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Faith of our fathers

40-year-old gay Catholic group defies Vatican yet seeks communion

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crucifix, Christian, gay news, Washington Blade
crucifix, Christian, gay news, Washington Blade

19th Century Cristo Crucificado. (Photo courtesy of Griffin Trading)

All the mainline Christian denominations by now have gay subgroups that have formed and many in the U.S. — Episcopalians, United Methodists and others — can point to huge strides they’ve made over the last several decades in persuading their hierarchies to acknowledge their presence.

Dignity/Washington, the largest chapter of the LGBT Roman Catholic group DignityUSA, has made so little progress making Vatican teaching less gay-condemning, the group, in many ways, has moved on to other goals it considers more realistic and achievable. The lone victories its members can count on that front are being invited indoors for a 1978 rainstorm during a weekend-long prayer vigil they held at the National Conference of Catholic Bishops at its former headquarters on Massachusetts Avenue (it didn’t foster a long-term dialogue) and a wave from current Pope Benedict XVI (Joseph Ratzinger) in the summer of 2010 (accompanying soon-to-be Cardinal Donald Wuerl did not follow suit).

If anything, the Vatican has become more anti-gay over the years. Though several regional parishes had long allowed Dignity groups to meet on their property, in 1986 Ratzinger, writing as the Vatican’s official keeper of church morality, issued a letter stating that gays and lesbians are “intrinsically disordered” and that gay organizations were no longer allowed the use of church property. It’s only gotten worse in recent years — in January, Pope Benedict condemned same-sex marriage efforts and called gay marriage, in an ironic choice of words, a threat “to human dignity and the future of humanity itself … pride of place goes to the family based on the marriage of a man and woman.”

And it wasn’t just talk — the Roman Catholic Church gave $2 million this year to unsuccessful efforts to outlaw same-sex marriage with November’s ballot initiatives in Maine, Maryland, Minnesota and Washington state, according to the Human Rights Campaign. As pro-LGBT efforts of any kind have taken root elsewhere, the Vatican has increasingly dug in its heels. Official church teaching is that although gays should “be accepted with respect, compassion and sensitivity,” “homosexual acts are intrinsically disordered” and “sexual activity only exists for the purpose of procreation.”

DignityUSA, however, has persevered. The Washington chapter, formed in the fall of 1972 (three years after the national group) and one of 45 active U.S. chapters, has its 40th anniversary events (“Forty and Fabulous on the First”) this weekend. On Saturday evening, a reception and dinner will be held at Clyde’s Restaurant (707 7th St., N.W.) with gay actor/singer Will Gartshore providing entertainment. On Sunday, Sr. Jeannine Gramick (Sisters of Loretto) will give the homily at a special “anniversary Mass.” The group meets weekly for a 6 p.m. Mass at St. Margaret’s Church, an Episcopal parish at 1820 Connecticut Ave., N.W. Details are at dignitywashington.org.

The sheer numbers are daunting. The Roman Catholic Church is the world’s largest Christian church with more than a billion members worldwide. It claims it is the one true church founded by Jesus Christ, that its bishops are the successors of Christ’s apostles and Pope Benedict is the successor to the biblical figure Peter. Though there was no recognized papacy until later centuries, Rome has named an unbroken line of bishops that dates to Peter and the first century. The Archdiocese of Washington did not respond to a request for comment for this article. Dignity/Washington members say relations with it are prickly at best.

“There’s no sense that the local archdiocese has evolved at all,” says Tom Bower, a gay member for almost the whole time the D.C. group has existed, a board member for eight years and co-chair for the anniversary committee. “They absolutely find us quite beyond the pale.”

DignityUSA, a U.S. group as its name implies (similar but unaffiliated gay Catholic groups exist in other countries), has about 6,000 dues-paying members, according to Executive Director Marianne Duddy-Burke, a lesbian, and an operating budget at the national level of about $550,000 though the chapters have their own budgets.

