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‘Dark Knight’ of the soul

Trilogy finale of Batman reboot conflicted, intensely satisfying

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The cast of ‘The Dark Knight Rises,’ helmed by Christian Bale. (Photo courtesy Warner Bros.)

Director Christopher Nolan’s “The Dark Knight Rises” leaves you emotionally drained, exhausted and in a daze when the film ends. Nolan, who co-wrote with his brother Jonathan, expertly toys with current widespread fears of a pending apocalypse and squeamishness over talk of waning American hegemony in this spectacular finale to his Batman trilogy.

“The Dark Knight Rises” has a brooding, moody beginning set eight years after “The Dark Knight.” Bruce Wayne (Christian Bale) is out of the public eye and withdrawn from society and Batman is a faded memory. Gotham still mourns the loss of District Attorney Harvey Dent when Bane (Tom Hardy) interrupts any reflection on the past by reintroducing newfound terror to the city.

Hardy delivers an exceptional performance as Bane, especially considering he’s the follow-up villain to Heath Ledger’s brilliantly disturbing (and Oscar winning) interpretation of the Joker in “The Dark Knight.” Bane is a hulking mass of muscle with a militaristic breathing device surgically attached to his face, which mechanically provides his voice a diabolical intonation while alleviating the agony of a past facial disfigurement.

Bane at first appears like another greedy aggressor after the Wayne Enterprises empire, with the help of a corrupt board member of the company and a master thief in cat ears, Selina Kyle (Anne Hathaway). The extent of his desire to destroy is revealed by his master plan involving the nuclear reactor of Wayne’s clean energy initiative.

Bruce ditches his unkempt hermit look and squeezes back into the bat suit, but in doing so, is forced to confront the personal struggles that have been with him since the trilogy’s start in “Batman Begins.” Although butler Alfred (Michael Caine) refuses to watch Batman meet his death in another mission to save Gotham, Bruce finds help from faithful weapons expert Lucius Fox (Morgan Freeman), policeman and fellow orphan John Blake (Joseph Gordon-Levitt) and the new CEO of Wayne Enterprises, Miranda Tate (Marion Cotillard).

Even the cunning and calculating Catwoman comes around. From her first appearance in disguise as an obedient maid who steals Bruce’s mother’s pearls, Hathaway has as much charisma as the two actresses who played Rachel Dawes in the prior two Batman films combined. In their defense, the character Selina Kyle lends itself to far more dynamism and energy — let alone ass kicking — than Bruce’s past love interest.

Hathaway looks sexy and sinewy in her cat suit, but her character is not the objectified acknowledgement that gender roles are changing seen in most action films. She is funny, hardened and resourceful, and just as much a savior to Batman as he is to her.

Christian Bale delivers another excellent performance as Bruce Wayne that heavily draws on the previous two films. Bruce struggles with his inner demons that were intensely developed in “Batman Begins.” “Rises” is full of allusions to the death of his parents and even his childhood fear of bats resurfaces at a pivotal life-or-death moment. The death of Rachel Dawes and the destruction caused by the Joker in “The Dark Knight” hang over Bruce and he initially struggles with either resigning to his role as apathetic, entitled playboy or anonymous keeper of justice.

What’s so striking about Bale as Batman and Christopher Nolan’s directing of the franchise is that the hero’s humanity is constantly reiterated. Wayne’s often battered body, sad eyes and initial withdrawal from Gotham society make him much more complex than most heroes of his genre. Nolan seems to understand that in today’s world, trust in a perfect savior is passé.

“The Dark Knight Rises” continuously blurs divisions between good and evil, with even the brutal Bane showing a glimmer of humanity in the end. Nolan challenges our trust in the institutions we depend on through police ineptitude, corporate corruption and a horrifying sequence of explosions right after the singing of the National Anthem at a Gotham “Rogues” football game. At one point when the situation is beyond dire, an anonymous white male president offers empty, flagrantly rehearsed words of hope to the city.

Like most self-serious, epic films these days, “The Dark Knight Rises” is too long (2 hours, 40 minutes), but the plot is easy to follow and doesn’t drag. The special effects, action scenes and all of Batman’s toys also keep the proceedings engaging throughout.

Much of the film’s middle section is full of hopelessness and dread. The ending is heart-wrenching and visually stunning, but that’s not to say it isn’t bittersweet. That it’s an emotional mixed bag is part of what makes it such a satisfying conclusion to the franchise.

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PHOTOS: Montgomery County Pride in the Plaza

LGBTQ celebration held in downtown Silver Spring

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Montgomery County Pride in the Plaza included the live 'LIYT Nights & Drag Duels!' season finale. (Washington Blade photo by Michael Key)

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.

(Washington Blade photos by Michael Key)

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PHOTOS: Fredericksburg Pride

Fifth annual festival held at Riverfront Park

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The Fredericksburg Pride March wound through downtown Fredericksburg, Va. and ended at Riverfront Park on Saturday, June 28. (Washington Blade photo by Michael Key)

The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.

(Washington Blade photos by Michael Key)

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Anaya Bangar challenges ban on trans women in female cricket teams

Former Indian cricketer Sanjay Bangar’s daughter has received support

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Anaya Bangar (Photo courtesy of Anaya Bangar's Instagram page)

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy. 

From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training. 

The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for transgender inclusion.

“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.” 

On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.

Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including haemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.

“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”

In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, haemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.

Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.

Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as haemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.

“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”

Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.

Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country. 

The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.

Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.

“As a woman, I feel when someone says that they are women, then they are, be trans or cis. A trans woman is definitely the same as a cis woman emotionally and in vitals, and specially, when someone is on hormone replacement therapy. Stopping Anaya Bangar from playing is discrimination and violation of her rights. It is really sad and painful that every transwoman need to fight and prove their identity everywhere,” said Indrani Chakraborty, an LGBTQ rights activist and a mother of a trans woman. “If ICC and BCCI is stopping her from playing for being transgender, then I will say this to be their lack of awareness and of course the social mindsets which deny acceptance.”

Chakraborty told the Blade that Bangar is an asset, no matter what. She said that the women’s cricket team will only benefit by participation, but the discriminating policies are the hindrance. 

“Actually the transgender community face such discrimination in every sphere. In spite of being potent, they face rejection. This is highly inhuman. These attitudes is regressive and will never let to prosper. Are we really in 2025?,” said Chakraborty. “We, our mindset and the society are the issues. We, as a whole, need to get aware and have to come together for getting justice for Anaya. If today, we remain silent, the entire community will be oppressed. Proper knowledge of gender issues need to be understood.”

The BCCI and the International Cricket Council have not responded to the Blade’s repeated requests for comment.

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