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Paredyse paradox

Wrestler coy on private life but sees himself as gay inspiration

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‘The Elaborate Entrance of Chad Deity’
Through Sept. 30
Woolly Mammoth Theatre Company
641 D Street, NW (7th & D)
$35-$67.50
202-393-3939

James Long in costume as Paredyse, his wrestling alter ego in the ring now at Woolly Mammoth’s ‘Elaborate Entrance of Chad Deity’ production. (Photo courtesy Long)

In the high drama world of professional wrestling, James Long is better known as Paredyse. With peacock-colored eye makeup, skimpy trunks and painted nails, this self-described “fabulous, flamboyant, femmeboy phenom” isn’t your everyday wrestler.

He prances and flirts, occasionally stroking a vexed opponent’s rippling abs before executing a devastating missile drop kick; but unlike the gender-bending villains of wrestling past, Paredyse is the baby-faced fan favorite.

For Long, who graduated from Virginia Commonwealth University with a bachelor of fine arts degree before sashaying into the wrestling ring, Paredyse is partly an exercise in creative expression.

“When you start in the business your character is vanilla, you’re just a cog in the wheel used to build up more veteran wrestlers,” says Long, who is rumored to be straight but opts not to reveal his orientation during his interview with the Blade. “But as time passes, an evolution takes place and you’re able to develop your own character by trying out new things, and eventually people come to know and hopefully like him.”

Receptive to new challenges, Long is currently making his theatrical debut in Woolly Mammoth’s season opener “The Elaborate Entrance of Chad Deity” as both actor and wrestling trainer to the cast. Set against the pro wrestling scene, Brooklyn-based playwright Kristoffer Diaz’s critically acclaimed comedy tackles racism and the trappings of stardom. Woolly’s production, staged by top local director John Vreeke (who is gay), features company member Michael Russotto (also gay), Jose Joaquin Perez, Shawn T. Andrew and Adi Hanash.

Long plays three wrestlers: A generic villain; Billy Heartland, an all-American boy; and Old Glory, a sort of grizzled older guy wrapped in the flag. Making the jump from the wrestling ring to rehearsal room was relatively smooth, says Long, 30. “Wrestling may look disorganized and chaotic, but in fact it requires a lot of discipline, so it wasn’t hard for me to settle in and get to work. This is my first play ever. I tried out for ‘Fahrenheit 451’ in high school and didn’t make it so I figured theater wasn’t for me. I was wrong. The director and cast have been great about involving me in the process and allowing me to work on my characters. It’s been awesome.

“As far as wrestling on stage goes, we’re determined to make Woolly’s production a hard-hitting, unforgettable spectacle. It will feel real and not like staged combat. Audiences will see something new and amazing every night.”

Director John Vreeke says, “The performance parallels between the worlds of theater and wrestling are greater than most people think. [Long] is a natural performer … he does it every time he comes into a wrestling arena/ring. And it’s not just his athletic ability. It has more to do with his ability to improvise, play the audience and create character. He does all of that all the time. It’s a great fit for our work in theater.

“In addition,” adds Vreeke, “[Long] is our technical advisor on all levels of production: acting, lights, video and sound. He lets me know when we get it right.”

Long grew up in Woodbridge, Va. During his college years in Richmond he started wrestling in a hip, highly attended, late night underground league.

After graduation, he and a couple of buddies moved to St. Louis and began training in earnest. Soon Long began wrestling for Ohio Valley Wrestling (OVW), an independent professional wrestling promotion best known as a proving ground for its up-and-coming wrestlers. OVW serves as the official developmental territory for Total Nonstop Action Wrestling (TNA).

Today, Paredyse boasts a big and growing following. Among his many female and male fans (better known as “Paresytes”) more than a few carry heavy torches for the brawny and heavily made-up wrestler.  And many find Paredyse sexy and funny, his sissy shtick may not be for everyone. Asked how he’d respond to those who might find his creation an offensive stereotype, Long responds, “I’d mention the 18-year-old fan who told me that Paredyse inspired him to come out of the closet. Then I’d tell them about the mid-western and southern audiences who boo the homophobic wrestlers who are intolerant of Paredyse in the ring.

“Ultimately, I know it’s just wrestling, but when he’s not punching his opponents in the face, I hope Paredyse can help people to understand it’s cool to be you and not be ashamed of who you are.”

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the Night of Champions Awards Gala at the Georgetown Marriott on Saturday, April 18. (Washington Blade photo by Michael Key)

The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.

(Washington Blade photos by Michael Key)

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