It’s a big weekend for the organization — the Boston chapter is also celebrating its 40th anniversary. San Diego, Chicago and New York also formed chapters in 1972. Dignity/Washington started with a group of about 20 at its first Mass. It moved from twice-monthly to weekly Mass in 1976. Membership and Mass attendance peaked at about 500 and 350 respectively in the late ‘80s. By late 1990, it had become the largest Dignity chapter in the U.S., a feat it maintains to this day, though membership is now about 200 with an average of 90-100 believers attending weekly Dignity Mass in D.C.

It owns its own building in Eastern Market that houses offices and provides space to other LGBT organizations such as Brother Help Thyself and Imperial Court. As with most Dignity chapters, Dignity/Washington prefers to let other churches host its services rather than build its own sanctuary.

“Most of our chapters are kind of hand to mouth,” Duddy-Burke says. “We pay our rent and our basic expenses, we have the weekly bulletins and we underwrite memberships for low-income people and most of our chapters give back to their own communities in some way. … Our model really isn’t based on the institutional model. We focus on the church as more of a community than a building.”

Despite the daunting odds, the group is celebrating. Bower says the group’s mere survival is a reason to be ecstatic.

“The official church would very much like us to disappear,” he says. “We show that you can be gay and Catholic at the same time and happily so and despite the major efforts of a much bigger organization to throw us out. We’re part of a national organization and when the Pope comes out against something gay, we’re able to say, ‘No, that’s wrong.’”

Bob Miailovich, a member for 35 years — someone left a Dignity brochure on his car while he was in a gay bar — agrees.

“This small group of gay men got together back in the early ‘70s — who would have ever envisioned this thing being as big as it is and the ongoing evolution of this group. I mean we’re a small group of sort of churchy guys, but it’s really opened up and I think we’re more broadly attuned to the world at this time and to what faith is all about.”

Despite the political and spiritual cold shoulder, DignityUSA wants to be recognized by the Holy See, the Roman Catholic Church’s central governing body. It’s a key component to the organization’s mission. While many LGBT Christian groups, Catholic and otherwise, have started their own denominations with no interest whatsoever in swaying the Vatican, Dignity, at its very core, feels that it’s important to stay within the church and fight as much as possible. Though many gay Christians cannot fathom wanting anything to do with the Roman Catholic Church after centuries of anti-gay teaching, Dignity members say it’s essential.

“People think, ‘Oh, why do you keep banging your head against the wall?’” Bower says. “That’s why we call it faith. It’s a belief that there is within the larger view of what it means to be Catholic, there’s something there that you just don’t have with other groups.”

Miailovich says despite the anti-gay teachings, he still “find(s) more truth in the Catholic Church than I do in other religions. It’s not perfect and I don’t buy everything at the end of the day but from what I know of other religions and what they teach and believe, I find more truth on the Catholic side than elsewhere else.”

As one might expect considering its size, millions have left the Catholic Church for all kinds of reasons and to varying degrees. Hard though it may be for LGBT people to fathom, there are even strains of Catholicism that have broken off from Rome because they feel the Vatican has gotten too liberal.

The most notorious is the Mexico City-based New Jerusalem, a gated community of about 3,000 that was founded in 1973 as a reaction to the Second Vatican Council of 1962-1965, a hugely influential change in Church teaching that allowed Masses to be said in languages besides Latin among many other things. Several “Traditionalist Catholic” splinter groups also revolted against Vatican II reform, but New Jerusalem is widely regarded as the most extreme — TV, radios, alcohol, makeup and pants for women are forbidden. Residents attend church three times daily, don’t recognize any post-Vatican II Roman church leaders and think Benedict is the anti-Christ. Fundamentalist splinter groups occur in other religions as well — the Fundamentalist Church of Jesus Christ of Latter-day Saints received massive media attention in recent years when its leader was convicted of two felony counts of child sexual assault.

