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A milestone for 9:30 Club

Famed venue has welcomed gay acts throughout 35-year history

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The 9:30 Club, celebrating its 35th anniversary this month, has been a gay-friendly spot since day one. Adam Lambert is among the out acts who have performed there. (Washington Blade photo by Michael Key)

The 9:30 Club is one of the nation’s most iconic venues and has hosted an enormous variety of artists since its founding in 1980. The club is currently celebrating its 35th anniversary with a new deluxe hardcover, “9:30 The Book,” which details the history of the hallowed venue and includes reflections from many of the countless artists who have performed there over the last three-and-a-half decades.

There has been no shortage of LGBT artists to play both at its original F Street location and its current location at 815 V St., N.W. The club was known for the roster of punk and hardcore heavyweights that regularly blew the doors off the place (Circle Jerks, Mission of Burma, Agent Orange, Minor Threat, Government Issue, Misfits, Black Flag, Killing Joke, Dead Kennedys and others). Seminal post-punk/goth pioneers Bauhaus played a show in early 1981, only a few months after the release of their debut album “In the Flat Field.” It wasn’t long, though, until a wider variety of artists made the 9:30 Club their tour stop in D.C., including LGBT artists of all genres.

Self-described queer artist Michael Stipe performed with R.E.M. at the venue multiple times, including in November 1982 in support of their “Chronic Town” EP, and a show on March 12, 1983, precisely one month before the band released its classic full-length debut “Murmur.” The main set opened with “Gardening at Night” and closed with “Radio Free Europe,” the two early songs that cracked open the door for their wider success. Minnesota-based Hüsker Dü, who would become one of the ‘80s most important alternative rock titans, played their first gig at the 9:30 Club on April 24, 1983. It was the start of a long and fruitful relationship between the club and Bob Mould, who’s gay, which continues to this day.

The first of multiple appearances by pop duo Erasure was on May 14, 1987 in support of their second album, “The Circus.” Gay singer Andy Bell shared his fond memories of that first 9:30 Club appearance: “The stage was so teeny and it was so crowded that I felt like Alice in Wonderland after she ate the cookie that turned her into a giant. It was an amazing gig, your head touched the ceiling and the audience would grab you by the ankles. Also it was very, very hot.”

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Andy Bell, left, and Vince Clarke of Erasure. (Photo by Phil Sharpe; courtesy Mitch Schneider Organization)

The duo’s most recent stop was for two electrifying performances in September 2014 in support of their album “The Violet Flame.”

Rufus Wainwright, the acclaimed Canadian singer/songwriter who is gay, has played at the 9:30 Club numerous times, with the crowd growing with his popularity.

“The 9:30 Club has a stage that moves back depending on how many spectators are at the show, always making the room look well attended,” he says. “I cherish the experience of starting out there with a sliver to work with, then a rectangle, and finally a big fat square full of punters thanks to the backwards moving stage. Hope that stage don’t start moving forward.”

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Rufus Wainwright (Photo by Sean James; courtesy Slate PR)

Melissa Etheridge, a rock legend who has been churning out great albums since her 1988 self-titled debut, played a highly publicized string of dates at the 9:30 Club in November 2014 in support of her album “This is M.E.”

Boy George, one of the all-time great pop figures of the last 30 years, appeared at the 9:30 Club on April 21, 2014 to support his excellent solo album, “This is What I Do.”

Gay icons The B-52’s have performed at the 9:30 Club in 2008 in support of their comeback album, “Funplex.”

Passion Pit, whose lead singer Michael Angelakos is gay, performed on June 3, 2010. Not long after, gay pop sensation Adam Lambert played on June 28, 2010, in support of his debut album “For Your Entertainment.”

Electric pop/rockers Neon Trees, whose lead singer Tyler Glenn is gay, performed at the club in July 2010, just as their single “Animals” was becoming a major hit.

In November 2012, Macklemore and Ryan Lewis performed their massive hit “Same Love” in support of same-sex marriage.

