Arts & Entertainment
Queery: Henry Maticorena
The Andromeda Transcultural Health communications director answers 20 gay questions
Henry Maticorena’s mother always told him, “When you are a minority, you never turn your back on other minorities.” As a result, he is fluent in four languages, which he uses on the job as a communications/external affairs director at Andromeda Transcultural Health.
Maticorena spearheads HIV/AIDS outreach for the clinic. His arsenal of tools includes bumper stickers, lanyards and squishy balls that have sayings in Spanish, French, Portuguese and English.
“I want to be able to include groups that may not always have access to these services on a regular basis,” he says. “We want to give our clients a holistic treatment, for both their physical health and their mental health.”
Maticorena began his outreach while an undergraduate student at George Washington University, where he traveled to Brazil for a year. He joined the LGBT movement where the advocacy focused mostly on reducing hate crimes. Despite traveling to several other countries, Maticorena regularly returned to D.C. to work.
“I can really connect with policy makers here and watch changes being made here,” he says. “D.C. provides many platforms in which I can make an impact.”
Maticorena is single and lives in D.C. and enjoys attending events at the Phillips Collection and other galleries in his free time. He is also a runner and enjoys watching movies and listening to Bossa Nova with a glass of wine.
How long have you been out and who was the hardest person to tell?
I’ve been out since I was 20 years old. I’ve been fortunate to have always encountered people in my life thus far who never found my sexual orientation to be an issue.
Who’s your LGBT hero?
I’d say it is anyone that goes out of his/her way to help a stranger in need. In my personal life, I’d have to say a great man who was there for me when I experienced emotional struggles in college. His name is Marc.
What’s Washington’s best nightspot, past or present?
Can I answer both? I just have to say Velvet Nation was the place to be when I moved to D.C. to attend GW. I always had a BLAST there. Today, it depends on the mood: Bossa Lounge in Adams Morgan or Cobalt on 17th Street.
Describe your dream wedding.
I‘ve always loved the summer chateaux on Bellevue Avenue in Newport, Rhode Island. My favorite one being The Marble House; I would have the ceremony held there in its ballroom and the reception in the Chinese Tea House in the backyard with all my friends and family.
What non-LGBT issue are you most passionate about?
I’m very passionate about getting every resident the opportunity to have access to services in their native language if they need it.
What historical outcome would you change?
Sept. 11, 2001. It was a few days after I had moved to D.C. from Miami and I witnessed the divisiveness that it instilled in our diverse community in the District and in America at large.
What’s been the most memorable pop culture moment of your lifetime?
I’d have to say when Princess Diana died in 1997 as a result of the car crash in Paris. She had a great impact on my life. All her charitable work inspired me to become very active working for the rights of disadvantaged people as well as becoming involved in the fight against HIV/AIDS and ending the stigma associated with it through my volunteering and work today at Andromeda Transcultural Health (check us out on Facebook: facebook.com/ATHDC).
On what do you insist?
I insist on fomenting cohesiveness within our community to overcome the issues that affect us from HIV to immigration to our youth experiencing homelessness.
What was your last Facebook post or Tweet?
My last post on Facebook was the photo of a business card that reads: ‘Hey, I just met you, and this is crazy, but here’s my number’ hahaha.
If your life were a book, what would the title be?
“My Life as a Socialite: Henry, my Private Story”
If science discovered a way to change sexual orientation, what would you do?
Nothing. I was born this way.
What do you believe in beyond the physical world?
I like to believe that once one dies hopefully one’s spirit will have fulfilled its raison d’etre in this lifetime to continue on its path for continuous growth.
What’s your advice for LGBT movement leaders?
Continue the legacy of prior leaders of the movement to encourage members of our community to be the voices and advocates of individuals whose plea would otherwise be unheard — doing so, creating change and building the path so we can ALL move forward as ONE.
What would you walk across hot coals for?
I would walk across hot coals to get all my friends in London and South America to make it to an overdue reunion here in D.C. My friends are family to me.
What LGBT stereotype annoys you most?
That every gay man wants to pursue every straight man they come in contact with.
What’s your favorite LGBT movie?
“A Home at the End of the World.”
What’s the most overrated social custom?
Shaking hands (which I find so limiting) when introducing oneself for the first time. Kissing on one or both cheeks should not be frowned upon.
What trophy or prize do you most covet?
I don’t want to sound cheesy; I recently attended a funeral and in the reception all individuals I came across shared something in common, how this man had enriched and touched their lives in meaningful ways. I can’t take a trophy or prize with me to the grave. I aspire to have touched and enriched as many individuals’ lives in this lifetime that is the prize I most wish for.
What do you wish you’d known at 18?
My American idioms so as not to mess up “tough love” with “rough love.”
Why Washington?
D.C. has this je ne sais quoi about it and the people I have met here have always embraced me and provided me a platform for growth that I’m always immensely grateful for.