Other groups have broken away on the opposite side of the theological spectrum. The North American Old Catholic Church considers itself a “2,000-year-old church with Apostolic succession” and teaches the “full inclusion of LGBT persons in our religious life, sacraments and clergy.” It also advocates for “the full inclusion of LGBT persons throughout society.” Two gay-welcoming Old Catholic churches were launched in Washington — one in 2011 and another this year— but appear to be inactive. Neither Presiding Bishop Rev. Michael Seneco, who’s gay, nor Rev. Kerolos Saleib of Saint Damien of Molokai Parish responded to multiple requests for comment or had recently updated websites. The churches that hosted them say they’re no longer meeting there. Salieb held a series of Masses at National City Christian Church during the International AIDS Conference this summer but fled the country soon after under mysterious circumstances. Duddy-Burke says many similar groups have come and gone over the years.

Denomination hopping between Episcopalians and Catholics, perhaps the two most stylistically similar denominations in the U.S., has been going on for all kinds of reasons for decades. Many progressive believers left the Catholic Church to find more gay- and women-friendly theology among Episcopalians, the Anglican Church in the U.S. The Catholic Church in recent years has started welcoming a spate of disenfranchised former Episcopalians who left disappointed that the church had become more gay-friendly. Others Episcopalians still, as has been widely reported, left their U.S. dioceses to align with more conservative Anglicans in other countries.

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Dignity/Washington members in 1991. (Washington Blade file photo by Doug Hinckle)

Bower says for him, converting to the Episcopal faith is not feasible.

“There are some basic theological differences between Catholicism and Episcopalianism,” he says. “Even in something as basic as Communion and the notion of transubstantiation. We really believe there is a change in the body and blood. They see it more as a memorial. And there’s a whole historical precedent of difference between the Roman and English churches.”

Others are pushing as far as they can under Vatican leadership and not just on LGBT issues. A lengthy article in the current edition of Rolling Stone magazine tells the stories of Sister Simone Campbell, Sister Margaret Farley and others who are “refusing to back down from the Catholic Church itself up to and including the Pope. On issues ranging from gay rights to abortion, the nuns are either openly contradicting church dogma or quietly undermining it with their silence, choosing instead to embrace a radical notion of missionary work that wouldn’t be out of place at an Occupy Wall Street rally: income inequality, universal health care, corporate responsibility, immigration reform,” and elsewhere reproductive rights. A group called Roman Catholic Womenpriests includes former nuns, ordains women as priests and holds women-led Masses.

Campbell, who didn’t immediately respond to a Blade interview request, told Rolling Stone, the same anti-LGBT beliefs are equally as harmful to women in the exclusively male-led Vatican.

“You’ve got to realize that any crowd that took 350 years to figure out Galileo might be right is not noted for rapid change,” she told Rolling Stone. “This is about a cultural clash between monarchy, in which the monarch is always right, and democracy where everybody has equal dignity, responsibility and opportunity, women and men. The whole idea that we live in a pluralistic society is news to these guys.”

The combined effect of all this shifting is a diminished Vatican hurt by a range of factors, from those turned off by its increasingly right-leaning teachings to millions lost and incalculable damage incurred by the clergy abuse scandals of recent years. Benedict, at times, has seemed almost cavalier about the loss, advocating for a “smaller, purer” church and saying that a church that seeks “above all to be attractive is already on the wrong path.”

Regardless of one’s political or religious views, the numbers are surprising — a third of those reared Catholic in the U.S. leave the church and, according to a Pew Research Study, 10 percent of all Americans are former Catholics. The losses have been partially offset by the disproportionately high number of immigrants who are Catholic.

Gramick, in a lengthy phone interview this week from her home in Mt. Ranier, Md., says the Roman Catholic “institution is unraveling.” Gramick, who declines to give her sexual orientation, was present at the first meeting to form Dignity/Washington in the cafeteria of the National Shrine of the Immaculate Conception with five others in 1971. She later formed New Ways Ministry, which she calls “a peace and justice center focused solely on the issue of lesbian and gay rights.”

