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Out & About: D.C. and Baltimore

‘Normal Heart’ production opens, ‘Pariah’ screening planned and more

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Arena Stage presents ‘The Normal Heart’ running from June 8-July 29. Photo by Carol Rosegg; courtesy Arena)

Kramer classic ‘Normal Heart’ opens D.C. run

Arena Stage at the Mead Center for American Theater’s production of the 2011 Tony-awaring winning production of Larry Kramer’s “The Normal Heart,” directed by George C. Wolfe, opens today.

The cast includes original cast members Patrick Breen and Luke MacFarlane, returning in new roles, and original production understudy Jon Levenson, as well as Patricia Wettig from ABC’s “Brothers & Sisters” and “thirtysomething,” Broadway stars Tom Berklund, Michael Berresse, Christopher J. Hanke, Nick Mennell, Chris Dinolgo and John Procaccino.

“The Normal Heart” tells the story of a group of friends struggling with the mysterious disease ravaging New York’s gay community, looking at sexual politics during the AIDS crisis.

This production is an Affiliated Independent Event of AIDS 2012, the biennial International Conference, to be held in D.C. from July 22-27. To spread awareness of the ongoing fight against AIDS, Arena will be holding related events and partnering with organizations throughout the production’s run.

Sections of the AIDS Memorial Quilt will be on display in the Mead Center along with images from the HIV/AIDS relation collections of the Archives Center at the Smithsonian’s National Museum of American History. Local clinics and HIV testing providers will have HIV testing vans parked outside the Mead Center on select weekends and panel discussions with guest speakers will follow select matinees.

Arena Stage and the Washington AIDS Partnership will host a benefit performance on July 23. The evening will include a pre-performance VIP cocktail hour, intermission champagne toast and a dance party following the performance.

Tickets range from $40-$94. Tickets for the benefit performance events start at $75.

For more information and to purchase tickets, visit arenastage.org.

Wolf Trap features bounty of summer shows

Wolf Trap’s summer season is heating up with a week full of concerts.

World-renowned contemporary instrumentalist Yanni begins the week tonight at 8 p.m. The concert will include music from his previous shows as well as songs from his newest album, “Truth of Touch.” Tickets range from $30-$55.

Gavin DeGraw and Colbie Caillat come together on Saturday at 7:30 p.m. The duo has performed several duets during previous joint tours. Tickets range from $25-$40.

Wolf Trap has its 23rd annual Louisiana Swamp Romp on Sunday at 2 p.m. The concert will feature Allen Toussaint Band, Dirty Dozen Brass Band and Big Sam’s Funky Nation. Southern dishes will also be available on the plaza. Tickets are $25.

Country superstar Martina McBride comes to Wolf Trap on Wednesday with Grammy-nominated David Nail. McBride is a four-time Country Music Awards Female Vocalist of the Year and dedicated her single, “I’m Gonna Love You Through It” to cancer survivors, performing on a pink-li Empire State Building to raise breast cancer awareness. Tickets range from $35 to $48.

Bonnie Raitt plays Thursday with special guest Mavis Staples. Tickets range from $30-$48.

For more information on the concerts and to purchase tickets, visit wolftrap.org.

‘Drag Race’ alums at Town this weekend

Town (2009 8th St., N.W.) is kicking off Pride weekend with performances from the stars of “RuPaul’s Drag Race.” Sharon Needles, Phi Phi O’Hara and Dida Ritz will all be performing during the club’s drag show starting at 10:30 p.m. They will also be sticking around to sign autographs and take pictures after the show.

The club is continuing its Pride celebration with a dance party on Saturday featuring DJ Manny Lehman, the Ladies of Town and Tha Dance Camp.

The Town drag show is hosted by Lena Lett and stars Tatiana, Shi-Queeta–Lee, Epiphany B Lee, Ba’Naka and special guests.

Doors open at 9 p.m. and admission is $20. Friday night attendees must be 18 or older and Saturday night attendees must be 21 or older.

For more information and future events, visit towndc.com.

STAY ON TOP OF ALL THINGS PRIDE! DOWNLOAD THE DIGITAL PRIDE GUIDE TODAY!

‘Pariah’ screenings at Busboys & Poets

Busboys & Poets is offering a free screening of the film, “Pariah” at each of its four locations throughout the month continuing Sunday at its 14th and V streets location (2021 14th St., N.W.) at 8 p.m.

Written and directed by Dee Rees, the film follows Alike, a 17-year-old African American woman who lives with her parents and younger sister in Brooklyn, as she embraces her identity as a lesbian and wonders how much she can confide in her family.

