hard”
Latto – “Big Energy (Live)”
Best Música Urbana Album:
Bad Bunny – Un Verano Sin Ti
Rauw Alejandro – Trap Cake, Vol. 2
Daddy Yankee – Legendaddy
Farruko – LA 167
Maluma – The Love & Sex Tape
Best Americana Album:
Brandi Carlile – In These Silent Days
Dr. John – Things Happen That Way
Keb’ Mo’ – Good to Be…
Robert Plant & Alison Krauss – Raise the Roof
Bonnie Raitt – Just Like That…
Best Comedy Album:
Dave Chappelle – The Closer
Jim Gaffigan – Comedy Monster
Randy Rainbow – A Little Brains, a Little Talent
Louis CK – Sorry
Patton Oswalt – We All Scream
Best Music Video:
Taylor Swift – “All Too Well: The Short Film”
Adele – “Easy on Me”
BTS – “Yet to Come”
Doja Cat – “Woman”
Kendrick Lamar – “The Heart Part 5”
Harry Styles – “As It Was”
Best Music Film:
Various Artists – Jazz Fest: A New Orleans Story
Adele – Adele One Night Only
Justin Bieber – Our World
Billie Eilish – Billie Eilish Live at The O2
Rosalía – Motomami (Rosalía TikTok Live Performance)
Neil Young & Crazy Horse – A Band A Brotherhood A Barn
Best Score Soundtrack for Visual Media:
Germaine Franco – Encanto
Michael Giacchino – The Batman
Hans Zimmer – No Time to Die
Jonny Greenwood – The Power of the Dog
Nicholas Britell – Succession: Season 3
Best Compilation Soundtrack for Visual Media:
Encanto
Elvis
Stranger Things: Soundtrack from the Netflix Series, Season 4 (Vol 2)
Top Gun: Maverick
West Side Story
Best Remixed Recording:
Lizzo – “About Damn Time (Purple Disco Machine Remix)”
Beyoncé – “Break My Soul (Terry Hunter Remix)”
Ellie Goulding “Easy Lover (Four Tet Remix)”
The Knocks & Dragonette – “Slow Song (Paul Woolford Remix)”
Wet Leg -“Too Late Now (Soulwax Remix)”
Best Engineered Album, Non-Classical:
Harry Styles – Harry’s House
Bayn – Adolescence
Robert Glasper – Black Radio III
Father John Misty – Chloë and the Next 20th Century
Wet Leg – Wet Leg
Producer of the Year:
Jack Antonoff
Boi-1da
Dernst “D’Mile” Emile II
Dahi
Dan Auerbach
Additional reporting by Brody Levesque
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Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.
He is an established LGBTQ columnist and blogger having written for many top online publications including Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.
He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.
He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .
Movies
A ‘Battle’ we can’t avoid
Critical darling is part action thriller, part political allegory, part satire
When Paul Thomas Anderson’s “One Battle After Another” debuted on American movie screens last September, it had a lot of things going for it: an acclaimed Hollywood auteur working with a cast that included three Oscar-winning actors, on an ambitious blockbuster with his biggest budget to date, and a $70 million advertising campaign to draw in the crowds. It was even released in IMAX.
It was still a box office disappointment, failing to achieve its “break-even” threshold before making the jump from big screen to small via VOD rentals and streaming on HBO Max. Whatever the reason – an ambivalence toward its stars, a lack of clarity around what it was about, divisive pushback from both progressive and conservative camps over perceived messaging, or a general sense of fatigue over real-world events that had pushed potential moviegoers to their saturation point for politically charged material – audiences failed to show up for it.
The story did not end there, of course; most critics, unconcerned with box office receipts, embraced Anderson’s grand-scale opus, and it’s now a top contender in this year’s awards race, already securing top prizes at the Golden Globe and Critics’ Choice Awards, nominated for a record number of SAG’s Actor Awards, and almost certain to be a front runner in multiple categories at the Academy Awards on March 15.
For cinema buffs who care about such things, that means the time has come: get over all those misgivings and hesitations, whatever reasons might be behind them, and see for yourself why it’s at the top of so many “Best Of” lists.
