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Exhibit showcases trans, nonbinary joy in Maryland and Virginia

‘Becoming Ourselves’ proclaims that our lives are ‘expressions of divine creation’

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Oshee (Photo by Gwen Anderson)

Gwen Andersen was putting up posters for her photography exhibition “Becoming Ourselves” in and around Takoma Park shortly following the death of Nex Benedict. “Everybody’s heart was heavy,” the lesbian photographer said, “and I’m waltzing around town putting up these posters.” At a bookstore, she asked the person working at the front desk if she could put up one of the posters. They immediately looked at it more closely because of the trans flag, and said yes. 

“When they read it and saw that it was something positive, beautiful, happy, they started to cry,” Andersen said, and she instinctively asked if she could give them a hug. With permission, she walked around the counter and embraced them — and in many ways, herself — in a world where negativity and violence takes aim at and harms the LGBTQ community. It was a powerful moment, she admitted, because “the first person didn’t even see the pictures.”

“That’s when I realized.” she said, “just how the idea of this is making an impact.”

“Becoming Ourselves” is an exhibition of 26 photos featuring happy and joyful trans and nonbinary adults and children that has been displayed at six different spaces of worship and one gallery in Maryland and Virginia. From the United Universalist Congregation of Rockville (UCCR) to its eighth spot that opened at the Sandy Springs Meeting House on Oct. 1, the exhibition originally started after Andersen’s friend Marian Bowden connected her with Sandra Davis, then president-elect for the Women’s Caucus of Art. Davis, seeing that Andersen had something critical to say during a time of intense anti-trans violence, became her mentor. 

Andersen decided to host the exhibition at the UCCR based on the suggestions of her friend Rev. Jill McCrory, an affirming pastor and justice advocate, who along with Stevie Neal had previously invited Andersen to help found Montgomery County (MoCo) Pride. McCrory recommended UCCR and Davis shared that the church had their own hanging system, but for Andersen, their eager acceptance of the show sealed the deal. 

“They were so happy to have been asked,” Andersen said. “They weren’t just consenting. They were wildly enthusiastic about it. I could not have had a better first place to host this.” 

Rev. Dr. Rebekah Savage echoed this affirmation. Andersen approached her in October 2023 and from the very beginning, Savage acknowledged, we knew it would be a vital gift to congregants. Showcasing queer and trans people in spaces of worship, as the portraits hung in the Sanctuary during Sunday morning worship for Transgender Day of Visibility is critical, Savage explained, and it “does more than challenge exclusion,” Savage said. “It proclaims to the world that LGBTQ+ lives are sacred, beautiful, and an essential expression of the divine creation.”

“This visibility is both healing and life-saving, especially right now: for trans youth and families who need to know that there are faith communities ready to celebrate with them fully,” Savage continued. “Becoming Ourselves,” she said, visualized the leadership of our trans loved ones and held space for joy and celebration during times of intense violence. It has, Savage said, “become a beacon of hope, within our congregation and beyond, witnessing to the power of love, equality, and justice as sacred commitments.”

But there was a time crunch — the exhibition would open in March 2024, so all photos had to be taken by December 2023 and to her surprise, there was great interest in being part of the project. She had taken some photos already, but when a friend’s child asked if their friends could be part of it, they realized they would need extra enforcements to get the photos taken and processed in time for printing, so she connected with Salgu Wissmath, a nonbinary photography who recently opened their own exhibition Divine Identity,” and other photographers from Los Angeles, London, and Baltimore. 

She also reached out to Natasha Nazareth from Gaithersburg and Elias Nikitchyuk who worked locally and contributed photos to the exhibition. 

She also brought a child — Emery — on as the Formal Youth Adviser, recognizing that the show’s most important audience would be trans and nonbinary children. The resulting 26 photos of joyful trans and nonbinary adults and children were chosen by LGBTQ young people from across the United States who shared their selections through a virtual survey, and the group just made the tight deadline. Sadly, Stevie (a nickname for the beloved Petra Stephanie) Neal passed before the project was put on display, but their estate covered photography printing costs.

Soon, the UCCR was filled to the brim with photos of happy and joyful trans people. While UCCR has designated a room for its display, there were too many so the photos spilled out into the hallway, entryway, and anywhere else they would fit. It was only the first of many surprises. 

She anticipated just displaying the show at the church in Rockville, but at the opening, McCrory shared that she would love for the show to be on display at Bethesda United Church of Christ (UCC) where she was then and is now working as an interim pastor, so it went to Bethesda UCC next, but that wasn’t its final stop as church members attended other parishes, they shared that they wanted the photos displayed in their own spaces of worship, and soon the photos had travelled to Christ the Servant Lutheran Church in Gaithersburg, Pilgrim Church in Wheaton, Hope United Church of Christ in Alexandria, PhotoWorks at Glen Echo, and finally, Third Space in Baltimore — its most recent stop at the recommendation of one of the photographers. A friend of Octavia Bloom, a Baltimore photographer, wanted the show to come to their hometown. 

The exhibition at Third Space came to an end on Aug. 8, but as before, another church —this one Sandy Springs Meeting House — stepped up to host the show. The brick Sandy Springs Meeting House was originally constructed in 1817 and has stood ever since, making the Sandy Spring Meeting of the Religious Society of Friends one of the oldest Quaker Meetings in Maryland. Sandy Spring just put up their hanging system, on loan from a local artist, this month and aims to have the show on display to the public soon. 

For some, the choice to display the exhibition in churches may seem like a strange or at least surprising one, but for Andersen, it was a meaningful choice. For Andersen, it helps counter the narrative of churches being places of hostility and part of campaigns against us. While recognizing the history of harm that churches and other religious institutions have caused through conversion therapy, exclusion, hate speech, and more, Andersen’s exhibition showcases how spaces of faith can also be key centers of LGBTQ advocacy and organizing. In fact, D.C. has a rich history of LGBTQ activism based out of and supported by faith communities. 

“The fact that it was held in a church made so many people so happy. It also made many people cry because the church has been a place of hostility because the resistance, the hatred, of lesbians, gays, bis and transgender people has been biblical, both in terms of its size and in terms of its purported origin, and so having churches hold this exhibit was dearly important symbolically,” Andersen said.

Andersen shared that so many friends of hers who came to the show had not visited churches in decades because they (justifiably in some cases) viewed them as completely hostile locations. When they went to the exhibitions in the churches and were treated well, she said, she believes it was a healing experience, as it was for many trans and nonbinary children and adults and their parents who are facing a world of negative representation — either hostile from conservative, Christian nationalist groups or media portraying trans and nonbinary people as victims. 

Andersen wanted to create a show that offered hope to trans and nonbinary kids, as It Gets Better did many years before. sharing videos and photos of happy and joyful LGBTQ adults as a way to share positivity and hopefully prevent suicide among LGBTQ children. It was more than timely than ever following Benedict’s death in February 2024. The previous day, Benedict was assaulted by other high school students in a girls’ restroom and later died by suicide.  

“The purpose of the show was to counter all of the negativity because with Republicans running and now Trump in office there was so much animosity and hostility and people trying to pass these hateful laws that I knew this had to be having a negative impact on the mental health of trans kids.” 

Andersen hopes that this exhibition enriches this rich tradition and sparks new conversations — and maybe even more happy tears — at Sandy Springs Meeting House this fall. 

The show will be open most days between about 10 and 4 except for Mondays and Saturdays. Viewers are advised to call Sandy Springs Meeting House at 301-774-9792 first on weekdays. The show will continue until the end of December.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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