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Calendar for May 14

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Friday, May 14

Bearded Ladies-Motley Bear Crüe one-year anniversary. See the Motley staff and your friends in campy bearded drag. $100 cash prize to the campiest bearded lady. The party is from 5 p.m.-3 a.m. Motley Bar is located above EFN Lounge at 1318 9th St., N.W.

Baby Got Back Latino Dance Party at Apex Nightclub, 1415 22nd St., N.W. Doors open at 9 p.m. with music from DJ Michael Brandon. 18 to enter and 21 to drink.

Honeysuckle Hype with Natalie E. Illum: A one-woman queer burlesque performance at Phase 1, 525 8th St. S.E., the performance begins at 8 p.m.

Saturday, May 15

Every Saturday at Phase 1, Pop Rocks from 9 p.m.-3 a.m. Music from DJ LS. Phase 1 is located at 525 8th St., S.E.

Burgundy Crescent volunteers today for the Lost Dog & Cat Rescue Foundation. To participate, visit burgundycrescent.org.

Celebrate EFN Lounge’s one-year anniversary with resident DJs Shea Van Horn & Matt Bailer with MIXTAPE. MIXTAPE is an alterna-gay-disco-electro-pop-indie dance party for queers, gays, lesbians, trans, queens, kings, boys, girls, birls, goys, whatever. $5 cover, 21+ to enter. EFN Lounge is located at 1318 9th St., N.W.

Join the Latino History Project at the DC Center, 1810 14th St., N.W., from 3-6 p.m. to celebrate the opening of their new office and learn about their mission and goals and how you can get involved in preserving LGBT Latino history in the District. The event will showcase the new office space, feature some LHP exhibits, include a short presentation on how you can volunteer for the project and provide light refreshments. For details visit latinoglbthistory.com

The 135th running of the Preakness Stakes, the second leg of the Triple Crown, is held at Baltimore’s Pimlico racetrack. Beer returns to the infield this year; $20 buys you all you can drink. O.A.R. and Zack Brown Band perform in the infield. Gates open at 10 a.m.; main race at 6 p.m. Infield tickets $40 at ticketmaster.com.

BARE, dedicated to our men and women in blue at Cobalt, 1639 R St., N.W. In honor of National Police Week (May 8-15), The Ladies of LURe are showing their appreciation to the men and women in blue and raising money for two organizations. This month get ready for a jam packed evening to benefit Gays & Lesbians Opposing Violence and Concerns of Police Survivors. The event is for 21+, doors open at 10 p.m., $5 before midnight, $8 after (admission waived for police officers). GLOV and C.O.P.S. officials will be on-site.

DC Front Runners newcomers Fun Run/Walk. The DC Front Runners will be holding a Fun Run/Walk for newcomers on the National Mall starting at Union Station. Walkers meet at 9:30 a.m. and runners gather at 10 a.m. for a 3, 4 or 6-mile run. Meet up at the plaza directly in front of Union Station. Afterwards, grab a bite to eat and socialize.

Right Round, an ‘80s alt-pop dance party at the Black Cat, 1811 14th St., N.W., with DJ lil’e, $7.

Sunday, May 16

Ruby Slipper Drag Brunch from 11 a.m.-4 p.m. at Tabaq Bistro’s Red Room, 1336 U St., N.W. Music by DJs Jason Horswill and DJ C-Dubz. Each will have a rotating cast of performers. The May 16 lineup is Destiny B. Childs, Regina Jozet Adams, and Ashlee Jozet Adams. Reservations via opentable.com or call 202-265-0965.

“A Celebration of Life” tea dance event at Town Danceboutique, 2009 8th St., N.W., from 4-8 p.m. Part of the “POZ” event family, a weekly HIV+ Mixer for those living with HIV & those who are supportive. Music from a six-DJ lineup and sponsored in part by POZIAM.com, HOPE DC, DC Young Poz Socials and the DC Center.

The Ushers Theatre Going Group will attend the musical VIOLET, at Kensington Arts Theatre in Kensington, Md. Tickets are $18. There will be a post-performance discussion with the cast moderated by the Ushers’ Joel Markowitz. Dinner follows the discussion. For more information, and to reserve your tickets, call Joel at 703-447-8805 or visit http:/ushers.us

Monday, May 17

Burgundy Crescent kicks up its heels at Remingtons. To participate, visit burgundycrescent.org.

Tuesday, May 18

The DC Center and the Capital Area Vaccine Effort invite you to a presentation on the basics of HIV Vaccine Research. This free lunch presentation takes place on HIV Vaccine Awareness Day, May 18 at 12:30 p.m. at the DC Center, 1810 14th St., N.W. Learn about a new HIV vaccine study that is recruiting gay and bisexual men and transgender women.

She Scenes Ladies Night with music from DJ K-oz at EFN Lounge, 1318 9th St., N.W.

Bet Mishpachah: Shavuot Services from 7-10:30 p.m. at the Washington, D.C., Jewish Community Center, 1529 16th St., N.W. An observance of the Jewish holiday of Shavuot. The evening will start with a dairy/vegetarian potluck dinner. E-mail [email protected] for details. There will be an evening festival service followed by a study session on a topic to be announced.

Wednesday, May 19

The Tom Davaron Social Bridge Club will meet at 7:30 p.m., at the Dignity Center, 721 8th St., S.E. (across from Marine Barracks) for Social Bridge. No partner needed. Visit lambdabridge.com; click “Social Bridge in Washington, D.C.”

Thursday, May 20

Hunks in Trunks swimsuit fashion show to benefit Equality Maryland featuring gay model Ronnie Kroell, 7:30 p.m. at Red Maple, 930 N. Charles St., Baltimore. Tickets $22 at hunksintrunks.net.

Stonewall Democrats Capital Champions awards reception, Gompers Room, AFL-CIO, 815 16th St., N.W., 6-8 p.m. Frank Kameny and Rep. Tammy Baldwin are among the honorees. General admission tickets $125 at stonewalldemocrats.org.

The DC Center and the Capital Area Vaccine Effort host an HIV Vaccine Awareness Day outreach night. Meet at the DC Center, 1810 14th St., N.W., at 7 p.m. for pizza and a brief presentation on HIV vaccine research. We will then go out into the community to conduct HIV Vaccine Awareness Day outreach at LGBT bars and clubs, finishing up at Town Danceboutique. RSVP to [email protected].

Friday, May 21

The 4th annual Washington Blade summer kickoff party in Rehoboth! Join us to celebrate the arrival of beach season at Blue Moon, 35 Baltimore Ave., Rehoboth Beach, DE, 6-8 p.m.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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