The film stars Adepero Oduye as Alike, Kim Wayans as her mother Audry, Charles Parnell as her father Arthur, Sahra Mellesse as her sister Sharonda, Pernell Walker as her friend Laura and Aasha Davis as Bina, a potential love interest.

The other screenings will be June 17 at the Shirlington location at 7 p.m. and June 24 at the 5th and K streets location at 8 p.m.

— JULIETTE EBNER

Bock’s minimalist play is journey of self-discovery

Iron Crow Theatre Company’s “The Typographer’s Dream,” a play by Adam Bock, runs through June 16 at the Johns Hopkins University’s Swirnow Theatre (33rd St. and Charles St., Baltimore).

The play centers on a three characters: a stenographer, geographer and typographer. As the play progresses, the characters reveals how they’re defined by their jobs and the meaning and notions of their lives are called into question.

Bock is gay and has been nominated for two Outer Critics Circle Awards.

The play runs every night at 8 p.m. Regular tickets are $17 while students and seniors are $12.  For more information, go to ironcrowtheatre.com

Mount Vernon club starts Baltimore Pride celebrations

S.H.E. Productions is kicking off Baltimore Pride at Grand Central (1001 North Charles St., Baltimore) with a party event on Thursday at 9 p.m.

S.H.E. Productions is an event production company in the Baltimore area that specializes in LGBT events of various types. Its staff often performs at clubs but they also host high energy boot camps for fitness and outings/excursions.

Grand Central is surrounded by several eateries and is within walking distance of the Inner Harbor and the Walters Art Museum.

Cover is $5 at the door. For details, visit centralstationpub.com or visit sheproductionsevents.com.

Baltimore Hons commemorates ‘60s culture

HonFest, an annual festival that celebrates the historic working women of Baltimore, is this weekend on 36th Street in the Hampden neighborhood.

Started in 1994, HonFest has grown into a nationally recognized festival. Women can participate to become Baltimore’s Best Hon by sporting beehive hairdos, bright-blue eye shadow and spandex pants. Exhibitions include local musicians and artists.

The event is free but it will be $5 to park.  For more information, visit honfest.net.

Twilight on the Terrace starts Pride weekend

Twilight on the Terrace benefit cocktail party will be held at Gertrude’s Restaurant at the Baltimore Museum of Art (10 Art Museum Drive) on June 15 from 7-11 p.m.

The evening will include a silent auction including artwork, gift certificates to restaurants and shops, themed gift baskets, a Myrtle Beach vacation, an autographed photo of Doris Day and dates with local celebrities. Guests will also be able to meet Baltimore actor Vincent de Paul.

There will be hors d’oeuvres, a four-hour open bar and dancing to DJ Alex Funk.

Tickets are $100. For details, visit baltimorepride.org.

— ERIN DURKIN

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a&e features

Jason DePuy on coping with homophobia in ‘Big Brother’ house

First drag queen contestant on CBS show fought to stay positive

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Jason DePuy on Big Brother (Photo courtesy of CBS Broadcasting,Inc.)

One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.

During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.

In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”

Former “Big Brother” contestant Frankie Grande called his words  ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.

Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.

“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”

He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”

Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself. 

“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”

DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.” 

While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling. 

“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”

He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”

Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.

“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”

One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.

“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”

DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”

DePuy was thrilled to be the very first drag queen to ever be cast on the show. 

“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”

Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.

“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”

If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.

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Sports

2 former NBA players launch cheap anti-trans stunt to exploit WNBA rules

Enes Kanter Freedom and Royce White are attempting to extend their finished sports careers through vague gender eligibility policy in the WNBA.

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The future of transgender participation on the basketball court could change following changes to the league's gender based eligibility policy. (Photo by yobro/Bigstock)

As transgender sports policy continues to make headlines, two former NBA players are attempting to use vague WNBA wording on players’ gender identity to extend their finished professional sports careers.

Enes Kanter Freedom and Royce White, two male former professional basketball players who have aligned themselves with the ‘far-right’ political spectrum, have announced that they plan to self-identify as transgender in order to meet the requirements to declare themselves eligible for the WNBA draft.

Freedom last played for the NBA in 2022, while White played his last professional game in 2018.

Both players have explicitly stated that this choice is an attempt to exploit the policy currently in place in the WNBA — one that assumes those who say they identify as transgender women are women — unlike what these two have done.

The WNBA’s collective bargaining agreement states that “only players who are women are eligible to play in the WNBA,” but it does not include more specific language about gender identity or sex assigned at birth, according to The Athletic, The New York Times’s sports publication.