The Gay Men’s Chorus of Washington perform “The Holiday Show” at Lincoln Theatre (1215 U St., N.W.). Visit gmcw.org for tickets and showtimes.
(Washington Blade photos by Michael Key)
Santa will be very relieved.
You’ve taken most of the burden off him by making a list and checking it twice on his behalf. The gift-buying in your house is almost done – except for those few people who are just so darn hard to buy for. So what do you give to the person who has (almost) everything? You give them a good book, like maybe one of these.
Memoir and biography
The person who loves digging into a multi-level memoir will be happy unwrapping “Blessings and Disasters: A Story of Alabama” by Alexis Okeowo (Henry Holt). It’s a memoir about growing up Black in what was once practically ground zero for the Confederacy. It’s about inequality, it busts stereotypes, and yet it still oozes love of place. You can’t go wrong if you wrap it up with “Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore” by Ashley D. Farmer (Pantheon). It’s a chunky book with a memoir with meaning and plenty of thought.
For the giftee on your list who loves to laugh, wrap up “In My Remaining Years” by Jean Grae (Flatiron Books). It’s part memoir, part comedy, a look back at the late-last-century, part how-did-you-get-to-middle-age-already? and all fun. Wrap it up with “Here We Go: Lessons for Living Fearlessly from Two Traveling Nanas” by Eleanor Hamby and Dr. Sandra Hazellip with Elisa Petrini (Viking). It’s about the adventures of two 80-something best friends who seize life by the horns – something your giftee should do, too.
If there’ll be someone at your holiday table who’s finally coming home this year, wrap up “How I Found Myself in the Midwest” by Steve Grove (Simon & Schuster). It’s the story of a Silicon Valley worker who gives up his job and moves with his family to Minnesota, which was once home to him. That was around the time the pandemic hit, George Floyd was murdered, and life in general had been thrown into chaos. How does someone reconcile what was with what is now? Pair it with “Homestand: Small Town Baseball and the Fight for the Soul of America” by Will Bardenwerper (Doubleday). It’s set in New York and but isn’t that small-town feel universal, no matter where it comes from?
Won’t the adventurer on your list be happy when they unwrap “I Live Underwater” by Max Gene Nohl (University of Wisconsin Press)? They will, when they realize that this book is by a former deep-sea diver, treasure hunter, and all-around daredevil who changed the way we look for things under water. Nohl died more than 60 years ago, but his never-before-published memoir is fresh and relevant and will be a fun read for the right person.
If celeb bios are your giftee’s thing, then look for “The Luckiest” by Kelly Cervantes (BenBella Books). It’s the Midwest-to-New-York-City story of an actress and her life, her marriage, and what she did when tragedy hit. Filled with grace, it’s a winner.
Your music lover won’t want to open any other gifts if you give “Only God Can Judge Me: The Many Lives of Tupac Shakur” by Jeff Pearlman (Mariner Books). It’s the story of the life, death, and everything in-between about this iconic performer, including the mythology that he left behind. Has it been three decades since Tupac died? It has, but your music lover never forgets. Wrap it up with “Point Blank (Quick Studies)” by Bob Dylan, text by Eddie Gorodetsky, Lucy Sante, and Jackie Hamilton (Simon & Schuster), a book of Dylan’s drawings and artwork. This is a very nice coffee-table size book that will be absolutely perfect for fans of the great singer and for folks who love art.
For the giftee who’s concerned with their fellow man, “The Lost and the Found: A True Story of Homelessness, Found Family and Second Chances” by Kevin Fagan (One Signal / Atria) may be the book to give. It’s a story of two “unhoused” people in San Francisco, one of the country’s wealthiest cities, and their struggles. There’s hope in this book, but also trouble and your giftee will love it.
For the person on your list who suffered loss this year, give “Pine Melody” by Stacey Meadows (Independently Published), a memoir of loss, grief, and healing while remembering the person gone.
LGBTQ fiction
For the mystery lover who wants something different, try “Crime Ink: Iconic,” edited by John Copenhaver and Salem West (Bywater Books), a collection of short stories inspired by “queer legends” and allies you know. Psychological thrillers, creepy crime, cozies, they’re here.
Novel lovers will want to curl up this winter with “Middle Spoon” by Alejandro Varela (Viking), a book about a man who appears to have it all, until his heart is broken and the fix for it is one he doesn’t quite understand and neither does anyone he loves.
LGBTQ studies – nonfiction
For the young man who’s struggling with issues of gender, “Before They Were Men” by Jacob Tobia (Harmony Books) might be a good gift this year. These essays on manhood in today’s world works to widen our conversations on the role politics and feminism play in understanding masculinity and how it’s time we open our minds.
