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New Museum of the Bible offers no mention of LGBT issues and scripture
Curators claim material is for visitors to interpret; gay Christians say it could have been much worse
One of many historical Bibles displayed at the new Museum of the Bible in Washington. (Washington Blade photo by Joey DiGuglielmo)
Museum of the Bible
400 4th St., S.W.
Free admission
The team behind the new Museum of the Bible, which opened last weekend in Washington, said all along they wouldn’t “mention homosexuality, abortion or any other political commentary” and they’ve stayed true to their word.
The controversial museum — housed in a massive, 430,000-square-foot building three blocks from the U.S. Capitol in Southwest Washington — was established as a 501(c)(3) nonprofit in 2010. In 2012, museum personnel purchased the former Washington Design Center for $50 million and spent years having it converted into an eight-story structure with two basement levels and two new floors added to the existing rooftop at a total cost of more than $500 million.
All the effort and expense shows. This is no amateur endeavor despite the bumps in the road the billionaires behind it — it’s been largely funded by the Green family, owners of Hobby Lobby — have encountered along the way.
Pottery vessels on display at Museum of the Bible discovered at the Khirbet Qeiyafa, the site of an ancient fortress city overlooking the Elah Valley. Ruins of the fortress were discovered in 2007 about 20 miles from Jerusalem. (Washington Blade photo by Joey DiGuglielmo)
During a media preview last week, a few finishing touches were still being applied. Ladders and cans of paint were seen in several corridors much like they were during media previews for the National Museum of African-American History and Culture that opened last year. The museum’s communications team didn’t hesitate in including the Blade. The Blade has also learned of at least one openly LGBT person on staff at the museum.
Steve Green is president of Hobby Lobby and chair of the Museum of the Bible board. He told media at the museum on Nov. 15 that the purpose of the museum was “not about us espousing our faith.”
“The example I primarily use is in the Bible, it says, ‘In the beginning God created …,’ so we tell that story on the narrative floor but it’s not our position to tell you when God created, so we don’t take a position on whether that’s true or not. We just say, ‘Here’s the Bible story,’ and then you can decide what you do with it.”
Another recurring theme from staff is that the museum is “non-sectarian” and they’ve gone to great lengths to take an ecumenical approach. One exhibit features items on loan from the Vatican and the museum boasts what it claims is the world’s largest private collection of retired Torah scrolls and the second-largest private collection of Dead Sea Scroll fragments, the earliest-surviving manuscripts of the Hebrew Bible.
“Obviously we’re trying to be inclusive,” Green said. “We have the Israel Antiquity Authority, we have the Vatican having space in here, so it’s not about a faith tradition. We have a love for the Bible and we want to include everyone. We want atheists to feel comfortable coming in here because they’ll know, in essence, we’re not pushing our agenda. We’re just trying to educate them on a book. If you wanna believe this book is a novel, fine. Just be educated on what you believe and that’s what we wanna do.”
Steve Green, chairman of the Museum of the Bible board and president of Hobby Lobby, speaks to reporters at the museum on Nov. 15. (Washington Blade photo by Joey DiGuglielmo)
The scope alone is impressive. Museum personnel claim to read every placard, see every artifact and experience every activity in the museum, it would take nine days at eight hours per day.
And while some have expressed relief that the museum has taken a vastly more academic approach than, say, the Creation Museum in Petersburg, Ky., which presents the Genesis account of creation as literally true, the Museum of the Bible is still wildly controversial.
The museum has come under intense criticism — the Washington Post’s coverage has been especially tough — for several issues. Among them are:
• what some consider the Green family’s baggage from their 2014 fight against mandatory employer-provided birth control that resulted in a Supreme Court ruling that struck down the contraceptive mandate part of the Affordable Care Act requiring employers to cover certain contraceptives for female employees. The Greens have paid for newspaper ads espousing the “real meaning” of Christmas and have donated $70 million to Oral Roberts University and other evangelical institutions that lean toward the fundamentalist end of the religious spectrum according to Vox and other outlets.