Of the Church’s continual anti-gay teaching, she says it’s “causing a lot of dissonance and alienation among the Catholic community and a lot of Catholics out there in the pews, they’re no longer in the pews. Mass attendance has decreased dramatically in the last 20-30 years and actually what I think we’re seeing is the beginning of the dissolution of the institutional church. The institution is unraveling but the faith of the people is continuing and growing.”

Is it conceivable to imagine a post-Vatican world in another generation or two?

“If you’re talking erasure, I don’t think I’d go that far, but it’s unraveling certainly … it’s getting increasingly frayed and not only at the edges. It’s really closer to the center and it’s coming apart at the seams.”

Dignity Catholics don’t want that. At the most basic level, they believe the Vatican is simply wrong on the traditional view of Christian teaching and homosexuality, though opinions vary as to the reasons.

“We say basically go back and look at the theological arguments presented and they’re false,” Bower says. “We’re not picking and choosing which teachings to abide by. This is what you get when you look at the gospels. There really are no statements about LGBT people the way we think of it today. The type of homosexuality they were referring to was basically idol worship and temple prostitution.”

Having worked on these issues for decades, Gramick says the Vatican’s gay and lesbian theology is “not really based on the Bible.”

“It’s really more based on philosophy and natural law that uses scriptural quotes as backup,” she says. “It doesn’t really use scripture as the basis for its objection. They say homosexuality is unnatural without any acknowledgement that nature changes. What you see with the Vatican is an unwillingness to acknowledge change. If you have a 13th century mind, you would understand their position but with a 21st century mind and the science we’ve discovered, the human person is not what the Vatican thinks a person is. … Psychology has come so far since then. They didn’t know anything about Freud. When they come out with these views of it being a disorder, this is just not an enlightened view of psychology.”

Gramick’s iconoclastic work has not gone unnoticed — she says in the last 11 years, her religious community has received nine letters from the Vatican advising her superiors to have her dismissed from the Sisters of Loretto. The three presidents in that time have backed her, though the Church does play hardball — last month Rev. Roy Bourgeois was “canonically dismissed” for ordaining a woman at a Unitarian church in Kentucky in 2008.

Duddy-Burke says the decades of Vatican opposition have brought both a change of approach from DignityUSA and unexpected advantages.

“I think we’ve actually moved from trying to get acceptance from the Vatican to really leading the rest of the Church into being a more just Church,” she says. “I think we sort of feel like our job now is to hold our leadership accountable for the damage they’ve done and at the same time model a better way of living out the Gospel.”

She says slowly this approach has “caused people to see that the Church not only belongs to the Bishop and the Vatican. All of us who are baptized Catholics own the Church as well as the rites that are part of it. … If people ever caught on it would be like, ‘Wow, you’re governing it, you’re saying who preaches and presides, you decide if you want to use the new Roman Missel or not.’ Because we’ve been so excluded, we’ve had this opportunity to create the Church that we deserve and it’s an opportunity that a lot of Catholics haven’t had.”

Despite the Vatican’s refusal to bend, there’s growing evidence, both anecdotally and in serious research, that its official teachings are out of step with the majority of its laity — a summer poll conducted by the Pew Forum on Religion and Public Life found that 58 percent of Catholics favor same-sex marriage with 33 percent opposed. On matters as far-ranging as whether an unexcused absence from weekly Mass warrants a mortal sin to use of contraception, U.S. Catholics and many of their counterparts in other countries have long been a body of believers who haven’t felt they had to adhere to all church doctrine to stay in the church. Many parishes and clergy — even some who perform Dignity Masses — are quietly gay welcoming. They keep it low key to avoid interference from church leaders, but can sometimes be more welcoming than many would realize. So much so, in some cases, that it’s eaten into Dignity’s roster.

That’s partially why Dignity members say they don’t want to leave the church.

