Arts & Entertainment
Origins of an epidemic
New HIV book well researched but academic and heavy


‘Virus Hunt’ by Dorothy H. Crawford. (Image courtesy Oxford University Press)
‘Virus Hunt: The Search for the Origin of HIV’
By Dorothy H. Crawford
Oxford University Press
$27.95
244 pages
Some things are easy to track down. Others take years, even decades.
In the new book “Virus Hunt” by Dorothy H. Crawford, you’ll see how scientists discovered the roots of HIV.
In 1981, doctors in California began noticing “rare infections … and an unusually aggressive tumor” in certain patients. Soon, the same was reported in New York, Florida and elsewhere around the country. By 1982, the disease was called AIDS.
The risk of catching AIDS seemed at first to be limited to sexually active gay men, particularly those with multiple partners. Within weeks, heroin users and hemophiliacs were added to the at-risk group, then doctors discovered that infected mothers could pass it to their children. “Fear of AIDS” became “a disease in its own right.”
By 1984, the “causative virus was identified [as human immunodeficiency virus]… and shortly thereafter the genome was sequenced …”
But where did HIV come from?
Soon after the first description of AIDS was released in 1981, Boston researchers noticed that their captive macaque population was affected with something that sounded similar. Four years later, scientists at that research facility isolated a simian immunodeficiency virus (SIV) that had spread and mutated as animals were “unwittingly” shipped around to other facilities.
That led to the discovery that some SIVs are “closely related” to certain strains of HIV and share “between 62 and 87 percent” of their genetic sequences. It didn’t take much to see how the virus mutated, or how it leaped from animal to human, possibly via Africa’s sooty mangabey monkeys (a “natural host of the virus”), which were sometimes hunted for food.
But the question of where HIV came from needs to go back even further than 1981. A man from Memphis experienced AIDS-like symptoms back in 1952. SIVs were discovered in Icelandic sheep in 1949. Scientists, in fact, believe that SIVs are “ancient parasites” and that HIV has been “circulating in the African population since near the start of the 20th century.”
At the beginning of this book, author Dorothy H. Crawford indicates that the search for the beginnings of HIV is somewhat like a mystery. She’s absolutely correct. It is, but you need a Sherlockian PhD to understand it all.
That’s not to say that “Virus Hunt” is a bad book — that’s not the case at all. What readers will want to know, however, is that it’s very academic and heavily steeped in genetics, epidemiology and laboratory-level research. That’s great for anyone employed in those fields. For the layperson, this mystery’s not unreadable but it’s as far from relaxing entertainment as you’ll ever get.
Tackle this book, therefore, but give yourself some time to absorb it. Without that kind of consideration and careful contemplation, “Virus Hunt” will be hard to appreciate.

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
-
a&e features3 days ago
Looking back at 50 years of Pride in D.C
-
Maryland4 days ago
Wes Moore signs HIV decriminalization bill
-
District of Columbia4 days ago
D.C. Black Pride 2025: Events, parties, and empowerment
-
Congress5 days ago
Marjorie Taylor Greene’s bill to criminalize gender affirming care advances