• a $3 million fine imposed by the Department of Justice in a civil action suit that said the Greens, who started collecting in 2009, had obtained thousands of Iraqi artifacts they obtained without the necessary clearances in 2010 and 2011. The Greens said the seized artifacts were never part of the museum collection and said they’ve “engaged the leading experts in abiding the highest standards of museum guidelines (from the Association of Art Museum Directors) and other organizations. Those are the policies that we will adhere to here at the museum,” Green said last week.
• accusations that Hobby Lobby owners neglected to do their due diligence in acquiring the artifacts that got them in trouble. At the time, they said, “the company was new to the world of acquiring these items and did not fully appreciate the complexities of the acquisitions process. This resulted in some regrettable mistakes. The company imprudently relied on dealers and shippers who, in hindsight, did not understand the correct way to document and ship these items.” According to museum tax records cited by the Washington Post, Hobby Lobby donated about $201 million in artifacts to the museum, about 2,800 of the Greens’ 40,000-piece collection.
• a sense that the museum’s mission has shifted from inception to fruition. Perhaps, some would argue, for the better, yet it casts doubts on the owners’ intentions. According to Vox, in 2011, the museum’s nonprofit tax filings stated its purpose was “to bring to life the living Word of God, to tell its compelling story of preservation and to inspire confidence in the absolute authority and reliability of the Bible.” By 2013, the wording said simply that “we exist to invite all people to engage with the Bible.” “It felt in the last few years like they were moving from running in the primary to running in the general election,” says Matthew Vines, a prominent gay evangelical writer. “Now you’re going to focus on reaching the center and not just activating the base anymore. Now it feels more like a normal, general-election campaign.”
• the role of the National Christian Foundation, a Georgia-based organization with a mission to “advance God’s kingdom,” that has given millions of dollars annually to churches and civic groups, many of which, according to the Washington Post, are “engaged in court fights against same-sex marriage, abortion rights and other social policies.” The foundation directed about $163 million to the museum between 2013-2015 according to the Post, which cited tax returns for its information. While the museum touts that 50,000 donors have given money to the museum, which does not charge admission and is registered as a public charity, 89 percent of 2016 donations came from the National Christian Foundation; it was 96 percent in 2015, Museum President Cary Summers confirmed to the Post.
• several claims of dubious action made by Candida R. Moss, a theology professor at the University of Birmingham, and Joel S. Baden, a professor of Hebrew Bible at Yale Divinity School, in their new book “Bible Nation: the United States of Hobby Lobby” in which, according to the Post, they claim the Greens have “exploited tax-exempt rules to financially benefit from their acquisitions” and “have probably purchased forgeries, items of questionable provenance and possibly even looted antiquities.” The book also claims the Green Scholars Initiative has hired a disproportionate number of scholars with similar evangelical backgrounds and that while they maintain the Greens are well-intentioned, they accuse them of dumbing down on biblical scholarship. That they “believe it is possible to tell the story of the Bible without interpretation betrays not only their Protestant roots and bias,” the authors write, “but also their fundamentally anti-intellectual orientation.”
It’s a concern echoed by some LGBT believers as well. Because the museum just opened and few have had a chance to experience it directly, some were hesitant to say much although concerns were expressed.
Fred Davie, vice president of Union Theological Seminary, said the Bible is not a simple book.
“The way these ancient texts have been put together and then blessed by various religious bodies is very, very complicated,” Davie, who’s gay, said. “We have to be careful because most believers’ understanding of scripture in my experience is pretty much at a very basic, almost Sunday school level. … The Bible as we know it has been used to do lots of bad things to God’s creation, both creatures and flora and fauna throughout history — everything from enslaving people to denigrating women and relegating them to a lesser roles to all forms of oppression against LGBT folks.”
Davie said he’s been encouraged by media accounts he’s read that state the museum staff has attempted to be non-partisan and ecumenical, but also said the whole concept of a museum such as this could be problematic.
“You want to try to give them credit for making scripture accessible to large numbers of people and to make it popular … but it is very complex and to attempt to present the museum as an amusement is fraught with pitfalls. If they have tried to be balanced, you know, God bless them, but what I worry about is that it will simply reinforce a Sunday school, simplistic notion of scripture.”
