Bars & Parties
Let it ‘Snow’
The relationship between the Evil Queen and Snow White in “Snow White and 175 Faeries,” this year’s holiday show for the Gay Men’s Chorus of Washington, is, as you might expect, much different from the relationship the actors playing them have. The Queen, of course, wants Snow White killed, but the actors are enjoying a cross-generational camaraderie and mentorship.
Chip Crews, 59, who plays the Queen, says he has little in common with his character, the only female role in the cast, which he plays in drag.
“I’m tempted to say hardly anything [in common] at all because I’m such a lovely person,” Crews says with a self-deprecating laugh. “I don’t think I act like that but, in fact, I do understand her.”
Jay Garvey, 25, whose Snow White is a male character in this parallel universe re-imagining, says he kids Crews, telling him Crews is “my mama.” Crews has been in the Chorus for 19 years. This is Garvey’s first show.
“When I’m there and Jay, who’s absolutely charming, I have no trouble,” Crews says. “I project as his rival, which I never would in real life. I don’t want to be Jay. I can be up there on the stage and I think he is a little better looking than me after all, so I just decide I have to have him killed.”
In the show’s back story, the Queen is the widow of Snow White’s father. The malevolence the Queen feels toward Snow White, presented here as a young, gay romantic lead, requires some acting, Crews says.
“The role here is to be threatening and the director has been very supportive about making her not just a bitchy drag queen,” he says. “She orders Snow White killed and is delighted when she thinks it’s happened. I don’t know if there’s been a time in my life when I’ve ordered somebody killed. I’d like to think I would never do that, but it’s a fun thing to do on the stage.”
This show, which debuts tonight in the Lisner Auditorium on the George Washington University campus and plays throughout the weekend, was conceived as a gay adaptation of the classic fairy tale. About 200 singers and actors will be on stage. Rehearsals began in late summer. Director John Moran, who has directed several shows for the Chorus since returning in 2005 after a lengthy hiatus, says several Chorus members conceived the show and fleshed it out together over many months.
“It’s not like doing ‘My Fair Lady’ where you’re presented with a script that many professionals have worked on and all the kinks are worked out,” he says. “This arrives as a skeleton and you have to flesh it out. Sometimes it’s as simple as just making sure it makes sense.”
Those involved are describing this incarnation as “a musical farce.” The evening will be divided into two halves. The first is more of a concert, featuring seasonal favorites like “Deck the Halls,” “Sleigh Ride” and “Winter Wonderland.” A contemporary song called simply “Snow,” which Chorus member Stu Wales calls “beautiful” and “stirring,” will also be performed. Then “Snow White” comprises the second half.
So what does “Snow White” have to do with Christmas?
“Overall the show is called ‘Snow,’ with the first half being very holiday oriented,” says Jarred Harrison, who plays Nancy, one of the seven dwarves, re-imagined here as gay archetypes (the others are Sturdy, Cuddly, Spanky, Hose and Bitter). “Snow White fit in with the snow theme and the mini musical in the second act, it really brings a light holiday feel even though it’s not specifically holiday oriented. But it’s a fairy tale we all know and love and as with all GMCW shows, our goal is to entertain but we also try to advocate and educate about LGBT people and who we are and what we’re about.”
That will come about in a couple ways, cast members say.
Harrison calls Nancy, the “diva dwarf.”
“We have fabulous costumes and choreography,” he says. “It’s very boy band meets 17th Street. The dwarves represent the gym rat, the leader of the pack, the uber queen. I think the audience will really recognize their friends and perhaps even themselves. It’s really just a new and upbeat and very gay take on the original fairy tale.”
Moran says it’s not all fluff, though. The show climaxes with Prince Charming proposing to Snow White, a story point that the Chorus uses to make a point about same-sex marriage.
“Fairy tales always have a moral or a lesson to teach,” he says. “That’s what they do best.”
Bars & Parties
Lesbian Bar Project co-founder: purity politics could destroy our remaining spaces
Last Ditch’s decision to lift its mask requirement for one night a week has sparked intra-queer controversy
Uncloseted Media published this story on Sept. 29
By ERICA ROSE and THE LESBIAN BAR PROJECT | As a professional lesbian and Massachusetts native, I’ve recently been asked by a lot of folks what I think about the saga unfolding at Last Ditch. The now-viral story, first reported by the Boston Globe, centers on a Western Massachusetts lesbian bar that lifted its mask requirement for one night a week to help drum up business.
The decision ignited an intra-queer controversy that has been feasted on by media outlets across the political spectrum — from the New York Post to LGBTQ Nation — and is even reportedly being eyed for a Hollywood adaptation. Apparently nothing is more entertaining than a bunch of lesbians and queers fighting with each other over KN-95s.
What has been lost in all of the chatter and media coverage is the very real possibility that Last Ditch, which just opened in April 2025, will have to close its doors. The venue’s one remaining founder, Jackie Matellian, revealed in a community Zoom meeting that she’s working four jobs, is now solely responsible for the bar’s $50,000 business loan and is struggling to keep up with the bills. So as we laugh about the controversy’s similarity to a “Portlandia” skit and how one of the bar’s founders left to enroll in clown school, we forget that yet another lesbian bar is facing an existential crisis — and this time the call is coming from inside the house.
