a&e features
‘Cirque du Soleil: OVO’ brings an insect world to life
Cirque du Soleil’s ‘OVO’ explores romance among insects

The cast of ‘Cirque du Soleil: OVO’ brings an insect world to life. (Photo courtesy Cirque du Soleil)
Cirque du Soleil: ‘OVO’
Friday-Sunday, Aug. 18-20
7:30 p.m. Friday and Saturday; 4 p.m., Saturday; 1:30 p.m., and 5 p.m., Sunday
EagleBank Arena
4500 Patriot Circle
Fairfax, Va.
$30-167
Aug. 23-27
7:30 p.m., Wednesday through Saturday; 4 p.m., Saturday; 1:30 p.m., and 5 p.m., Sunday
Royal Farms Arena
201 W Baltimore St.
Baltimore
$25-148
When Cirque du Soleil created its 25th show back in 2009, Brazilian choreographer Deborah Colker became the first woman to ever direct a Cirque show and cast Michelle Nicole Matlock to bring to life the main character of Ladybug.
An actress, writer and teacher, who had years of experience in the circus arts, Matlock was in residency at the LGBT Center’s Y.E.S. program in New York City at the time, directing LGBT youth’s individual solo shows, which were performed at the Dance Theater Workshop.
“I was also performing in a one-woman show when someone came up to me afterwards and asked me to audition for Cirque,” Matlock says. “I guess I did well, and four years later they asked me to create the role of Ladybug.”
That was almost a decade ago. The offer came in late 2008 and “OVO” premiered in 2009. It continues at EagleBank Arena (formerly the Patriot Center) this weekend before moving to Baltimore on Wednesday, Aug. 23.
At the time, Cirque du Soleil wasn’t even on Matlock’s radar.
“I didn’t know much about the company and I had never seen a Cirque du Soleil show,” she says. “I had started dabbling in the circus world and doing gigs with other companies but I didn’t know anything about them.”
When they offered her the opportunity, it was really her friends and colleagues who became enthusiastic about it, so Matlock started researching it, talking with other artists and began to see what they were all about.
Ever since, Matlock has performed close to 300 shows a year, and she’s closing in on 2,500 performances. With the show, she’s travelled all around the world, including Australia for a year, Japan for 18 months, Mexico and many other countries.
“We started in a Big Top and we played that for six years and then we had another creation about a year ago, which put the show into an arena, and we had the opportunity to revamp and recreate our parts,” Matlock says. “That’s been a lot of fun.”
A native of Washington state, Matlock studied at Western Washington University and continued her studies at the National Shakespeare Conservatory in New York City. After graduating, she took acting jobs with Moonwork Inc., Fay Simpson’s Impact Theater and the New Acting Company.
Next came a gig with Royal Caribbean Cruise Line’s Krooz Komic program, an interactive clown program aboard their Voyager Class ships, which provided great experience for the work she’s doing now. Here she learned how to juggle, walk on stilts and the art of clowning. From there, she worked as a clown for the Bindlestiff Family Cirkus, Circus Amok and the Big Apple Circus Clown Care Unit, which brings classical circus to hospitalized children at pediatric facilities across the U.S.
It was her 2002 solo show, a 12-week run of “The Mammy Project,” that attracted the attention of Cirque. Matlock loves working on the show with the cast and crew, which includes fellow out lesbian, artistic director Marjon van Grunsven.
“There are about 50 in the cast and 50 crew and management employees, with about eight of us since the creation,” she says. “It’s really a close-knit group and it’s very open and accepting and just a great environment to work in.”
“OVO” is a show rooted in the world of insects. The story begins as an egg appears among the insects. Ladybug is considered the romantic of the show.
“She is the only insect of her kind and is the love storyline; she’s searching for love and a foreigner, a city fly, shows up to the community and they instantly fall in love and the antics begin of the two of them trying to come together,” she says. “Ladybug symbolizes hope, love and happiness and it’s a really fun character.”
Matlock enjoys the openness of the character, especially that she’s super confident in herself, looking for that “right bug,” like so many in life do.
“She’s such a playful, open, very simple character and there’s something so satisfying about playing that role each night,” she says. “No matter what’s going on, I can have a lot of fun through the physical comedy and the playfulness of the storyline.”
The show is appropriate for all ages and Matlock feels adults will enjoy it as much as little ones.
“The music is amazing, the costumes are extraordinary and there’s a Brazilian flavor and rhythm than is incredible,” she says. “This is a very bright, open and celebratory show.”
With such a busy performance schedule, Matlock hasn’t had much time to do much else, as Cirque du Soleil is all encompassing.
“I have had breaks here and there and written shows in New York and gone back and done them, but it’s quite difficult to do something because there’s not much downtime,” she says. “The past nine years, my career has basically been with Cirque and it’s been a great journey.”
Matlock also teaches character work and acting to some of the athletes and circus performers who are hired who don’t have that training.
“It’s been really nice to branch off into that aspect of it also, while I’ve been traveling and performing,” she says. “It’s an intense schedule, but being in this eco-system has been such a fantastic opportunity.”
When her time with the show ends, which she hints could be in the next year or so, Matlock will get back to writing and performing, hopefully in New York.
It was 10 years ago when she collaborated with the band Inner Princess to develop “Sum Of Us,” which explored transgender history including Billy Tipton and the life of Harlem renaissance blues singer Gladys Bentley, and was staged at New York City’s Dixon Place.
“I had come across the history of Gladys Bentley, a crossdresser and blues singer, and I was friends with Inner Princess, who were singing and creating performances about the transgender experience, so we got together and wrote this show,” Matlock says. “We decided to create something that could blend the music and the historical figures, and we did it for three weeks in New York.”
Right after, Matlock was whisked away for Cirque and she never had the opportunity to develop it further.
“That theater did just commission me to write another piece for 2019, so I’ve been exploring possibly bringing that back to life,” she says. “If not that project, I would like to do something again with those people. That was a really fun project and it was a time before the transgender story was really popular. In 2007, it was on the edge of people becoming aware of the issues. It’s interesting to think about creating something new for 2019.”
By then, Matlock won’t be continuing as Ladybug full-time, but will always be available to her Cirque family if they need her to do some coverage or teaching.
“Nine years has been fantastic and I love it, but I am looking forward to the opportunity to step away and do some other stuff over the next few years,” she says. “There’s still a lot left I hope to do.”
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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