Davie says faulty and overly simplistic interpretations of scripture historically have been used to marginalize many such as African Americans, women and gays. To approach the museum as a vehicle for entertainment, he says, could backfire with similar consequences.
Despite the curators’ claims that they aren’t getting into controversial issues such as homosexuality and abortion, the museum doesn’t tiptoe around all controversy. The second floor is devoted to the “impact of the Bible” and the “Bible in America” and goes from the book’s role in the formation of the United States culminating with “Civil Rights and beyond: equality and religious freedom.”
So why did curators delve into the issue of the Civil Rights Movement but avoid LGBT rights? The museum has exhibits devoted to topics one might not expect such as the Bible in fashion, the Bible in pop culture and others.
Seth Pollinger, director of museum content, said deciding what to include and what to leave out is an ongoing challenge for any museum, especially a new one. His role is to work as a liaison between the designers and scholars and curators. He said the team worked hard to assemble content that is “authentic and sincere and on track with reliability and constructive to the overall message of how everything fits together.”
As for possible LGBT issues in the future, Pollinger said, “I think we’re working on it.”
“I think these are the kinds of discussions that we hope to have and areas we hope to grow in in the future,” he said.
Was there a sense that some topics such as LGBT rights and the Bible might be easier to avoid because they’re so divisive? Pollinger said yes and cites how the Bible historically was used both to justify and condemn slavery, though no pro-slavery items or exhibits are in the museum.
“That was one example where we had to weigh whether or not we could do that from a social standpoint and present those things without doing something that would be offensive,” he said.
He also said that even with eight floors and 430,000 square feet, space is always an issue.
“You want to make sure you’re able to cover a wide spectrum of views and in some cases we felt like we had a very small amount of real estate available,” Pollinger said. “In the future, as we start to feature a balance of views within a small space, we can have more dialogue on that. We just felt that for opening day, we just didn’t have that all solved yet.”
Matthew Solari of BRC Imagination Arts worked on two animated films shown at the museum, one on the Old Testament, another on the New. He’s worked on similar projects for other major museums such as the Kennedy Space Center, the Epcot pavilions and more.
“When we were deciding whether this was something we wanted to throw our energies and talents into, we had several escape hatches at various points along the way where we could have gone the other direction and left,” Solari said. “But we never did. We never felt pressured in any way to say or do something we felt was betraying the promises that were made to us as storytellers in the beginning and also what we thought were going to be stories that were going to be welcoming and kind to people as opposed to people that were going to be finger wagging and thou shalt not. We weren’t interested in doing any of that kind of stuff and we were given a very wide berth. They were an excellent client to work with.”
Vines, founder of the Reformation Project, an agency that works to advance LGBT inclusion in the church, who came to prominence with the 2014 publication of his book “God and the Gay Christian: the Biblical Case in Support of Same-Sex Relationships,” said he’s “cautiously optimistic” about the Museum of the Bible.
He points to recent events in the evangelical world in which World Vision, a “sponsor-a-child” program, backtracked quickly when about 10,000 evangelicals threatened to pull their child sponsorships if the organization opened its doors to hiring gay staff, and InterVarsity Christian Fellowship, a college campus ministry, which took a renewed and harder stance against LGBT-affirming staff last fall.
“Culturally these groups are very similarly situated in terms of their support bases and … I find it encouraging that the Museum of the Bible did not feel compelled to do something similar. I could easily see a number of donors wanting to put strings on their donations and say there had to be one part of the museum that said marriage was one man, one woman for life,” Vines said. “I don’t know the politics and dynamics of those conversations but clearly that didn’t end up happening and I just appreciate, not even knowing all the back story, that the museum is not taking an oppositional position. That is a kind of progress.”
The entrance to Museum of the Bible on 4th Street in Southwest Washington. (Washington Blade photo by Joey DiGuglielmo)
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Mr. Henry’s celebrates 60 years of proud inclusivity
Capitol Hill staple remains ‘a caring community’
America’s 250th isn’t the only milestone birthday D.C. is celebrating this year.
Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.
Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.
“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”
Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.
Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.
Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”
Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”
From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.
Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”
Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.
For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.
In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.
Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”
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Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
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D.C. prepares to party as Pride celebrations kick off Saturday
Bars, clubs have busy lineups; Pride on the Pier returns
Capital Pride’s date change isn’t slowing down the festivities. Back in December, the Capital Pride Alliance shifted the calendar for Pride celebrations in the nation’s capital from the second weekend of June to two weeks later to the weekend of June 20-21 to not conflict with President Trump’s birthday and 250th anniversary of America celebrations, with the aim that “our community can gather safely and without unnecessary barriers… We are protecting our space and preserving Pride as a powerful act of visibility, solidarity, and resistance.”
On the heels of WorldPride last year, the city shows no sign of slowing down. Instead, restaurants, bars, clubs, and neighborhoods are taking the opportunity to be even more visible. The Blade has put together a (non-comprehensive) list of parties, activations, and activities across town:
Pride on the Pier returns on Saturday, June 13 to the Wharf on the Southwest waterfront. The event, sponsored and hosted by the Washington Blade, is free and runs from 4-9 p.m. There will be vendors, DJs, and drag performances all day. VIP tickets are $25 and come with air conditioned party room, private bathrooms, and free cocktail. More details at prideonthepierdc.com.
Capital Pride Official Opening Party: RIOT! is the official opening dance party of Capital Pride, taking place Friday June 19, 9 PM-3AM. The 2026 edition headlining performer is Myki Meeks, a finalist of “RuPaul’s Drag Race” season 18; Bob The Drag Queen will perform a special set. DMV-area DJs and performers include: Bambi, Baphomette, Bumper, Cake Pop!, Connor, DJ Ed Bailey, DJ Diyanna Monet, Evry Pleasure, Jakknife Complex, Mari Con Carne, Pussy Noir, WessTheDJ. Trade owner Ed Bailey is producing the event.
Kinetic Presents brings the heat across the entirety of Pride weekend as well. It again is partnering with Capital Pride Alliance to produce four events over four days this Pride, including the Official Main Event on Saturday (the Friday official event is at Echostage). Kinetic’s parties are splayed across various D.C. venues, with special performances, massive productions, shirtless dancers, play zones, dance-forward audio and visuals, and international DJ talent. Thursday, June 18 at 10 PM at District Eagle is Lust, with music by Dan Slater and TOMI. Friday, June 19 at 10 PM is UNCUT XXL Heavy Load, at A.i. Warehouse in Union Market District, with music by Alex Acosta, Felipe Lira & Mitch Ferrino; the party is a “high-octane night of muscular house and tribal rhythms.” Saturday, June 20 at 10 PM brings that official main event, Kinetic Toy Land, at Echostage, with music by GSP & Matt Suave. Alaska Thunderfuck headlines. Sunday evening June 21 at 10 PM closes with discoVERS at SAX. A portion of tickets supports the DC LGBTQ+ community through Capital Pride Alliance.
9:30 Club always comes in clutch for the LGBTQ community. Already in June, it produced Kitty Kat Ball on June 7, and Kiesza performed on June 8. On June 20 at 10 PM, the famed Mixtape party hits the stage, care of gay DJs Shea van Horn and Matt Bailer, who have spun together for coming up on two decades. Mixtape has been held at several venues across the city over those years, and now settled on 9:30 Club for Pride. On June 25 at 7 PM, Big Freedia – the bounce artist from New Orleans – hits the 9:30 Club scene for the eighth time, as part of the Big Freedom Tour.
Crush: New this year from the 14th Street bar is the Pride Pop-Up, sitting pretty in the parking lot at 1820 14th St., N.W., at the corner of Swann Street by the start of the Pride Parade route. Hours are Friday from 2-10 PM and Saturday from 12-10 PM. Friday evening features Grizzly Bear Happy Hour, a DJ will set up shop on Saturday, and for those needing another layer, there’s a Crush merch store. Co-owner Mark Rutstein “has always wanted to throw a party in that parking lot, so he did,” said co-owner Stephen Rutgers. Note that Crush (the bar) will have a cover on Friday and Saturday.