Neither Freedom nor White has previously made any statements about being trans.

“If simply declaring who you are is all that’s required, then I meet every single requirement necessary to compete in the WNBA,” Freedom wrote on X. “Based on the current guidelines, I can and am officially declaring my eligibility for the upcoming WNBA draft in April 2027.”

Hours later, White made a similar statement to Fox News, emphasizing that this was solely an attempt to exploit the policy — an attempt at inclusion — and use it as a loophole to stay relevant in the sport he left in 2018.

“I’m transgender. I’m a woman. I identify as sometimes identifying as a woman for purpose of basketball, professional basketball, so I’ll be declaring for the WNBA draft in 2027 as well,“ White told Fox News. “I think I’d be unstoppable. But I’m a team-first guy. I’m a pass-first kind of player. I do the little things. I led my team in all five major stat categories at Iowa State University, so I do a little bit of everything. I’ll do whatever the coach needs me to do. I’ll do whatever the girls need me to do.”

White also said that he would be open to suing the WNBA if he were not allowed to be a part of the draft, while making transphobic comments about genitalia in the same breath.

“I think the WNBA could come out and make a definitive statement about guys with a pair of balls playing in the Women’s Association,“ White said, saying he doesn’t “want to be discriminated against.”

“I want fair treatment,” White continued while also using the opportunity to promote his run for the U.S. Senate seat in Minnesota. “I’m a young Black, hopefully United States Senator that would like a fair chance to participate as a sometimes-identifying-as-a-transgender-woman athlete.”

“We’re gonna have to have a huge legal battle about discrimination if I can’t play,” he added.

White has made multiple failed attempts to run for office as a Republican since leaving the NBA, with statements surrounding conspiracy theories and his support for Trump coming under fire.

He has faced court actions after falling behind on court-mandated child support payments and has faced family repercussions for his political activities.

White’s grandfather has distanced himself from White, stating: “There’s no way I can support my grandson supporting the GOP, and in essence, Trump.”

In response to Freedom’s X post and White’s announcement, the Women’s National Basketball Players’ Association, the players’ union for the WNBA, released a statement doubling down on its commitment to inclusivity in the sport.

“We embrace justice, equity, diversity, and inclusion. Those are the values that unite this Union and allow it to protect women’s sports while creating transformational change,” the statement said in a post on Instagram.

“Hate, abuse, and demonization of any person or group of people, including transgender people, only fuel fear, division, and harm. We will continue to have hard conversations,” the post continued. “But we will not be used as political pawns.”

The statement comes just days after WNBA Commissioner Cathy Engelbert sent a memo to teams attempting to address ongoing discussions around transgender athletes in women’s basketball.

“I know many of you have received questions in recent weeks regarding transgender athlete participation in women’s basketball, and I expect this topic will continue to receive significant attention,” Engelbert wrote in the memo, which was sent Friday afternoon and published in the Associated Press. “I wanted to reach out to share how we are approaching these conversations at the league office and to thank those of you who have responded to questions from the media with thoughtfulness and professionalism.”

“We recognize that this is a complex and nuanced topic, and we will continue to have important conversations with all of you and the Players Association in the weeks and months ahead,” Engelbert said. “We also plan to convene additional discussions and offer listening sessions for any team leaders who would like to participate. Your perspectives and feedback are invaluable, and I appreciate those who have already reached out to share their thoughts.”

The memo, which does not clarify whether the league’s stance on gender eligibility will change or what the ongoing conversations have looked like, comes as political figures — particularly those on the right — continue to fuel debates over transgender participation in women’s sports across the country and across sports.

Republican Florida Gov. Ron DeSantis also commented on the ongoing eligibility meetings the WNBA is holding, using the issue to criticize transgender participation in women’s sports.

“WNBA meeting to decide whether 2+2=4 or 2+2=5,” Desantis wrote on X on Saturday.

Indiana Fever player Sophie Cunningham voiced support for barring transgender girls and women from girls’ and women’s sports. Cunningham’s comments sparked small rallies and protests in Seattle and Portland when the Fever were on the road last week.

Despite the loudest voices — and those being covered by non-LGBTQ outlets — highlighting negative takes on transgender inclusion on female sports teams, multiple WNBA members have voiced their support for transgender women participating in sports.

Seattle Storm center Stefanie Dolson and Minnesota Lynx coach Cheryl Reeve have used their platforms to continue their vocal support for transgender women participating in sports.

“We need to protect trans kids,” Reeve said on Aug. 1. “To me, it’s a human rights issue. Every kid has a right to sports.”