Adapted by Anderson from the 1990 Thomas Pynchon novel “Vineland,” “One Battle” is part action thriller, part political allegory, part jet-black satire, and – as the first feature film shot primarily in the “VistaVision” format since the early 1960s – all gloriously cinematic. It unspools a near-mythic saga of oppression, resistance, and family bonds, set in an authoritarian America of unspecified date, in which a former revolutionary (Leonardo DiCaprio) is attempting to raise his teenage daughter (Chase Infiniti) under the radar after her mother (Teyana Taylor) betrayed the movement and fled the country. Now living under a fake identity and consumed by paranoia and a weed habit, he has grown soft and unprepared when a corrupt military officer (Sean Penn) – who may be his daughter’s real biological father – tracks them down and apprehends her. Determined to rescue her, he reconnects with his old revolutionary network and enlists the aid of her karate teacher (Benicio Del Toro), embarking on a desperate rescue mission while her captor plots to erase all traces of his former “indiscretion” with her mother.
It’s a plot straight out of a mainstream action melodrama, top-heavy with opportunities for old-school action, sensationalistic violence, and epic car chases (all of which it delivers), but in the hands of Anderson – whose sensibilities always strike a provocative balance between introspection, nostalgia, and a sense of apt-but-irreverent destiny – it becomes much more intriguing than the generic tropes with which he invokes to cover his own absurdist leanings.
Indeed, it’s that absurdity which infuses “One Battle” with a bemusedly observational tone and emerges to distinguish it from the “action movie” format it uses to relay its narrative. From DiCaprio (whose performance highlights his subtle comedic gifts as much as his “serious” acting chops) as a bathrobe-clad underdog hero with shades of The Dude from the Coen Brothers’ “The Big Liebowski,” to the uncomfortably hilarious creepy secret society of financially elite white supremacists that lurks in the margins of the action, Anderson gives us plenty of satirical fodder to chuckle about, even if we cringe as we do it; like that masterpiece of too-close-to-home political comedy, Stanley Kubrick’s 1964 nuclear holocaust farce “Dr. Strangelove,” it offers us ridiculousness and buffoonery which rings so perfectly true in a terrifying reality that we can’t really laugh at it.
That, perhaps, is why Anderson’s film has had a hard time drawing viewers; though it’s based on a book from nearly four decades ago and it was conceived, written, and created well before our current political reality, the world it creates hits a little too close to home. It imagines a roughly contemporary America ruled by a draconian regime, where immigration enforcement, police, and the military all seem wrapped into one oppressive force, and where unapologetic racism dictates an entire ideology that works in the shadows to impose its twisted values on the world. When it was conceived and written, it must have felt like an exaggeration; now, watching the final product in 2026, it feels almost like an inevitability. Let’s face it, none of us wants to accept the reality of fascism imposing itself on our daily lives; a movie that forces us to confront it is, unfortunately, bound to feel like a downer. We get enough “doomscrolling” on social media; we can’t be faulted for not wanting more of it when we sit down to watch a movie.
In truth, however, “One Battle” is anything but a downer. Full of comedic flourish, it maintains a rigorous distance that makes it impossible to make snap judgments about its characters, and that makes all the difference – especially with characters like DiCaprio’s protective dad, whose behavior sometimes feels toxic from a certain point of view. And though it’s a movie which has no qualms about showing us terrifying things we would rather not see, it somehow comes off better in the end than it might have done by making everything feel safe.
“Safe” is something we are never allowed to feel in Anderson’s outlandish action adventure, even at an intellectual level; even if we can laugh at some of its over-the-top flourishes or find emotional (or ideological) satisfaction in the way things ultimately play out, we can’t walk away from it without feeling the dread that comes from recognizing the ugly truths behind its satirical absurdities. In the end, it’s all too real, too familiar, too dire for us not to be unsettled. After all, it’s only a movie, but the things it shows us are not far removed from the world outside our doors. Indeed, they’re getting closer every day.
Visually masterful, superbly performed, and flawlessly delivered by a cinematic master, it’s a movie that, like it or not, confronts us with the discomforting reality we face, and there’s nobody to save it from us but ourselves.
Sports
‘Heated Rivalry’ stars to participate in Olympic torch relay
Games to take place next month in Italy
“Heated Rivalry” stars Hudson Williams and Connor Storrie will participate in the Olympic torch relay ahead of the 2026 Winter Olympics that will take place next month in Italy.
HBO Max, which distributes “Heated Rivalry” in the U.S., made the announcement on Thursday in a press release.
The games will take place in Milan and Cortina from Feb. 6-22. The HBO Max announcement did not specifically say when Williams and Storrie will participate in the torch relay.
Bars & Parties
Here’s where to watch ‘RuPaul’s Drag Race’ with fellow fans
Entertainers TrevHER and Grey host event with live performance
Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.
Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.
This event is free and more details are available on Eventbrite.
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