Arts & Entertainment
Catching up with Kristine W.
Dance diva playing blossoms, Town Saturday
Kristine W.
Town Danceboutique
2009 8th Street, NW
Doors — 10 p.m.
Performance — midnight
Cover — $8 before 11; $12 after
Dance diva Kristine W. has two D.C. engagements slated for Saturday (Photo courtesy Project Publicity)
It’s 11 a.m. on a recent weekday in Burbank, Calif., and Kristine W. is in a happy mood — she just got measured for alterations for a dress she’s going to wear this weekend for one of her D.C. performances.
“It’s a relief,” she says en route to a rehearsal. “You have to have something great to wear in a parade. We just left the costume shop where they fitted it. Sometimes that’s the biggest challenge — finding something to wear.”
The dance diva who’s famous for having scored a whopping 16 No. 1 hits on the Billboard Hot Dance Club chart over a 20-year recording career, has two gigs slated for D.C. this weekend — she’ll perform in a cherry blossom parade then Saturday night around midnight she’ll do a 20-minute mini-set at Town. Though she’s only briefly cracked the Hot 100, she trails only Madonna and Beyonce as the top dance charter for the ‘00s and has had more consecutive dance No. 1s than any other artist.
She’s looking forward to returning to Town, she says.
“It’s an amazing club and Ed (Bailey) is a great guy. And you know, it’s a real club, it’s the real deal. Some clubs are very put on but this is Town, a real club with real chill DJs.”
The dancing queen is a bit of an enigma — she’s vague on personal details though she’s talked publicly about being a Washington state native and a cancer survivor. She admits to being “in a relationship at the moment,” but declines to elaborate. She has “a couple of very cool kids,” a girl and a boy, 11 and 12.
“They’re in school and having a great time. My girl plays the violin and my boy is a guitar player and a great golfer.” Kristine has lived in Las Vegas for about 18 years. She says it’s a great home base though she’s on the road “at least” 60 percent of the year on average.
She’s been successful at continuing her chart success despite the rampant music industry changes over the last several years. Kristine says her performances fuel her recording efforts. Her last album, a jazz project that had several remixed singles, did well and led to some cabaret gigs for her. Next up is a mostly new album — eight new songs and four hits in newly remixed versions for a project slated to drop in early June.
Despite all the high-concept photography and sonic production, Kristine says she lives a mostly low-key life when she’s not working.
“I don’t live a flashy life and I mostly put everything back into my music. My shows have subsidized my music. I put everything into promotion, pay my graphic artist, my project manager, then my livelihood comes from my live shows.”
Kristine gives mostly succinct answers during a 20-minute phone chat, but a question about her earliest gay influences inspires a story.
“The choir director at our church was gay but nobody ever talked about it,” she says. “There’s no way he would have come out but he was one of my best friends. My mom would pretend to be his girlfriend and all four of us — my dad had died when we were little, we were like 2, 3, 4 or 5 when he died — but he stepped in and because I was so crazy about music, he really had an influence on me. So he taught sixth grade and had this award-winning children’s choir, and my mom was like we totally get it that you could not say anything, it would ruin his career, but then later they were naming a school after him. He died of cancer when I was like 13. He would love it now that I have such a gay following with my music. I’m pretty sure he probably died of AIDS but back then everybody just said it was cancer.”
Later Kristine had a vocal coach who was gay. She credits him and solid operatic voice lessons in high school with her musical chops. Though she doesn’t sing classical music anymore, she says the training informed her precision.
“There was no room for anything flat or sharp,” she says. “That was not on the program. You hit the note dead on.”
Unfortunately she says there’s no trophy or plaque that comes when you get a Billboard chart topper. The magazine does, however, do an article on the single which she saves and frames.
And why is dance music so popular with gays? After all, she should know after staking out her career in the genre, no?
“Because it’s uplifting and happy,” she says. “It’s just like medicine for the soul.”
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By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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