“The church really is the people of God,” Miailovich says. “It’s a horizontal assembly, not some vertical thing where you have the Pope at the top and an triangle going down with everyone else. Out there in the pews, there’s a great deal of support for a more progressive agenda, for women’s ordination, for married priests, you have the nuns on the bus for social justice. Everybody in the church does not believe 100 percent of everything that may be promulgated from on high.”

He also says there’s an “attitude that it’s my church and you can’t take it away from me.”

“I can’t leave what is mine and that leaves you with a sense that some day, somehow, change will be made. You’re right, there are people who’ve said, ‘Why spend a lifetime working with these people, let’s go start our own thing and not worry about what’s left behind.’ But I’m not going to change. This is who I am. This is how I pray and how I worship and here I am. We pray for our church leaders because we feel they need enlightenment.”

Bower agrees.

“We’ve found a peace and reconciliation within ourselves,” he says. “It’s more like a ‘We think we’re right and we’re here if you ever want to talk’-kind of thing. There’s less time today spent trying to articulate and debate all these issues because there’s really nobody to talk to on the other side.”

Despite, the ongoing dissent, Gramick says the occasion is a celebration.

“They’ve had a marvelous ministry here for 40 years ministering to local LGBT Catholics,” she says. “It’s really a time to rejoice.”

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Superb direction, performances create a ‘Day’ to remember

A rich cinematic tapestry with deep observations about art, life, friendship

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Rebecca Hall and Ben Whishaw star in ‘Peter Hujar’s Day.’ (Photo courtesy of Janus Films)

According to writer/director Ira Sachs, “Peter Hujar’s Day” is “a film about what it is to be an artist among artists in a city where no one was making any money.” At least, that’s what Sachs – an Indie filmmaker who has been exploring his identities as both a gay and Jewish man onscreen since his 1997 debut effort, “The Delta” – told IndieWire, with tongue no doubt firmly planted in cheek, in an interview last year.

Certainly, money is a concern in his latest effort – which re-enacts a 1974 interview between photographer Peter Hujar (Ben Whishaw) and writer Linda Rosenkrantz (Rebecca Hall), as part of an intended book documenting artists over a single 24-hour period in their lives – and is much on the mind of its titular character as he dutifully (and with meticulous detail) recounts the events of his previous day during the course of the movie. To say it is the whole point, though, is clearly an overstatement. Indeed, hearing discussions today of prices from 1974 – when the notion of paying more than $7 for Chinese takeout in New York City seemed outrageous – might almost be described as little more than comic relief.

Adapted from a real-life interview with Hujar, which Rosenkrantz published as a stand-alone piece in 2021 (her intended book had been abandoned) after a transcript was discovered in the late photographer’s archives, “Peter Hujar’s Day” inevitably delivers insights on its subject – a deeply influential figure in New York culture of the seventies and eighties, who would go on to document the scourge of AIDS until he died from it himself, in 1987. There’s no plot, really, except for the recalled narrative itself, which involves an early meeting with a French journalist who is picking up Hujar’s images of model Lauren Hutton, an afternoon photo shoot with iconic queer “Beat Generation” poet/activist Allen Ginsburg, and an evening of mundane social interaction over the aforementioned Chinese food. Yet it’s through this formalized structure – the agreed-upon relation of a sequence of events, with the thoughts, observations, and reflections that come with them – that the true substance shines through.

In relaying his narrative, Hujar exhibits the kind of uncompromising – and slavishly precise – devotion to detail that also informed his work as a photographer; a mundane chronology of events reveals a universe of thought, perception, and philosophy of which most of us might be unaware while they were happening. Yet he and Rosenkrantz (at least in Sachs’ reconstruction of their conversation) are both artists who are keenly aware of such things; after all, it’s this glimpse of an “inner life” of which we are rarely cognizant in the moment that was/is their stock-in-trade. It’s the stuff we don’t think of while we’re living our lives – the associations, the judgments, the selective importance with which we assign each aspect of our experiences –  that later becomes a window into our souls, if we take the opportunity to look through it. And while the revelations that come may occasionally paint them in a less-than-idealized light (especially Hujar, whose preoccupations with status, reputation, appearances, and yes, money, often emerge as he discusses the encounter with Ginsberg and his other interactions), they never feel like definitive interpretations of character; rather, they’re just fleeting moments among all the others, temporary reflections in the ever-ongoing evolution of a lifetime.