Visionary hip-hop artist Frank Ocean, who had recently revealed same-sex attraction and wrote about unrequited love for a man in the stunning track “Bad Religion,” performed at a show surrounded by buzz on July 23, 2012.

Critically acclaimed singer/songwriter John Grant, whose lyrics are sometimes startlingly confessional and self-deprecating, graced the 9:30 Club stage on May 11, 2014.

Atlas Sound, led by openly gay Bradford Cox, has appeared multiple times. Local D.C.-area genre-bending powerhouse Meshell Ndegeocello has also graced the 9:30 Club stage.

The flamboyant and always entertaining Scissor Sisters, featuring three gay members (Jake Shears, Babydaddy and Del Marquis) became a fixture at the club as they performed eight times between May 2004 and July 2012.

Kele Okereke, the talented frontman for Bloc Party, has appeared both with his band and as a solo artist.

Widely renowned lesbian duo Indigo Girls played at the club in March 2005.

The wonderfully outlandish and always memorable Canadian artist Peaches first appeared at the club in November 2006.

Against Me! first performanced at the 9:30 Club on Nov. 12, 2007. This was, of course, before Laura Jane Grace came out as a trans woman in 2012, as detailed in the band’s stunning 2012 album “Transgender Dysphoria Blues” (they’d play two dates in September 2014 after Grace’s transition). 

Mika, the uber-creative openly gay British pop experimentalist, played on June 12, 2007.

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Mika (Washington Blade file photo by Michael Key)

Hercules and Love Affair, whose breakthrough hit “Blind” is about coming out as gay and then losing yourself in a world of endless hedonism, performed in November, 2008.

The lesbian country/folk/rock singer/songwriter Brandi Carlile, who released the stunning album “The Firewatcher’s Daughter” last year, played the club in October 2009, the same night at the electrifying new wave revivalists Gossip, led by the amazing Beth Ditto who has referred to herself as a “fat, feminist lesbian from Arkansas.”

Other notable appearances by LGBT artists include Ani DiFranco (who’s identifies as bisexual), who first performed at the club in 1990 and has made many stops since, the most recent being in November 2013 and with another show coming up on Jan. 26.

A month and a half after the release of their breakthrough album “Dookie,” Rock and Roll Hall of Fame Inductees Green Day (led by openly bisexual frontman Billie Joe Armstrong), played their first 9:30 Club gig on March 15, 1994.

British alt-rockers Placebo (vocalist Brian Molko is bisexual, guitarist/bassist Steven Olsdal is openly gay) performed at the club in December 1998 in support of their classic album “Without You I’m Nothing.” Skunk Anansie, led by the dynamic bisexual vocalist Skin, played in September 1999.

Indie darlings Sleater-Kinney, featuring bisexual vocalists Corin Tucker and Carrie Brownstein (who once dated), played the 9:30 Club in May 2000 and then again in September. A month later, openly gay leather-clad metal icon Rob Halford of Judas Priest fame rocked the club with his band Halford.

Critically lauded Icelandic band Sigur Rós, whose amazing lead singer Jónsi is openly gay, first performed at the club in September 2001. Jónsi would play a couple solo dates in 2010. The 9:30 Club hosted synthpop legends Soft Cell, featuring pioneering gay artist Marc Almond, in 2002 when they toured in support of their final album “Cruelty Without Beauty.”

Tegan and Sara, the openly gay duo of Canadian twin sisters, first appeared at the club in October 2002.

The 9:30 Club has also hosted other events, including “RuPaul’s Drag Race: Battles of the Seasons” in March 2015. The club frequently has gay-themed dance parties in conjunction with Capital Pride every year.

And of course, getting back to Bob Mould, the alternative rock titan teamed up with DJ/producer/musician extraordinaire Rich Morel — who at last count has an astonishing 25 No. 1 singles on the Billboard Dance Chart to his credit — for the Blowoff dance party, which started small in the club’s back bar and turned into a mega event that eventually traveled to other cities. Morel cites the 9:30 Club as essential to Blowoff’s success.