A source familiar with the league told the Blade that the WNBA is not taking Freedom and White’s announcements seriously and is not entertaining what the source characterized as bad-faith efforts to demonize the transgender community. The source emphasized that there are no serious or immediate eligibility issues involving the two men and said their attempts to enter women’s sports do not represent an effort to protect women’s sports.

“The WNBA will not allow bad-faith publicity stunts designed to mock or demean others to dictate serious conversations about league policy,” the source told the Blade on Tuesday. “There are no immediate eligibility issues affecting the WNBA.”

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Theater

Don’t miss summer productions at Clear Space in Rehoboth Beach

‘Cher Show,’ ‘Pretty Woman’ among season’s standouts

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Abby Lynne and Caetano de Sá (Photo by Deny Howeth)

“The Cher Show” at Clear Space Theatre is wonderful. I am always amazed at the talent they attract for their summer series. Kudos to Wes Drummond, the artistic director of the theater. “The Cher Show” is written by Rick Elice. Compliments to the talented director, James FitzSimmons, who brought to life this production. His immensely talented cast includes Shannen Hofheimer as Star, Breanna Lemerise as Lady, Abby Lynne as Babe, and Anya Kay, as young Cher. Each is a pleasure to both watch and listen to. They command the stage. Then more kudos to the entire cast and ensemble. Also, the creative team, which includes among so many who make this show a hit, choreographer Shondelle Graulich; scenic designer, David Chappell; lighting designer Brendan Smith; costume designer Valerie Beardsley; and the entire orchestra led by conductor, Jerry Birl. 

But the actor who I was looking forward to seeing in the production, was a young actor I had written about, and reviewed, when I saw him at Clear Space two years ago. In this production he is Sonny Bono, and he definitely didn’t disappoint. 

Let me introduce Caetano de Sá. I have written about him before, but his resume is worth repeating. It says; Height: 5’7 ½, Eyes: Brown, Voice part: Tenor G2 – C5, Build: Athletic. All true. Then you add to this he speaks Brazilian Portuguese, is certified in stage combat by the Society of American Fight Directors, and is a 2nd Degree Black Belt in Taekwondo. Then as his resume of roles confirms, he can act, sing, and dance with the best. He does a great job as Sonny and is fun to watch on stage. Here he displays his talents as a singer and actor, and they are as good as I remembered them when I first met Caetano while he was still in school in 2024, and was starring as Frankie Valli in “Jersey Boys,” at Clear Space. At the time he was a rising senior at the Boston Conservatory at Berklee BFA Musical Theater program. I interviewed him, and Harry Sperduto, who played Tommy Devotee, after seeing them in the show, and being amazed by their talent. Since that time, I have followed their careers. When I heard Caetano was coming back to Clear Space for the summer, I reached out, and he agreed to sit down and chat, which we did. I knew Clear Space Theatre was planning a busy summer season. Their lineup of shows included “The Cher Show,” “Mean Girls,” and “Pretty Woman.” They always have talented casts, including the many college students who are getting their first chance to shine, which was the case for Caetano in 2024. Now he is back as a graduate, with more experience under his belt, a little more established. This season he was going to play Sonny in their production of “The Cher Show,” Martin/Coach Carr, in “Mean Girls,” and Mr. Hollister in “Pretty Woman,” and being a part of the ensemble. He told me he really enjoys being at Clear Space, and that his castmates are all talented. He is a lot more experienced than when he was here before, having performed in productions at the Prairie Repertory Theatre, the Emerald Coast Theatre Company, Firehouse Center for the Arts, and the Sullivan Rep, among others. In productions as diverse as “Oklahoma!,” “Mystic Pizza,” “Hairspray,” and “Rock of Ages.” He now lives in New York City and clearly New York is the perfect place for an aspiring actor. He has an agent at Bramante Artists, who is getting him gigs, like the one he had at 54 Below and even a TV commercial for AFLAC. 

“The Cher Show” is the second show I have seen at Clear Space this summer. After our chat I got one of the last tickets available that evening for “Pretty Woman.” In that production he has a smaller role, and is part of the incredibly talented ensemble. It is also an entertaining show and its very talented stars, Abby McDonough as Vivian, and Jaiden Leo Riley as Edward, are a pleasure to watch. Kudos to the talented director, Ashley Williams, and the entire creative team. 

For anyone living at the beach, or coming for a visit, I urge you to plan a night at Clear Space. You won’t regret it. But know tickets for all the shows, and Sunday evening cabaret nights, sell out fast. So, I suggest you see what’s available online and buy yours today.   

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