Arts & Entertainment
Notes from the stage
Gays, allies worked the region with memorable concerts in 2011

Washington is always a big concert town — most major tours have stops here — but this year was especially teeming with gay and gay-friendly big-name musical acts. There was such an abundance of options, some evenings — like July 31 when Dolly Parton was at Wolf Trap and Britney Spears was at the Verizon Center or Sept. 1 when Stevie Nicks was at Jiffy Lube (Nissan) and Olivia Newton-John was in Baltimore — music fans had to make tough choices.
I didn’t get to everything but did see a lot. Among the highlights:
• Janet Jackson brought her “Up Close and Personal Tour” to DAR for two nights in March. Significantly scaled back from the previous “Rock Witchu Tour,” it was still a hits-packed extravaganza that followed her usual medley-heavy format. Glimpses of Michael — on duet “Scream” and in a childhood shot during “Together Again,” were especially poignant.
• A trim and svelte Jennifer Holliday (“Dreamgirls”) was here twice — she performed with the Gay Men’s Chorus of Washington June 4, then was back the next weekend to play Pride for a MIA Kelly Rowland. Her powerful, growl-heavy vocals were as solid as ever. She and the Chorus brought down the house with soulful covers of “Lean on Me” and “I Believe I Can Fly.” Rhianna was in Baltimore the same night.
• Gay crooner Michael Feinstein brought his booming baritone to the Kennedy Center in April for a delightful old-school-infused evening of standards, Sinatra and more.
• Also sporting a much-trimmer figure, Aretha Franklin played an odd-but-enjoyable Wolf Trap show June 21. That rainy, muggy night found the Queen ignoring all her trademark hits in favor of show tune covers (“As If We Never Said Goodbye” for one) and second-tier favorites (“Baby I Love You”). For long-time fans, it was a refreshing change of pace. First-timers were likely disappointed not to hear “Respect” and “Natural Woman.”
• Two local gay talents played cabaret shows at Signature Theatre in late July — Will Gartshore and Peter Fox and, while both good, were a study in contrasts. Gartshore’s booming voice carried an autobiographical show. Fox won the crowd over with his charm and unpretentiousness during a standards-heavy set.
• It was hard to tell how much of Dolly Parton’s “Better Days World Tour,” which stopped down at Wolf Trap in July, featured live singing but you have to give her this — at two-and-a-half hours, it was a generous evening that found the Blue Valley Songbird darting through covers (“River Deep Mountain High”), hits (“9 to 5,” “Islands in the Streams”), gospel, bluegrass and more.
• ‘90s hit-maker Joan Osborne was at the Birchmere in August with an unpredictable, eclectic 90-minute set. “Relish” classics (“One of Us” and “St. Theresa”) coalesced nicely with covers and lesser-known recent material.
• She doesn’t tear it up like she did in the old days, but what Stevie Nicks lacks in passion and grit, she’s made up for in pitch and finesse. Her “In Your Dreams Tour,” supporting her amazing 2011 new album (her first in a decade), found the Fleetwood Mac singer taking her time, giving her band plenty of chances to shine and balancing a wealth of cuts from the new album with trademark Mac and solo hits like barnburner “Edge of Seventeen” and “Rumors”-era wonder “Gold Dust Woman.”
• One of the year’s most exquisite musical moments was undoubtedly Patti LuPone’s simple one-woman cabaret show “Shoulda, Woulda, Coulda” at University of Maryland in early September. Wearing simple black, the stark stage featured only a Steinway grand, an adept accompanist, a vase of roses and LuPone’s undiminished talent. And with that kind of voice and interpretive skill, no other bells and whistles were needed. Knowledge of LuPone’s life and battles gave her cover of Sinatra’s “My Way” added subtext.
• Just weeks later, another Broadway legend — Audra McDonald — gave a similar show at the Kennedy Center. In fine voice, she focused on lesser-known (but hardly obscure) material and previewed her upcoming “Porgy and Bess.”
• Loretta Lynn, who’d canceled in the spring, made it to the 9:30 club in mid-October. Prospects were dicey — she’d been off the road most of the year and lost her voice halfway through the night before — but she delivered brilliantly, shared her trademark self-deprecating wit with the crowd and after a few songs, just took requests pretty much the rest of the night.
• Cyndi Lauper was back at the 9:30 club again this year just days after Lynn and tore through a ferocious 80-minute set on which she balanced smoldering blues classics from her latest album with fiery new arrangements of her trademark hits. The tour, albeit with an alternate set list, is out on DVD.
• Lesbian country singer Chely Wright sat on a bar stool two nights later at the Birchmere throughout a story-heavy set. It was as much “Storytellers” as concert but that worked — Wright, who just came out last year, has a lot to say. Occasionally long winded, the overall effect was greater appreciation for her life and songs.
Other acts that played the region this year included Lady Gaga, Kathy Griffin, Kylie Minogue, Scissor Sisters, Blondie, Indigo Girls, k.d. lang, Dave Koz (twice!), Pink Martini (twice!), Melissa Etheridge, Ani DiFranco, John Waters, Catie Curtis, Kate Clinton and more.
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)























The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.
(Washington Blade photos by Michael Key)



















India
Anaya Bangar challenges ban on trans women in female cricket teams
Former Indian cricketer Sanjay Bangar’s daughter has received support

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy.
From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training.
The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for transgender inclusion.
“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.”
On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.
Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including haemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.
“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”
In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, haemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.
Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.
Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as haemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.
“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”
Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.
Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country.
The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.
Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.
“As a woman, I feel when someone says that they are women, then they are, be trans or cis. A trans woman is definitely the same as a cis woman emotionally and in vitals, and specially, when someone is on hormone replacement therapy. Stopping Anaya Bangar from playing is discrimination and violation of her rights. It is really sad and painful that every transwoman need to fight and prove their identity everywhere,” said Indrani Chakraborty, an LGBTQ rights activist and a mother of a trans woman. “If ICC and BCCI is stopping her from playing for being transgender, then I will say this to be their lack of awareness and of course the social mindsets which deny acceptance.”
Chakraborty told the Blade that Bangar is an asset, no matter what. She said that the women’s cricket team will only benefit by participation, but the discriminating policies are the hindrance.
“Actually the transgender community face such discrimination in every sphere. In spite of being potent, they face rejection. This is highly inhuman. These attitudes is regressive and will never let to prosper. Are we really in 2025?,” said Chakraborty. “We, our mindset and the society are the issues. We, as a whole, need to get aware and have to come together for getting justice for Anaya. If today, we remain silent, the entire community will be oppressed. Proper knowledge of gender issues need to be understood.”
The BCCI and the International Cricket Council have not responded to the Blade’s repeated requests for comment.
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