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Blowoff (Washington Blade file photo by Pete Exis)

The 930 club was Blowoff’s home base,” he says. “When Blowoff expanded and started doing shows around the country the vibe and mood we had built at the 930 was what we brought with us. The staff was so great and the space made for many memorable nights.”

He also fondly recounted for us the time a certain Lady Gaga came to see Blowoff in all its glory.

“I had first met Lady Gaga when I was touring with Cyndi Lauper,” Morel says. “Gaga opened a show we were playing in San Francisco. Gaga was just starting out and we chatted a bit and exchanged info. Fast forward a couple years and she’s the biggest thing on the planet. I got a text message from her PR guy that she was in D.C. and wanted to come down to Blowoff. It was a crazy night. She arrived with a security crew all dressed in Armani. We were hanging backstage and she burned a CDR of her new song, which was not released yet.  She said the song was delicious and asked if I would debut it. It was “Bad Romance.” I played it during my set while she stood and waved at the crowd from the balcony. It was a surreal pop moment that I was delighted to be a part of.”

There is no question that if the 9:30 Club walls could talk, the stories they could tell would fill volumes. So many of the biggest artists in rock history have performed at the club that it’s hard to keep track, and that includes many LGBT artists as well. It’s been an impressive 35-year run for the club, with lots of rock ‘n’ roll memories made along the way.

Blade, 9:30 neighbors at former location

For a few years in the 1980s, the Washington Blade was a neighbor to the 9:30 Club at its original F Street location.

Although the Blade staff — especially on production night deadlines — sometimes worked late, long-time employees say the two entities had no major issues.

“We would of course work later hours back then,” says Phil Rockstroh, a long-time Blade staffer. “Everything was typeset and done by hand without computers and fax machines so getting through deadlines was much more time consuming.”

He says the noise wasn’t a problem.

“It wasn’t too bad as older buildings were constructed more solidly,” Rockstroh says. “There was only one entrance to the building and you entered so far to the elevator that went up to the other floors and then continued down the hall to the entrance to the 9:30 Club. Frequently at night if I was coming or going, there were people spilling out the doors.”

Despite the proximity, Rockstroh says he only remembers going to a concert there once to see a punk showcase with a former co-worker, the late Lyn Frizzell.

“The Blade has always had a friendly relationship with the 9:30 Club,” he says.

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Mr. Henry’s celebrates 60 years of proud inclusivity

Capitol Hill staple remains ‘a caring community’

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Mr. Henry’s has long been popular with D.C.’s LGBTQ community. (Photo by Liz Stewart)

America’s 250th isn’t the only milestone birthday D.C. is celebrating this year. 

Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.

Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.

Mary Quillian is the current owner of Mr. Henry’s. (Photo by Liz Stewart)

“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”

Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.

Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.

Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”

Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”

From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.

Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”

Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.

For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.

In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.

Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”

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Television loses a legend, longtime ‘Will & Grace’ director James Burrows

Iconic hitmaker leaves behind a legacy of telling LGBTQ stories

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James Burrows (Photo by kathclick/Bigstock)

You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history. 

He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”  

He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet. 

Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.” 

He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.” 

He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”  

This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.” 

What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.” 

He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.  

The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”

This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction. 

In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”

He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy. 

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D.C. prepares to party as Pride celebrations kick off Saturday

Bars, clubs have busy lineups; Pride on the Pier returns

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The Washington Blade’s Pride on the Pier returns June 13. (Washington Blade photo by Michael Key)

Capital Pride’s date change isn’t slowing down the festivities. Back in December, the Capital Pride Alliance shifted the calendar for Pride celebrations in the nation’s capital from the second weekend of June to two weeks later to the weekend of June 20-21 to not conflict with President Trump’s birthday and 250th anniversary of America celebrations, with the aim that “our community can gather safely and without unnecessary barriers… We are protecting our space and preserving Pride as a powerful act of visibility, solidarity, and resistance.” 

