a&e features

Meet the ‘CEO of Everything Gay’ who just bought the Abbey

Tristan Schukraft, who owns Mistr, takes over iconic LA nightclub

Published

3 years ago

December 8, 2023

Tristan Schukraft with equine friend at the Varian Stable in Newmarket, United Kingdom in 2019. (Photo courtesy Schukraft)

WEST HOLLYWOOD, Calif. — Tristan Schukraft laughs when I suggest he’s building a gay empire, but he doesn’t deny it.

When it was announced last month that the owner of the iconic Abbey and Chapel nightclubs in Los Angeles had entered into an agreement to sell the business to Schukraft, it seemed like a strange move for the jet-setting tech CEO.

But the portfolio he’s building – founder and owner of the telemedicine app for gay men Mistr, owner of the queer nightclub Circo and Tryst Hotel in Puerto Rico – appears to be bent toward Hoovering up more pink dollars by getting involved in an ever wider section of queer life.

The Los Angeles Blade spoke to Schukraft at The Abbey during its annual tree-lighting fundraiser for the Elizabeth Taylor AIDS Foundation about what he plans to do with the storied nightclub, and how he became one of America’s most visible gay moguls.

This interview has been edited for length and clarity.

BLADE: Why the Abbey?

SCHUKRAFT: Well, I wanted to make sure it stayed in the hands of the gay community. You know, it’s an institution. It’s a cornerstone of West Hollywood gay life, but more importantly, it’s I think it’s a cornerstone of the gay community far beyond West Hollywood, right?

BLADE: Looking at your background in tech companies, your recent shift into the nightclub and hospitality industry seems like a bit of a left turn.

SCHUKRAFT: You know, I’ve been drinking here for a long time. So now, after all that investment, I’m actually gonna start getting money back. I basically bought it so I can get free drinks.

You know, at the end of the day, I’m an operations guy. I’m a technology guy. I own hotels. With hotels, you have bars and restaurants, so it’s not too far off the track. It’s a little off track. Why not? Right?

You know, after watching “The Birdcage,” I always wanted my own hotel [like Robin Williams’s character in the 1996 film] and somebody shattered my dreams the other day by telling me it was a nightclub. I’m like, what? It was a nightclub? And then I watched it, and it’s true, it was a nightclub. So, now I have a nightclub. Yeah, so it all started with “The Birdcage.”

BLADE: You’re known for being a disrupter of the things that you invest in. Is there a disruption plan for the Abbey, or for Weho? Are you planning to change things here?

SCHUKRAFT: Not a major disruption here at The Abbey. I’m gonna put my touches on it. But yeah, it’s a pretty well-oiled machine. We’re definitely going to focus on our values of being LGBTQ. I got some ideas for new nights and I definitely want to make it an epicenter of the gay community. And I think there’s opportunities to take it beyond West Hollywood.

BLADE: Can you give any kind of sneak peek at what you’re thinking?

SCHUKRAFT: East Coast. That’s your sneak peek right now. East Coast.

I think you’ll see in a couple months what I’m gonna do with the Abbey. But you know as far as taking it outside of West Hollywood, I see there’s opportunities on the East Coast right now.

I think that’s where David [Cooley, the founder and current owner of The Abbey] and I really we both appreciate the value of The Abbey brand. I think it’s world famous, right? It’s the biggest gay bar. It’s one of the longest lasting. Obviously you have the Stonewalls of the world. But this is like a bar where people go on a regular night versus a tourist attraction. Maybe for some it’s a tourist attraction, but I mean, it really is an institution. It’s a community gathering point. It’s a name that people recognize that we can bring into other communities.

BLADE: Do you have any plans to put a hotel somewhere here?

SCHUKRAFT: [Laughs] People are like, “Are you gonna paint it blue for Mistr?” Or, “You’re gonna make it a hotel?” But no, we’re not building a hotel here. That would be terrible to build. I mean build a hotel and Abbey would be out. I don’t think the Abbey’s ever closed in 33 years, besides COVID. Minus that, it’s never closed for construction. You know, when David did his expansion, it was always open.

I was looking at those old photos and I’m like, oh my God, I remember the wall of candles. I’ve been coming here a very long time.

So you’re more or less like keeping the same sort of operation going here, keeping the team in place?

The team, I mean, I think that’s what kind of really makes The Abbey unique. It’s like a place where everybody knows your name.

When I bought the hotel in Puerto Rico, obviously I don’t know anyone. Buying here. I’m like, oh, yeah. I know Todd. I know everybody, right? Not everybody, but a majority of people. And I think that’s why people come here. Because it’s their staple. They go every Sunday. They know they have their favorite bartender. So, you know, everybody will be kept in place, no changes to personnel.

BLADE: You gave an interview to Authority Magazine where you said you promised your partner that you wouldn’t be starting up any new businesses. How did you get him on board with jumping into becoming a WeHo nightlife impresario?

SCHUKRAFT: I broke that promise two or three times since I said that. I mean, no, I just buy him gifts to make him happy.

I work long hours, right? And he’s like, I don’t know why.

BLADE: You’ve created and run several tech companies. How did you get started in that business? Where did that money come from?

SCHUKRAFT: I started my very first company at 21 with a $10,000 loan. I was living in Hong Kong at the time. I think my father really wanted me to come back [to California]. My dad’s a corporate guy, not a big risk taker, but he’s like, ‘I’ll give you $10,000 to start your company.’ It wasn’t enough to start the company, so I imported 437 Razor scooters and I thought I was gonna sell out in two weeks. It was very popular at the time – this is like 23 years ago. It took me six and a half weeks. I was selling them out of my truck. I went to every swap meet in Southern California. Sold the last six on Christmas Eve and learned a couple lessons in business from that. But with the money I made from selling those scooters combined with the loan, I started my first company, which was like an Expedia for airline personnel.

And then I got into e-ticketing, and at that time, I didn’t know how to turn on the computer. So, I really surround myself with people that know what they’re doing, that are experts. So, do I know how to run a bar? No, but I’m an operations guy and I hire the talent to make it happen. That’s how I got started and I built that company and others along the way.

BLADE: Other than that first $10,000 loan from your parents, you’re basically self-made then?

SCHUKRAFT: Yeah. You know, I looked for investment. I did end up raising $18 million for my second company, but I put in a lot of money. I mean at 25, my first company was going really well, and there was this e-ticketing mandate and I said, oh there’s a real opportunity here. And I had a home and was doing good for a 25-year-old, and I kind of leveraged it all. And I thought, “Oh my God, what did I do? I just fucked up my whole life. Why did I do this?” Anyways, I got that first investor, got that first client, and it just kind of took off from there.

BLADE: And now with Mistr, The Abbey, your Puerto Rico clubs, are you starting a gay empire?

SCHUKRAFT: The CEO of Everything Gay, yes. I have a few more things. You know, all the businesses are very complementary, right? So, you come to The Abbey, then you go to the Tryst Hotel or Circo in Puerto Rico, and obviously all of the people that come here or the Tryst, they’re all perfect candidates for Mistr. So yeah, so it looks a little weird. But it is very complementary to our various business units

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a&e features

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

2 days ago

July 29, 2026

Kyle Rood

Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

5 days ago

July 26, 2026

Emma LaPointe

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

1 week ago

July 23, 2026

Evan Caplan

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.