Kiki: Over at Kiki, there’s a full slate of Pride-themed programming all week. Tuesday, June 16 at 9 PM brings karaoke; Wednesday, June 17 at 7:30 PM is trivia; Thursday June 18 at 9PM is “Night of 1000 Tatianna’s Drag Show”, and Friday June 19 at 9 PM brings the Juneteenth Serve Drag Show. Saturday, June 20 at 10 PM, post-parade, is a Pride Dance Party with DJ Lemz. Sunday daytime at 5 PM is the Father Figures Daddy Issues Special Drag Show; and after the festival at 8 PM, DJ Tezrah hits the tapes.
Jane Jane: Right along the parade route, gay-owned Jane Jane has transformed its space into a “No Kings, Yas Queens” activation in a direct response to the America 250th commemorations happening downtown, from the colorful window installation, to merch (including a custom bandana and tank) to disco wig installations. Events include industry night on Mondays, donations to LGBTQ charities, and to-go cocktails during the Pride Parade.
Shaw’s Tavern: Gay-owned Shaw’s Tavern on Florida Avenue celebrates Pride week with a full lineup of themed events, entertainment, and specials, including Pride trivia on Monday, June 15 at 7:30 PM, bingo on Tuesday, June 16 at 8 PM, a cabaret on Thursday, June 18 at 9 PM, Juneteenth Drag Brunch on Friday, June 19 at 12:30 PM, and both a pre-parade brunch (10 AM-4 PM) and post-parade party (5-9 PM) on Saturday, June 20. Sunday, June 21 at 7 PM brings Mama’s Sunday Supper & Drag Pride Show in the evening for anyone who is still awake.
Trade: This classic has a weekend of events, starting on Thursday, with Tiburon Pride Edition, a Latin Dance party in the Shark Tank. On Friday, the bar opens early (at 2 PM), with all-day happy hour and the Jx&Evry Show. On Saturday, the bar opens at noon, offering a prime parade viewing spot from its windows. There will be the CLASH drag show hosted by Tatianna and Crimsyn, and Sweet Spot party that night. On Sunday, the bar opens for normal hours at 2 PM, with DJs Adam K, Alex Love, and WESSTHEDJ.
Pitchers: The multi-level bar in Adams Morgan is hosting a Pride-themed show on Thursday, June 18 at 10 PM, with drawstring bag giveaways – the only kind of bag that will be allowed into the bar during Pride weekend. The show features drag queen Kyle Sonique Love.
Barrel House Cafe and Bar: Also by the parade route on 14th Street, Barrel House Cafe takes advantage of its large patio to have a slate of events during Pride week, including Schism, a drag and burlesque show on June 18 at 10 PM, as well as an all-day Pride party coinciding on parade day.
Bunker: Bunker again plays host to a series of afters. Friday night (Saturday 3:30 AM) is Unhinged, and Saturday night (Sunday 3:30AM) is Unholy. The regular Saturday night party (10 PM) brings in Venetian and Tiara Missou. All parties have cover charges.
District Eagle: Beyond the Kinetic party on Friday, June 19 brings Gear Night at 10 PM; Saturday, June 20 at 10 PM is LOBO presents PRISM, and Sunday, June 21 is Sundaze wit Papi at 6 PM.
African Art Museum: On Thursday, June 18 at 5 PM, this Smithsonian museum is hosting a free event with artists and curators celebrating its exhibit, “Here: Pride and Belonging in African Art,” “based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms,” according to the museum.
KNEAD Hospitality & Design: The gay-owned KNEAD restaurant group (including spots like Gatsby, Mi Vida, Succotash The Grill) is featuring the GLITTERATI cocktail, made with Tito’s, St-Germain Elderflower, Butterfly Flower, ginger, and yes, glitter. A portion of proceeds from every Glitterati cocktail sold will benefit The Trevor Project. The cocktail will be sold throughout June.
The Fountain Inn is partnering with Rhodium spirits (Rhode Island’s first LGBTQ+ owned distillery) all month, making cocktails like gimlets and espresso martinis featuring Rhodium’s liquors. Proceeds benefit SMYAL, an organization dedicated to empowering LGBTQ+ youth.
Hard Rock Cafe: Hard Rock DC is taking part in the chain’s annual “LOVE OUT LOUD” campaign, with Pride merch, specials on June 20, and a donation to The Trevor Project.
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