If there’s someone on your gift list who had a tough growing-up (didn’t we all?), then wrap up “I’m Prancing as Fast as I Can” by Jon Kinnally (Permuted Press / Simon & Schuster). Kinnally was once an awkward kid but he grew up to be a writer for TV shows you’ll recognize. You can’t go wrong gifting a story like that. Better idea: wrap it up with “So Gay for You: Friendship, Found Family, & The Show That Started It All” by Leisha Hailey & Kate Moennig (St. Martin’s Press), a book about a little TV show that launched a BFF-ship.
Who doesn’t have a giftee who loves music? You sure do, so wrap up “The Secret Public: How Music Moved Queer Culture from the Margins to the Mainstream” by Jon Savage (Liveright). Nobody has to tell your giftee that queer folk left their mark on music, but they’ll love reading the stories in this book and knowing what they didn’t know.
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Theater
Studio’s ‘Mother Play’ draws from lesbian playwright’s past
A poignant memory piece laced with sadness and wry laughs
‘The Mother Play’
Through Jan. 4
Studio Theatre
1501 14th St., N.W.
$42 – $112
Studiotheatre.org
“The Mother Play” isn’t the first work by Pulitzer Prize-winning lesbian playwright Paula Vogel that draws from her past. It’s just the most recent.
Currently enjoying an extended run at Studio Theatre, “The Mother Play,” (also known as “The Mother Play: A Play in Five Evictions,” or more simply, “Mother Play”) is a 90-minute powerful and poignant memory piece laced with sadness and wry laughs.
The mother in question is Phyllis Herman (played exquisitely by Kate Eastwood Norris), a divorced government secretary bringing up two children under difficult circumstances. When we meet them it’s 1964 and the family is living in a depressing subterranean apartment adjacent to the building’s trash room.
Phyllis isn’t exactly cut out for single motherhood; an alcoholic chain-smoker with two gay offspring, Carl and Martha, both in their early teens, she seems beyond her depth.
In spite (or because of) the challenges, things are never dull in the Herman home. Phyllis is warring with landlords, drinking, or involved in some other domestic intrigue. At the same time, Carl is glued to books by authors like Jane Austen, and queer novelist Lytton Strachey, while Martha is charged with topping off mother’s drinks, not a mean feat.
Despite having an emotionally and physically withholding parent, adolescent Martha is finding her way. Fortunately, she has nurturing older brother Carl (the excellent Stanley Bahorek) who introduces her to queer classics like “The Well of Loneliness” by Radclyffe Hall, and encourages Martha to pursue lofty learning goals.
Zoe Mann’s Martha is just how you might imagine the young Vogel – bright, searching, and a tad awkward.
As the play moves through the decades, Martha becomes an increasingly confident young lesbian before sliding comfortably into early middle age. Over time, her attitude toward her mother becomes more sympathetic. It’s a convincing and pleasing performance.
Phyllis is big on appearances, mainly her own. She has good taste and a sharp eye for thrift store and Goodwill finds including Chanel or a Von Furstenberg wrap dress (which looks smashing on Eastwood Norris, by the way), crowned with the blonde wig of the moment.
Time and place figure heavily into Vogel’s play. The setting is specific: “A series of apartments in Prince George’s and Montgomery County from 1964 to the 21st century, from subbasement custodial units that would now be Section 8 housing to 3-bedroom units.”
Krit Robinson’s cunning set allows for quick costume and prop changes as decades seamlessly move from one to the next. And if by magic, projection designer Shawn Boyle periodically covers the walls with scurrying roaches, a persistent problem for these renters.
Margot Bordelon directs with sensitivity and nuance. Her take on Vogel’s tragicomedy hits all the marks.
Near the play’s end, there’s a scene sometimes referred to as “The Phyllis Ballet.” Here, mother sits onstage silently in front of her dressing table mirror. She is removed of artifice and oozes a mixture of vulnerability but not without some strength. It’s longish for a wordless scene, but Bordelon has paced it perfectly.
When Martha arranges a night of family fun with mom and now out and proud brother at Lost and Found (the legendary D.C. gay disco), the plan backfires spectacularly. Not long after, Phyllis’ desire for outside approval resurfaces tenfold, evidenced by extreme discomfort when Carl, her favorite child, becomes visibly ill with HIV/AIDS symptoms.
Other semi-autobiographical plays from the DMV native’s oeuvre include “The Baltimore Waltz,” a darkly funny, yet moving piece written in memory of her brother (Carl Vogel), who died of AIDS in 1988. The playwright additionally wrote “How I Learned to Drive,” an acclaimed play heavily inspired by her own experiences with sexual abuse as a teenager.
“The Mother Play” made its debut on Broadway in 2024, featuring Jessica Lange in the eponymous role, earning her a Tony Award nomination.
Like other real-life matriarch inspired characters (Mary Tyrone, Amanda Wingfield, Violet Weston to name a few) Phyllis Herman seems poised to join that pantheon of complicated, women.
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