On the heels of WorldPride last year, the city shows no sign of slowing down. Instead, restaurants, bars, clubs, and neighborhoods are taking the opportunity to be even more visible. The Blade has put together a (non-comprehensive) list of parties, activations, and activities across town:

Pride on the Pier returns on Saturday, June 13 to the Wharf on the Southwest waterfront. The event, sponsored and hosted by the Washington Blade, is free and runs from 4-9 p.m. There will be vendors, DJs, and drag performances all day. VIP tickets are $25 and come with air conditioned party room, private bathrooms, and free cocktail. More details at prideonthepierdc.com.

Capital Pride Official Opening Party: RIOT! is the official opening dance party of Capital Pride, taking place Friday June 19, 9 PM-3AM. The 2026 edition headlining performer is Myki Meeks, a finalist of “RuPaul’s Drag Race” season 18; Bob The Drag Queen will perform a special set. DMV-area DJs and performers include: Bambi, Baphomette, Bumper, Cake Pop!, Connor, DJ Ed Bailey, DJ Diyanna Monet, Evry Pleasure, Jakknife Complex, Mari Con Carne, Pussy Noir, WessTheDJ. Trade owner Ed Bailey is producing the event.

Kinetic Presents brings the heat across the entirety of Pride weekend as well. It again is partnering with Capital Pride Alliance to produce four events over four days this Pride, including the Official Main Event on Saturday (the Friday official event is at Echostage). Kinetic’s parties are splayed across various D.C. venues, with special performances, massive productions, shirtless dancers, play zones, dance-forward audio and visuals, and international DJ talent. Thursday, June 18 at 10 PM at District Eagle is Lust, with music by Dan Slater and TOMI. Friday, June 19 at 10 PM is UNCUT XXL Heavy Load, at A.i. Warehouse in Union Market District, with music by Alex Acosta, Felipe Lira & Mitch Ferrino; the party is a “high-octane night of muscular house and tribal rhythms.” Saturday, June 20 at 10 PM brings that official main event, Kinetic Toy Land, at Echostage, with music by GSP & Matt Suave. Alaska Thunderfuck headlines. Sunday evening June 21 at 10 PM closes with discoVERS at SAX. A portion of tickets supports the DC LGBTQ+ community through Capital Pride Alliance.

9:30 Club always comes in clutch for the LGBTQ community. Already in June, it produced Kitty Kat Ball on June 7, and Kiesza performed on June 8. On June 20 at 10 PM, the famed Mixtape party hits the stage, care of gay DJs Shea van Horn and Matt Bailer, who have spun together for coming up on two decades. Mixtape has been held at several venues across the city over those years, and now settled on 9:30 Club for Pride. On June 25 at 7 PM, Big Freedia – the bounce artist from New Orleans – hits the 9:30 Club scene for the eighth time, as part of the Big Freedom Tour.

Crush: New this year from the 14th Street bar is the Pride Pop-Up, sitting pretty in the parking lot at 1820 14th St., N.W., at the corner of Swann Street by the start of the Pride Parade route. Hours are Friday from 2-10 PM and Saturday from 12-10 PM. Friday evening features Grizzly Bear Happy Hour, a DJ will set up shop on Saturday, and for those needing another layer, there’s a Crush merch store. Co-owner Mark Rutstein “has always wanted to throw a party in that parking lot, so he did,” said co-owner Stephen Rutgers. Note that Crush (the bar) will have a cover on Friday and Saturday.

Kiki: Over at Kiki, there’s a full slate of Pride-themed programming all week. Tuesday, June 16 at 9 PM brings karaoke; Wednesday, June 17 at 7:30 PM is trivia; Thursday June 18 at 9PM is “Night of 1000 Tatianna’s Drag Show”, and Friday June 19 at 9 PM brings the Juneteenth Serve Drag Show. Saturday, June 20 at 10 PM, post-parade, is a Pride Dance Party with DJ Lemz. Sunday daytime at 5 PM is the Father Figures Daddy Issues Special Drag Show; and after the festival at 8 PM, DJ Tezrah hits the tapes.

