Connect with us

Arts & Entertainment

Collaborating on Cole

Legendary gay composer celebrated with In Series production

Published

on

Steven Mazzola, Greg Stevens, The Cole Porter Project, Source, gay news, Washington Blade
Steven Mazzola, Greg Stevens, The Cole Porter Project, Source, gay news, Washington Blade

Steven Mazzola and Greg Stevens, the creative team behind ‘The Cole Porter Project.’ (Washington Blade photo by Michael Key)

‘The Cole Porter Project: It’s All Right With Me’
Through March 9

Source

1835 14th St. N.W.

$20-38

202-204-7763

Inseries.org

When the In Series first asked director Steven Scott Mazzola to create a show about Cole Porter for its 2014 season, he was certain what he didn’t want: four singers seated on stools singing the legendary Broadway composer’s best known works, setting up each song with a bit of surfacey chitchat. And though unsure of exactly what direction to take, he was determined to celebrate the staggering breadth of Porter’s music and explore his many facets without getting bogged down in too much biography.

Mazzola tapped Greg Stevens as co-writer/director. The pair (both gay) had met working on Mozart’s “La Clemenza di Tito” (Mazzola directed, Stevens designed) for the In Series last season, and hit it off. After setting to work on six months of rewrites and workshops, the pair’s efforts resulted in “The Cole Porter Project: It’s All Right With Me,” a Washington-set tale about a delegation from Peru, Ind., (Porter’s hometown) who lobby Congress to honor their musical native son with his own national holiday.

While “The Porter Project” is mostly an entertaining romp, it also comments on Porter’s complexity, Stevens says. Invariably, Porter whose songbook includes sophisticated favorites like ”Night and Day,” ”What Is This Thing Called Love?” and ”I Get a Kick Out of You,” is pegged as urbanity incarnate, but there’s more to him than that. He was a classically trained musician who wrote popular music crammed with topical references. He loved both lowbrow humor and sleek sophistication, and his songs overflow with witty innuendo and double meaning. Porter, who died in 1964 at 73, and his older wife Linda, were a well-loved couple on the café society scene, yet he was gay and had romantic relationships with other men (an open secret among their set). It’s all there.

“I think D.C. is the perfect setting,” Mazzola says. “Like Porter, the city demonstrates a duality, particularly with politicians and government. Here it’s not unusual for the mirror to have faces.”

In preparing the project, Mazzola and Stevens combed through 1,000 songs before narrowing it down to three dozen ranging from familiar hits like “It Was Just One of Those Things,” “Love For Sale” and “Miss Otis Regrets” to the lesser known tunes “In the Morning, No” and “Experiment.”

“We’d identified some favorites that we wanted to use,” says Stevens, who first encountered Porter’s music in high school when he heard a disco version of “Begin the Beguine” by Tuxedo Junction. “But part of the process included thinking about how Cole Porter was among the very first musical theater composers whose scores propelled the story along. That was revolutionary in the 1930s. We wanted to do the same, so we ended up repurposing songs from a dozen musicals from the ‘20s through the ‘50s, all very different stylistically, to tell our story. And like Porter who wrote songs for performers like Ethel Merman (his favorite) and friend Fred Astaire, we wanted to select songs that fit our singers and characters.”

The nine-person cast features In Series vets Randa Rouweyha, Joe Haughton and Tammy Roberts. “The parts,” explains Mazzola, “are ‘gender open.’ The five principles have purposely been named Nick, Sam, Chris, Pat and Courtney and can be played by anyone.”

A long-time Washington company, the In Series works with local artists to create innovative theatrical programming around a musical core of opera, cabaret, poetry and song. Its productions strive to embrace fresh approaches to the classics, blend the performing arts in unconventional ways, and include Latino programs each season. “The Cole Porter Project” falls most closely to the cabaret category.

Primarily a set designer, Stevens (who heads the professional development program at the American Alliance of Museums by day) considers “The Cole Porter Project” his first formal effort in directing. “I’m looking to Steven as much as a mentor as a colleague. He knows more about the craft of directing whereas I’m going on instinct a lot of the time.”

A longtime director, Mazzola first came to Washington to assist Michael Kahn at the Shakespeare Theatre Company. (Today, in addition to directing, he’s a grants manager at the D.C. Commission on the Arts and Humanities.) Yet, despite his ample staging experience, this is his first time co-directing. “It takes lot of negotiation. There are moments of frustration, but they don’t last. It’s interesting and you learn a lot watching how your co-director works.”

They like what they’ve come up with. But ultimately, Mazzola and Stevens agree: In the end, people will come to hear the music. It’s Cole Porter’s crowd-pleasing, enduring songs that are the draw, just as they have been for decades.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

Published

on

(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

Continue Reading

Arts & Entertainment

Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71

Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’

Published

on

(Photo courtesy of Pop TV)

Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.

O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.

In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.

In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”

Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.

Continue Reading

Calendar

Calendar: January 30-February 5

LGBTQ events in the days to come

Published

on

Friday, January 30

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite

Saturday, January 31

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday, February 1

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, February 2

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).

Tuesday, February 3

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected]

Wednesday, February 4

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website

Thursday, February 5

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

Continue Reading

Popular