Arts & Entertainment
SMYAL set to celebrate 40th anniversary
D.C. LGBTQ youth advocacy group remains focused on the future
Founded in 1984 by a small group of volunteer gay and lesbian activists who recognized the need for a safe place for LGBTQ youth to meet and receive support, the group SMYAL has evolved over the past 40 years into one of the nation’s largest organizations providing a wide range of support, including housing and mental health counseling, for LGBTQ youth in the D.C. metro area.
SMYAL’s work over its 40-year history and its plans for the future were expected to be highlighted and celebrated at its annual fundraising brunch scheduled for Saturday, Sept. 21 at D.C.’s Marriott Marquis Hotel. SMYAL says the event will be hosted by a “star-studded group,” including MSNBC’s Jonathan Capehart.
“What a profound moment and opportunity to be able to be here while celebrating the 40th anniversary,” said Erin Whelan, who began her role as SMYAL’s executive director in September 2022. “It’s an exciting time for us,” Whelan told the Blade in a Sept. 11 interview along with SMYAL’s Director of Communications Hancie Stokes.
“We just finished a strategic plan,” Whelan said. “Not only are we reflecting on the previous 40 years but really looking to the next three to five years,” she said, adding that the plan calls for continuing SMYAL’s growth, which accelerated over the past four or five years.
Whelan and Stokes spoke with the Washington Blade at SMYAL’s headquarters and LGBTQ youth drop-in center in the Capitol Hill neighborhood. SMYAL’s ability to purchase that building in 1997 through financial support from the community, has played an important role in SMYAL’s history, according to Whelan and Stokes.
The two-story building consists of two attached row houses that it has converted into offices and meeting space.
The two pointed to information posted on the SMYAL website, including information from D.C.’s Rainbow History Project, which tells the story of SMYAL’s founding in 1984. It was a time when many LGBTQ youth faced hardship and discrimination as well as challenges from their families, some of whom were unaccepting of their kids who thought about identifying as gay, lesbian or gender nonconforming.
Local gay activist and attorney Bart Church, one of SMYAL’s co-founders, told fellow activists that he was prompted to help launch an LGBTQ youth advocacy group after learning that gender nonconforming youth, including some who “crossed dressed” and identified as a gender other than their birth gender, were being incarcerated in D.C.’s St. Elizabeth’s psychiatric hospital.
“Recognizing that that these young people were not mentally ill, but instead needed programs that were safe and affirming to explore their identities, Bart and several other allied community members formed a group called SMYAL,” a statement released by SMYAL says. It says Church and other founders named the group the Sexual Minority Youth Assistance League.
“We met at first at Bart’s apartment,” said another co-founder, Joe Izzo, who later worked for many years as a mental health counselor at D.C.’s Whitman-Walker Clinic. In addition to the incarceration of some of the youth at St. Elizabeth’s Hospital, Izzo said the SMYAL founders were concerned about the impact of the AIDS epidemic on gay youth, who may not have been informed about safer sex practices.
D.C. gay activist and economist Chuck Goldfarb, who said he became involved as a SMYAL volunteer in 1986, said he recalls hearing from gay and lesbian social workers who also became involved with SMYAL “that a number of youths who were, in the term they used, cross dressing, were getting locked up in St. Elizabeth’s Hospital psychiatric ward.”
“And Bart Church called together people he knew were service providers and said let’s get together and do something about it,” Goldard told the Blade. “And the first thing they started doing was to put together a referral list of LGBT supportive therapists and counselors,” according to Goldfarb, who could be called to help LGBT youth, and their families address issues such as sexual orientation and gender identity.
Among the original group of founders credited with helping to transform SMYAL into a larger, more comprehensive organization was Stephan Wade, who developed a training program and led a needs assessment effort. The assessment, among other things, determined that what LGBT youth at that time most needed was a safe place to meet and socialize with others like themselves, the SMYAL write-up says.
“Within three years, SMYAL established a well-respected program of youth socialization and education as well as a training program for adult professionals, with outreach to schools, runaway shelters, and juvenile correctional facilities,” the write-up says. “Many individuals contributed to the SMYAL program, but it was Stephan Wade’s expertise and leadership that turned a plan into reality,” it says. The write-up says Wade died of AIDS-related complications in 1995.
With Wade and his fellow volunteers putting in place SMYAL’s first drop-in center for LGBTQ youth and the other programs supported by volunteer counselors and other professionals, SMYAL hired its first full-time staff member in 1989, the write-up says.
Stokes points out that SMYAL drew considerable media attention in 1990 when vocal opposition surfaced to ads SMYAL had placed in high school newspapers announcing its services for LGBT youth, which were initially approved by school officials. The opposition, coming from some parents and conservative advocates opposed to LGBTQ rights, in the long run may have generated attention to SMYAL and its programs that prompted others to support SMYAL including financially.
The SMYAL write-up says the first annual fundraising brunch, which is the organization’s largest fundraising event, began in 2003. Stokes said in the following years SMYAL has received support from local foundations and through a major individual donor program as well as from grants from the D.C. government that support specific SMYAL programs.
Stokes and Whelan also point out that in 2013 SMYAL changed its name from Sexual Minority Youth Assistance League to Supporting and Mentoring Youth Advocates and Leaders, which kept the SMYAL initials. The two said the change reflects SMYAL’s significant expansion of its services beyond its initial core program of providing a safe meeting space for LGBTQ youth.
The two note that in 2017 SMYAL began its housing program for homeless LGBTQ youth; in 2019 it launched its Little SMYALs program, which provides services for youth between the ages of 6 and 12 and their families. And in 2021 SMYAL launched its Clinical Services program, which provides mental health counseling for LGBTQ youth.
Stokes and Whelan said the Little SMYALs program involves parents bringing in their kids mostly to a Saturday gathering where the kids meet, socialize, and play games or do artwork. The two said in the age range of 6 to 12, the Little SMYALers, as they are called, are mostly dealing with their gender identity rather than sexual orientation.
“Kids are expressing to their parents or caregivers that they might feel different,” Whelan said. “Often times that’s expressing that they don’t feel like they are the gender in which they were born. And so, the parents are starting to talk with that youth about what that is.”
Stokes said the Little SMYALs program reaches out to parents as well as the youth. “How do we equip parents to be there to support and believe them when they come out,” is a question that Stokes said SMYAL tries to address. “How do you make sure you are a safe resource when your young person comes to you and says this is who I am? We want people to see you fully and authentically.”
Stokes and Whelan said SMYAL currently has a staff of about 43 and an annual budget of $5.1 million. They said about 90 families are currently enrolled in the Little SMYALs program, with about 30 families with their kids attending on a monthly basis. They said the youth ages 13 through high school age come at least twice a week after school hours and on Saturdays.
“And they do all sorts of things from sharing, just talking, listening to music, eating, and just being in community with each other,” Whelan said of the older kids. Stokes noted that SMYAL also organizes events for the older youth, including a Pride Prom for youth “who might not feel comfortable bringing their partner of choice to their school’s prom.”
The two said SMYAL also organizes an annual activist summit for youth interested in becoming leaders and organizers. They said about 90 youth attended this year’s summit.
“I think one thing that I’m really proud of is that we started as a grassroots organization out of a need in our community,” Whelan said. “And I think through the 40 years that we’ve been in existence, we continue to really anchor in what are the most pressing needs of our communities,” she said.
Further information about SMYAL’s programs and the upcoming brunch can be accessed at smyal.org.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)
Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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