Jane Jane: Right along the parade route, gay-owned Jane Jane has transformed its space into a “No Kings, Yas Queens” activation in a direct response to the America 250th commemorations happening downtown, from the colorful window installation, to merch (including a custom bandana and tank) to disco wig installations. Events include industry night on Mondays, donations to LGBTQ charities, and  to-go cocktails during the Pride Parade.

Shaws Tavern: Gay-owned Shaw’s Tavern on Florida Avenue celebrates Pride week with a full lineup of themed events, entertainment, and specials, including Pride trivia on Monday, June 15 at 7:30 PM, bingo on Tuesday, June 16 at 8 PM, a cabaret on Thursday, June 18 at 9 PM, Juneteenth Drag Brunch on Friday, June 19 at 12:30 PM, and both a pre-parade brunch (10 AM-4 PM) and post-parade party (5-9 PM) on Saturday, June 20. Sunday, June 21 at 7 PM brings Mama’s Sunday Supper & Drag Pride Show in the evening for anyone who is still awake.

Trade: This classic has a weekend of events, starting on Thursday, with Tiburon Pride Edition, a Latin Dance party in the Shark Tank. On Friday, the bar opens early (at 2 PM), with all-day happy hour and the Jx&Evry Show. On Saturday, the bar opens at noon, offering a prime parade viewing spot from its windows. There will be the CLASH drag show hosted by Tatianna and Crimsyn, and Sweet Spot party that night. On Sunday, the bar opens for normal hours at 2 PM, with DJs Adam K, Alex Love, and WESSTHEDJ.

Pitchers: The multi-level bar in Adams Morgan is hosting a Pride-themed show on Thursday, June 18 at 10 PM, with drawstring bag giveaways – the only kind of bag that will be allowed into the bar during Pride weekend. The show features drag queen Kyle Sonique Love. 

Barrel House Cafe and Bar: Also by the parade route on 14th Street, Barrel House Cafe takes advantage of its large patio to have a slate of events during Pride week, including Schism, a drag and burlesque show on June 18 at 10 PM, as well as an all-day Pride party coinciding on parade day.

Bunker: Bunker again plays host to a series of afters. Friday night (Saturday 3:30 AM) is Unhinged, and Saturday night (Sunday 3:30AM) is Unholy. The regular Saturday night party (10 PM) brings in Venetian and Tiara Missou. All parties have cover charges.

District Eagle: Beyond the Kinetic party on Friday, June 19 brings Gear Night at 10 PM; Saturday, June 20 at 10 PM is LOBO presents PRISM, and Sunday, June 21 is Sundaze wit Papi at 6 PM. 

African Art Museum: On Thursday, June 18 at 5 PM, this Smithsonian museum is hosting a free event with artists and curators celebrating its exhibit, “Here: Pride and Belonging in African Art,” “based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms,” according to the museum.

KNEAD Hospitality & Design: The gay-owned KNEAD restaurant group (including spots like Gatsby, Mi Vida, Succotash The Grill) is featuring the GLITTERATI cocktail, made with Tito’s, St-Germain Elderflower, Butterfly Flower, ginger, and yes, glitter. A portion of proceeds from every Glitterati cocktail sold will benefit The Trevor Project. The cocktail will be sold throughout June.

The Fountain Inn is partnering with Rhodium spirits (Rhode Island’s first LGBTQ+ owned distillery) all month, making cocktails like gimlets and espresso martinis featuring Rhodium’s liquors. Proceeds benefit SMYAL, an organization dedicated to empowering LGBTQ+ youth. 

Hard Rock Cafe: Hard Rock DC is taking part in the chain’s annual “LOVE OUT LOUD” campaign, with Pride merch, specials on June 20, and a donation to The Trevor Project.

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