In 2020, my friend Elina Street and I created The Lesbian Bar Project, an Emmy-, Webby- and GLAAD Media Award-winning docuseries and initiative that tells the stories of lesbian queer bars around the world. We were moved to act because at the time there were only an estimated 16 lesbian bars in the United States, and the pandemic threatened to bring that number down even further.
There are now more sapphic bars than there were just before the pandemic — about 36 of them in total — but this is down from approximately 200 in 1980. Maybe that doesn’t mean much to you, but for the millions of sapphics living in the U.S., this number is calamitous.
As the world laughs at lesbians and sapphics, I want to take a second and tell you what I feel when I walk into one of these bars, which are all unique and irreplaceable in their own way: I feel seen.
Sometimes I think Cubbyhole in New York City’s West Village neighborhood knew I was gay before I did. When I walked in there for the first time, before I was even out, I was transfixed by the colorful array of tchotchkes hanging from the ceiling and how the women standing next to me were completely unafraid to express their desire for one another. I knew the minute I was ready to come out, I had a home. I also felt the joy of a new couple falling in love at Seattle’s Wildrose, the quiet confidence of a short king lining up her shot at the pool table at Ginger’s in Brooklyn and the kick of cayenne pepper in Julie Mabry’s crawfish at Houston’s Pearl Bar.
Lesbian bars don’t just serve lesbians; they serve queer folks across the spectrum, including bisexual, pansexual and trans people. As Elina and I traveled across the U.S. and Europe and to parts of Latin America to document the bar owners, staff and patrons that make up the ecosystems of these spaces, we also became uniquely acquainted with the factors that threaten their existence: gentrification, wage gaps, sexism, environmental disasters, gun violence, rising insurance premiums and political administrations working to annihilate queer people and their families.
Lesbian bar owners, like all leaders and entrepreneurs, are imperfect. There have been significant issues over the years at lesbian bars: employee harassment, racism, lack of accessibility, sexual assault and transphobia. All bar owners should be held accountable and should listen to their communities to evolve into safer and more equitable spaces. I also acknowledge my privilege: I am able-bodied, white, cis and from a family system that loves me for who I am. Not everyone has that.
Queer people, especially trans and bisexual people, are suffering from disproportionately high levels of depression, and our mental health system isn’t equipped to support them. Immunocompromised people and long COVID are real, and many of my friends are suffering to this day. The people with the least safety net are often the ones for whom a bar closing costs the most. And yet, as we’re seeing with Last Ditch, the queer community often lashes out at each other. It’s also the mainstream media taking the internal conflict and making a mockery out of it, distracting from the real possibility that this bar could close due to financial pressures. A bar that many people loved and needed is facing extinction. Perhaps it’s safer to dissent with one another than with the larger forces trying to eradicate us, but in doing so, we risk destroying the few spaces we have left.
Due to the constraints of purity politics — some in good faith, some not so much — lesbian bar owners, almost all of whom are queer women themselves, are forced to be everything for everyone, similarly to how women are forced to be everything for everyone. By asking these bars to uphold impossible standards — standards very few other third spaces are asked to consider — we all end up losing.
I want to move as a community toward dialogue, compassionate dissent and collaboration to make our spaces better with the goal of keeping them OPEN and thriving, rather than destroying them from the inside with expectations that are arguably unattainable.
While I have your attention — for this fleeting second of the news cycle — may I urge us to spearhead a way to keep these small businesses afloat without attacking our own community along the way? Bar owners are left with an impasse: They want to be community-centered, but they also have to make money to keep their doors open. Sometimes they might make business decisions that don’t work for everyone — and that’s partly because different patrons have different priorities and want different things — but these owners deserve the opportunity for productive dialogue. We have to work with them and with each other to keep our spaces open, to keep them growing.
Lesbian bars raised me into the queer woman I am today. One thing I think about as I reflect on the six years of work we’ve done to document these spaces is that shared, unspoken language I have with a stranger the moment we both walk into one of these bars: the nod, the ease, the not having to explain ourselves. I don’t want to lose that, and neither should you.
Celebrate the start of Pride month at the Queer Magic Dance Party at the Black Cat on Saturday, June 6. Doors open at 9 p.m.
There will be pole performances and demonstrations, a free photo booth with glitter bar, a queer vendor market, tarot readings by Skye Marinda Tarot, a drag performance by Sapphica, and dancing to a blend of smooth R&B, Afrobeats, hip-hop and pop by Slammer & Saba. Tickets are $20 at the door or $15 (plus fees) in advance, purchased here.
Bars & Parties
Here’s where to watch ‘RuPaul’s Drag Race’ with fellow fans
Entertainers TrevHER and Grey host event with live performance
Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.
Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.
This event is free and more details are available on Eventbrite.
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