Arts & Entertainment
‘Orange’ teaser
Alliances deepen on season three which debuts Monday

Taryn Manning and Lea DeLaria in season three of ‘Orange is the New Black.’ (Photo by JoJo Whilden, courtesy Netflix)
Jenji Kohan’s Netflix smash “Orange is the New Black” is back to doing what it does best: character exploration.
Season three opens with a new and (relatively) improved Pennsatucky doing her best to be more respectful of others and less uptight about vulgarity. She’s genuinely trying to better herself, and it’s incredibly satisfying to see her transformation from a villain to someone reformed and compassionate. The season builds from there and the first six episodes suggest this season will be the best, most emotionally complex, season to date.
Thankfully, the Piper/Alex drama resolves fairly quickly and focus pulls away from the two just enough to focus on other, more interesting characters while keeping Taylor Schilling as the top-billed actor. The show is able to remain fresh and captivating by not dwelling on this will they/won’t they pairing.
Litchfield has turned upside down as conditions improve for inmates. Little victories following a bed bug infestation change the attitudes of several inmates, like Red. Because only so much happiness can go around, the prison guards are getting the shaft as a change in ownership of the prison means fewer hours and slashed benefits. The question arises as to who the real prisoners are (hint: still the actual prisoners).
This shake-up is thanks in part to the addition of newcomer Mike Birbiglia’s character, who flawlessly brings a layered, subtle and mysterious performance with each line. The show also welcomes Mary Steenburgen. Like Birbiglia does to Joe Caputo, so does Steenburgen, playing former guard Mendez’s mother, complicate the pregnant Dayanara’s life. Daya, meanwhile, grows more and more isolated as she runs out of options for how to take care of her unborn baby.
Unlike season two, there is no clear primary antagonist. The “Clash of the Titans”-esque struggle between Red, Vee and Gloria has resolved, and each tribe is left to deal with the aftermath of Rosa’s escape and hit-and-run, immortalized with the mic-droppiest of lines: “Always so rude, that one.”
The show has shifted from the man vs. man-style of conflict to man vs. self. Nicky battles her addiction more than ever. Morello is depressed, having lost her job driving the van. Chang, in one of the best episodes so far, struggles with immense insecurities and loneliness. Crazy Eyes refuses to accept the loss of Vee, her mother figure. These and other internalized conflicts become more of a prison for the characters than Litchfield itself, as they fight to free themselves from their masochistic choices.
Tribe members intermix less than they have before, with the exception of Soso, who struggles to find her place in the prison. Even Chang, the other prominent Asian character, does not accept her, as Soso is part Scottish.
However, this racial isolation has given room for new bonds to form, like the budding friendship between Boo and Pennsatucky, which began at the end of season two. The unlikely pairing of the unapologetic lesbian and the religious zealot proves to be among the most delightful relationships of the new season. They help each other accept their past mistakes, learn from them and grow. They’ve each toned down their respective idiosyncrasies and welcome each other as friends and equals. Boo’s intellectualism and Pennsatucky’s emotional side complement each other well and they somehow find within the other a support system.
One of the more heartbreaking character explorations focuses on Marisol “Flaca” Gonzalez (Jackie Cruz). We learn the reason for her teardrop tattoo and the guilt she carries. In one episode, her story comes full circle. The promise of a new job assignment quickly changes from a symbol of hope to one of futility, as she ends up right back where she started before being sent to prison. While others thrive under the new administration, she’s lost her light. It’s a powerful moment for Cruz, who has shown she can dominate a scene just as well as Laverne Cox, who is tragically underused this season.
With each season, “Orange” explores themes surrounding motherhood, and season three is no exception. Can bad actions define a good mother? Can a mother’s best intentions still fail to help her daughter? How does motherhood transcend blood bonds? What happens when we have no parental figures to turn to and we’re left on our own? While conflicts in season three are much more internalized than in previous seasons, they are no less thrilling.
Some of the best bits are tips of icebergs that suggest a much more complex story waiting to be unraveled in a future episode. When the enigmatic Blanca Flores attends the “book funeral” (a necessary book burning following the bed bug infestation), she explains sadly that she prefers reading over living her own life. But as always, when things seem darkest in Litchfield, there’s always hope tomorrow will be taco night.
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
Friday, November 28
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, November 30
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.
Monday, December 1
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Tuesday, December 2
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions.
Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite.
Wednesday, December 3
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected].
Thursday, December 4
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
-
District of Columbia4 days agoBowser announces she will not seek fourth term as mayor
-
U.S. Military/Pentagon4 days agoPentagon moves to break with Boy Scouts over LGBTQ and gender inclusion
-
Drag5 days agoPattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups
-
District of Columbia5 days agoFadi Jaber’s Middle Eastern background shapes Adams Morgan bakery
