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Out actor relishes ‘Superstore’ role

Nico Santos says playing gay and Filipino is double blessing

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Nico Santos, gay news, Washington Blade

Nico Santos, front left, as Mateo in ‘Superstore.’ (Photo by Chris Haston; courtesy NBCUniversal)

While big-box retail store customers have their own set of problems, such as navigating the endless aisles, employees dwell in their own retail hell. “Superstore” is NBC’s latest workplace comedy from the executive producer of “The Office” and stars America Ferrera (Amy) and D.C. native Ben Feldman (Jonah). Employee frustrations are amplified at the fictional Cloud 9, a Walmart-esque superstore, such as assisting irate customers and accidentally marking electronics at $0.25 instead of 25 percent off causing a riot in the store.

Mateo, played by Nico Santos, 37, is a newly hired Cloud 9 associate who won’t let the annoyance of retail, or anyone, stand in the way of his ambition to succeed at work. Mateo also happens to be a gay Filipino man and undocumented illegal immigrant.

Santos and Mateo have a lot in common — Santos is also a gay Filipino man, but is launching a professional acting career instead of working the sales floor. Born and raised in the Philippines, Santos immigrated to the United States at 15 years old and has been immersed in the performing arts ever since.

Speaking to the Washington Blade in between filming the show’s Halloween episode, Santos talked the horrors of retail, Mateo’s upcoming love interest and how wearing chaps might be the hardest part of being a cowboy.

WASHINGTON BLADE: How did you get into acting?

NICO SANTOS: I was in a few high school plays and musicals and I majored in theater as well. But I kind of deviated from that and my background mostly is in stand-up comedy. When I lived in San Francisco, I started stand up comedy there. I moved to Los Angeles six years ago doing stand up and just trying to get my half-hour Comedy Central special going and trying to get my name into comedy clubs here. But I auditioned for the CBS Diversity Showcase, which is an industry showcase here that’s presented to agents and casting directors. And that’s how I got my agent. I started going out on auditions and started booking small roles here and there. Then “Superstore” came along and it’s been my first professional acting job. I still can’t believe that all of this is happening. It’s a new world to me.

BLADE: When you first auditioned for “Superstore” did you immediately connect with the character of Mateo?

SANTOS: I did. Mateo was originally written as a straight, Latino guy. Sort of like a tough gangster guy. But I was reading the text of the materials that were sent to me and he comes from the same sort of immigrant background and had a large family, and I came from the same background. So it was something I was drawn to. But I was reading the text and I was thinking to myself there’s no way I can play a butch, Latino gangster. I can play butch, but not that butch. So I just kind of scanned the text and was like, “I can totally picture a shady queen saying these words.” So I kind of made it my own, and they loved my take on the character and changed the character to be a gay Filipino.

BLADE: That’s a rare representation on TV. How do you feel about that?

SANTOS: I’m so happy that I get to be a part of this new way of Asian representation that’s happening right now. The last couple years you’ve had shows like “Fresh Off the Boat” and “Dr. Ken” and now “Superstore.” But certainly the representation of Asian Americans and Asians in general has been a lot better these last couple of years. But it is so rare to see a gay Filipino character in television. I’ve talked to all my other Filipino actor friends and a lot of times we get asked to play other Asian parts. Like the auditions we go to we get asked to play Japanese or Chinese or Korean. We never get to play Filipino, which still boggles my mind because we are one of the largest Asian minorities in the United States, but we’re hardly represented in the media. I’m definitely so happy that I get to represent not only the LGBT side of my community, but the whole Filipino community as well.

BLADE: “Superstore” is a workplace comedy comparable to other shows like “The Office” and “Parks and Recreation.” Do you ever feel any pressure to live up to that?

SANTOS: Yes and no. Obviously I would love for our show to have such a long and successful run like “The Office” and “Parks and Recreation.” I certainly hope that’s in our future. I know we’ve been compared to those shows, but I think we are very unique and have found our own voice early on. I will say the one main difference that separates us from those shows is not everyone has worked in an office. But everybody has been in one of these stores whether you have been behind the register or in front of the register. It’s something we’ve all experienced. I think that’s why it’s struck a chord with everybody. Not only do you see or recognize these characters and everyone in the cast but it’s something you experience every day. You have to go to a store every day to get your necessities.

BLADE: Have you ever worked in a big-box store like Cloud 9?

SANTOS: I’ve never worked in a big-box store, but I have plenty of retail experience. When I used to live in San Francisco and started doing stand up comedy, my day job was working retail. But I worked in high-end luxury retail. So I worked at Neiman’s and Jimmy Choo and Dior. Honestly once I started working on this show, I was able to draw on that retail experience and use it. I was like, “All eight years of working retail finally paid off.” Because it doesn’t matter whether you’re selling $0.99 toilet paper or a $10,000 gown, it’s all the same crazy customers that you have to deal with.

BLADE: How would you compare yourself and Mateo as employees?

SANTOS: There’s a lot of me in Mateo and that’s why I love playing him. I’m maybe not as backstabby. Mateo will backstab anybody who gets in his way. When I’m working on the job I want to do it well and I kind of obsess over it. I always make sure that the job that I take is something that I enjoy. So there’s definitely a whole lot of me in Mateo.

BLADE: Being an out, gay actor, what’s it like representing the LGBT community on a show that has such a wide reach as “Superstore”?

SANTOS: I’m really happy to do that. LGBT representation has sort of changed throughout the years. With shows like “Will and Grace,” you have Will who is sort of like a more masculine character, but the character Jack got a lot of criticism for being flamboyant. And now a character like mine who is more on the feminine side I think even like five years ago would have been criticized like, “Oh, you guys are playing a stereotype.” To me, I always get so annoyed when people criticize gay men for being feminine. Being feminine is not a bad thing. That’s part of the spectrum of the LGBT community. Just because a gay man is feminine that’s not a stereotype. Feminine gay men exist, and they need to be represented. Especially for me, I am feminine in real life and not having seen those characters before as just a regular guy on television I think is important.

BLADE: What can you tell us about Mateo’s upcoming love interest this season?

SANTOS: It’s great because how it comes about is really unexpected. For Mateo, he’s still figuring out does he like this guy, how is this going to benefit him. There’s always that question in the back of his head of what’s in it for him. I think the storyline is really great. My love interest is being played by this great actor Michael Bunin who is so funny and so charming. I think audiences will get a real kick out of it.

BLADE: Any sneak peaks about the Halloween episode that you’re filming?

SANTOS: All I can tell you right now is that I’m a cowboy for this episode and I’ve been wearing cowboy boots and chaps all day. After doing all my scenes in chaps and cowboy boots, I have a newfound appreciation for cowboys. I will certainly be watching “Brokeback Mountain” with a completely different lens now.

Nico Santos as Mateo in ’Superstore.’ Though he says he’s less ‘backstabby’ in real life, Santos identifies with his character. (Photo by Chris Haston; coutesy NBCUniversal)

Nico Santos as Mateo in ’Superstore.’ Though he says he’s less ‘backstabby’ in real life, Santos identifies with his character. (Photo by Chris Haston; coutesy NBCUniversal)

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

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Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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Photos

PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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