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Not just pasties and G-strings

D.C. Gurly Show brings burlesque to area audiences

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(Photo courtesy of D.C. Gurly Show)

Cher and Christina Aguilera just did it. The Pussycat Dolls did it. Dita Von Teese does it. D.C. Gurly Show does it — right in your backyard.

But what is burlesque? A rich source of music, dance and comedy. When burlesque began in Europe in the 1800s, it was theatrical entertainment for the working class whose main purpose was to “burlesque” — or parody — cultural norms of the upper classes. Burlesque has, from the beginning, questioned traditional roles and ideas of both gender and sexuality.

“Without question, however, burlesque’s principal legacy as a cultural form was its establishment of patterns of gender representation that forever changed the role of the woman on the American stage and later influenced her role on the screen … The very sight of a female body not covered by the accepted costume of bourgeois respectability forcefully if playfully called attention to the entire question of the ‘place’ of woman in American society,” wrote Robert G. Allen, in “Horrible Prettiness: Burlesque and American Culture.”

The pasties and G-string aspect of burlesque appeared in the 1920s when Prohibition attitudes were closing the burlesque halls. Regardless of the level of reveal, the burlesque show is a high- energy romp. It is fun and titillating. It is lighthearted in its suggestiveness. It is playfully naughty. It is not vulgar or demeaning. It honors all the shapes and sizes that women are, and shows how each body is sexy in its own right. It celebrates humanity, sensuality and relationship.

The D.C. Gurly Show is the area’s premier burlesque troupe fostering an encouraging and supportive community of performers and fans. It was founded in 2005 by Kitty Victorian. Since then, the D.C. Gurlies have been performing monthly throughout your city. D.C. Gurly Show is home to some well-known performers: Kitty Victorian, Coco Monroe, Sindalicious, Private Tails, Velvet Kensington and Bambi Galore, to name a few. These performers have gained notoriety in the D.C. area and around the country.

The Gurlies perform the third Wednesday or Friday (alternately) at Phase One and at First Fridays at Apex with the D.C. Kings. They also have other venues and show dates lined up through the spring and summer. And you don’t want to miss them on the main stage at Pride.

So what can you expect to see at a DC Gurly Show? A wide variety of performers with a diverse range of talents. Some of the Gurlies have dance or theater training, some sing and others simply love to disrobe in front of an audience. Solos, duets, and group numbers make up the show, as well as banter from the lovely hostess. The stage will be graced with vivacious vixens like Velvet Kensington, Coco Monroe, Missy Aggravation, Private Tails, Lola Rose, Grena Dean, Anna Steasya, Felon Whoreness and Sindalicious.

For more information on the DC Gurly Show, visit dcgurlyshow.com. Catch the next performance tonight at 11 p.m. at Apex, 1415 22nd St., N.W.

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Photos

PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Books

Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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