Arts & Entertainment
Calendar: Jan. 6
Parties, club meetings, concerts and more through Jan. 12
TODAY (Friday)
Black Cat (1811 14th St., N.W.) presents “The Workers’ Party,” a night featuring Black Cat staff bands, Mean Season, Booze Riot, The Red Moon Preachers and Raindeer. Tickets are $5 and can be purchased online at blackcatdc.com. Doors open at 9 p.m.
Gilded Lily Burlesque presents “Anything Goes” tonight at Red Palace (1212 H St., N.E.) at 10 p.m. Tickets are $10 and available day of show. Doors open at 9 p.m. and attendees must be 21 or older. For more information, visit redpalacedc.com.
Busboys & Poets presents First Fridays: A Local Arts Exploration today at 5:30 p.m. in the Zinn room at its Hyattsville location (5331 Baltimore Ave., Suite 104). This event combines a reception, artist talk and the opportunity to meet local artists and see their work. This month’s presenters are Hermione Rhones, Joe’s Movement Emporium, Justin Fair, Ilana Silverstein and Lisa K. Rosenstein.
Comedian Tony Woods plays Riot Act Comedy Theater (801 E St., N.W.) tonight at 8 and 10:30 p.m. Tickets are $20 for each performance and available online atriotactcomedy.com. Woods will also have two performances Saturday.
Carbon Leaf, whose live performances have been compared to Dave Matthews Band and R.E.M., play Wolf Trap (1645 Trap Rd.) in Vienna tonight at 8 p.m. Tickets are $25 and available online at wolftrap.org. The band also plays Saturday at 7:30 p.m.
Saturday, Jan. 7
DJ Randy White spins at Town (2009 8th St., N.W.) tonight with music and video downstairs by DJ Wess. There’s an $8 cover before 11 p.m. and $12 afterward. Doors open at 10 p.m.
Code has its monthly installment tonight at Green Lantern (1335 Green Court, N.W.). Gear, rubber, skin, uniform or leather dress code will be strictly enforced. Music provided by DJ Frank Wild. Admission is $10. All attendees must be 18 or older. There will be an open bar from 9 to 10 p.m.
Black Cat’s (1811 14th St., N.W.) weekly Hellmouth Happy Hour will feature a special holiday screening of the “Buffy the Vampire Slayer” movie starring Luke Perry and Kristen Swanson. This is a free event and doors open at 7 p.m.
Glen Echo Park (7300 MacArthur Blvd.) is having its annual holiday art show and sale today featuring glass, ceramics, jewelry and more in the Popcorn Gallery from 11 a.m. to 6 p.m. The show ends Sunday. For more information, visit glenechopark.org.
The Kennedy Center (2700 F St., N.W.) presents its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, today at 1:30 and 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.
MORE IN THE BLADE: M.A.L. WEEKEND COMING TO WASHINGTON
Sunday, Jan. 8
The D.C. Kings perform at Phase 1 (525 8th St., S.E.) tonight at 10 p.m. This show will be ASL interpreted. There is a $10 cover. Doors open at 7 p.m. and all attendees must be 21 or older. For more information, visit dckings.com.
Burgundy Crescent Volunteers will be helping fight hunger in the D.C. area today from 9 a.m. to noon, with D.C. Central Kitchen. Volunteers will help cook, working along chefs who have graduated from the Kitchen’s job training program. No experience is required, just an interest of cooking. The Kitchen provides job skills by using rescued and donated ingredients to teach unemployed and homeless individuals how to cook, then turns this food into free meal services. E-mail [email protected] for more information.
LGBT science fiction, fantasy and horror group Lambda Sci-Fi is having its monthly meeting today, including election of officers and social with annual blind book exchange at 1425 S St., N.W., at 1:30 p.m. Attendees are asked to bring a snack or a non-alcoholic drink to share. For more information contact James at 202-232-3141 or Peter and Rob at 202-483-6369, e-mail: [email protected], or visit the group’s website at lambdascifi.org.
Monday, Jan. 9
WEAVE, a support group for LGBT survivors of intimate partner violence/abuse, meets from 7 to 8 p.m. tonight at the Lighthouse Center for Healing (5321 First Place, N.E.). For more information and to register, call 202-280-6391.
Professionals in the City and the D.C. Center are hosting a speed dating event for lesbian and bisexual women at Chi-Cha Lounge (1624 U St., N.W.) from 7 to 9 p.m. tonight. Attendees will date for about an hour and then be able to mingle with everyone. After the event, matches can be made online. Tickets are $30. For more information, visit thedccenter.org.
Tuesday, Jan. 10
D.C. Bi Women will have its monthly dinner at Dupont Italian Kitchen (1637 17th St., N.W.) tonight from 7 to 9 p.m.
Black Cat (1811 14th St., N.W.) presents Drink and a Movie tonight featuring the films “Can’t Hardly Wait” starring Jennifer Love Hewitt and “Clueless” starring Alicia Silverstone. This is a free event. Doors open at 8 p.m.
MORE IN THE BLADE: A TASTE OF TOKLAS
Wednesday, Jan. 11
Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.
Kicking off a series of special shows featuring comedians from one state or city, Riot Act Comedy Theater (801 E St., N.W.) presents Maryland Night with Todd Rexx tonight at 8:30 p.m. Tickets are $15 and available online at riotactcomedy.com.
The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., SE — across from Marine Barracks) for duplicate bridge. No reservations needed; newcomers welcome. Visit lambdabridge.com if you need a partner.
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Thursday, Jan. 12
Christopher Cross plays Wolf Trap (1645 Trap Rd.) in Vienna tonight at 8 p.m. Cross is the only artist to win Record of the Year, Song of the Year, Album of the Year and Best New Artist Grammys on the same night. Tickets are $45 and available online at wolftrap.org.
Emmy Award-winning actress Holland Taylor comes to the Kennedy Center (2700 F St., N.W.) with her one-woman play “Ann” today at 1:30 and 7:30 p.m. The show tells the story of Ann Richards, the second female governor of Texas. Tickets range from $54 to $95 and can be purchased online at kennedy-center.org.
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
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