Needless to say, perhaps, “Peter Hujar’s Day” is not the kind of movie that will be a crowd-pleaser for everyone. Like Louis Malle’s equally acclaimed-and-notorious “My Dinner With Andre” from 1981, it’s essentially an action-free narrative comprised entirely of a conversation between two people; nothing really happens, per se, except for what we hear described in Hujar’s description of his day, and even that is more or less devoid of any real dramatic weight. But for those with the taste for such an intellectual exercise, it’s a rich and complex cinematic tapestry that rewards our patience with a trove of deep observations about art, life, and friendship – indeed, while its focus is ostensibly on Hujar’s “day,” the deep and intimate love between he and Rosenkrantz underscores everything that we see, arguably landing with a much deeper resonance than anything that is ever spoken out loud during the course of the film – and never permits our attention to flag for even a moment.

Shooting his movie in a deliberately self-referential style, Sachs weaves the cinematic process of recreating the interview into the recreation itself, bridging mediums and blurring lines of reality to create a filmed meditation that mirrors the inherent artifice of Rosenkrantz’s original concept, yet honors the material’s nearly slavish devotion to the mundane minutiae that makes up daily life, even for artists. This is especially true for both Hujar and Rosenkrantz, whose work hinges so directly to the experience of the moment – in photography, the entire end product is tied to the immediacy of a single, captured fragment of existence, and it is no less so for a writer attempting to create a portrait (of sorts) composed entirely of fleeting words and memories. Such intangibles can often feel remote or even superficial without further reflection, and the fact that Sachs is able to reveal a deeper world beyond that surface speaks volumes to his own abilities as an artist, which he deploys with a sure hand to turn a potentially stagnant 75 minutes of film into something hypnotic.

Of course, he could not accomplish that feat without his actors. Whishaw, who has proven his gifts and versatility in an array of film work including not only “art films” like this one but roles from the voice of Paddington Bear to “Q” in the Daniel Craig-led “James Bond” films, delivers a stunning performance, carrying at least 75% of the film’s dialogue with the same kind of casual, in-the-moment authenticity as one might expect at a dinner party with friends; and though Hall has less speaking to do, she makes up for it in sheer presence, lending a palpable sense of respect, love, and adoration to Rosenkrantz’s relationship with Hujar.

In fact, by the time the final credits role, it’s that relationship that arguably leaves the deepest impression on us; though these two people converse about the “hoi polloi” of New York, dropping legendary names and reminding us with every word of their importance in the interwoven cultural landscape of their era, it’s the tangible, intimate friendship they share that sticks with us, and ultimately feels more important than any of the rest of it. For all its trappings of artistic style, form, and retrospective cultural commentary, it’s this simple, deeply human element that seems to matter the most – and that’s why it all works, in the end. None of its insights or observations would land without that simple-but-crucial link to humanity.

Fortunately, its director and stars understand this perfectly, and that’s why “Peter Hujar’s Day” has an appeal that transcends its rarified portrait of time, place, and personality. It recognizes that it’s what can be read between the lines of our lives that matters, and that’s an insight that’s often lost in the whirlwind of our quotidian existence.

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Out & About

Gala Hispanic Theatre’s Flamenco Festival returns

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Rafael Ramírez (Photo by Juan Carlos Toledo)

Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22. 

The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass. 

The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.

The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.

For more information, visit the theatre’s website

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Calendar

Calendar: November 7-13

LGBTQ events in the days to come

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Friday, November 7

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, November 8

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected]

Monday, November 10 

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Wednesday, November 12 

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite

Thursday, November 13 

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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