a&e features
‘Cirque du Soleil: OVO’ brings an insect world to life
Cirque du Soleil’s ‘OVO’ explores romance among insects
The cast of ‘Cirque du Soleil: OVO’ brings an insect world to life. (Photo courtesy Cirque du Soleil)
Cirque du Soleil: ‘OVO’
Friday-Sunday, Aug. 18-20
7:30 p.m. Friday and Saturday; 4 p.m., Saturday; 1:30 p.m., and 5 p.m., Sunday
EagleBank Arena
4500 Patriot Circle
Fairfax, Va.
$30-167
Aug. 23-27
7:30 p.m., Wednesday through Saturday; 4 p.m., Saturday; 1:30 p.m., and 5 p.m., Sunday
Royal Farms Arena
201 W Baltimore St.
Baltimore
$25-148
When Cirque du Soleil created its 25th show back in 2009, Brazilian choreographer Deborah Colker became the first woman to ever direct a Cirque show and cast Michelle Nicole Matlock to bring to life the main character of Ladybug.
An actress, writer and teacher, who had years of experience in the circus arts, Matlock was in residency at the LGBT Center’s Y.E.S. program in New York City at the time, directing LGBT youth’s individual solo shows, which were performed at the Dance Theater Workshop.
“I was also performing in a one-woman show when someone came up to me afterwards and asked me to audition for Cirque,” Matlock says. “I guess I did well, and four years later they asked me to create the role of Ladybug.”
That was almost a decade ago. The offer came in late 2008 and “OVO” premiered in 2009. It continues at EagleBank Arena (formerly the Patriot Center) this weekend before moving to Baltimore on Wednesday, Aug. 23.
At the time, Cirque du Soleil wasn’t even on Matlock’s radar.
“I didn’t know much about the company and I had never seen a Cirque du Soleil show,” she says. “I had started dabbling in the circus world and doing gigs with other companies but I didn’t know anything about them.”
When they offered her the opportunity, it was really her friends and colleagues who became enthusiastic about it, so Matlock started researching it, talking with other artists and began to see what they were all about.
Ever since, Matlock has performed close to 300 shows a year, and she’s closing in on 2,500 performances. With the show, she’s travelled all around the world, including Australia for a year, Japan for 18 months, Mexico and many other countries.
“We started in a Big Top and we played that for six years and then we had another creation about a year ago, which put the show into an arena, and we had the opportunity to revamp and recreate our parts,” Matlock says. “That’s been a lot of fun.”
A native of Washington state, Matlock studied at Western Washington University and continued her studies at the National Shakespeare Conservatory in New York City. After graduating, she took acting jobs with Moonwork Inc., Fay Simpson’s Impact Theater and the New Acting Company.
Next came a gig with Royal Caribbean Cruise Line’s Krooz Komic program, an interactive clown program aboard their Voyager Class ships, which provided great experience for the work she’s doing now. Here she learned how to juggle, walk on stilts and the art of clowning. From there, she worked as a clown for the Bindlestiff Family Cirkus, Circus Amok and the Big Apple Circus Clown Care Unit, which brings classical circus to hospitalized children at pediatric facilities across the U.S.
It was her 2002 solo show, a 12-week run of “The Mammy Project,” that attracted the attention of Cirque. Matlock loves working on the show with the cast and crew, which includes fellow out lesbian, artistic director Marjon van Grunsven.
“There are about 50 in the cast and 50 crew and management employees, with about eight of us since the creation,” she says. “It’s really a close-knit group and it’s very open and accepting and just a great environment to work in.”
“OVO” is a show rooted in the world of insects. The story begins as an egg appears among the insects. Ladybug is considered the romantic of the show.
“She is the only insect of her kind and is the love storyline; she’s searching for love and a foreigner, a city fly, shows up to the community and they instantly fall in love and the antics begin of the two of them trying to come together,” she says. “Ladybug symbolizes hope, love and happiness and it’s a really fun character.”
Matlock enjoys the openness of the character, especially that she’s super confident in herself, looking for that “right bug,” like so many in life do.
“She’s such a playful, open, very simple character and there’s something so satisfying about playing that role each night,” she says. “No matter what’s going on, I can have a lot of fun through the physical comedy and the playfulness of the storyline.”
The show is appropriate for all ages and Matlock feels adults will enjoy it as much as little ones.
“The music is amazing, the costumes are extraordinary and there’s a Brazilian flavor and rhythm than is incredible,” she says. “This is a very bright, open and celebratory show.”
With such a busy performance schedule, Matlock hasn’t had much time to do much else, as Cirque du Soleil is all encompassing.
“I have had breaks here and there and written shows in New York and gone back and done them, but it’s quite difficult to do something because there’s not much downtime,” she says. “The past nine years, my career has basically been with Cirque and it’s been a great journey.”
Matlock also teaches character work and acting to some of the athletes and circus performers who are hired who don’t have that training.
“It’s been really nice to branch off into that aspect of it also, while I’ve been traveling and performing,” she says. “It’s an intense schedule, but being in this eco-system has been such a fantastic opportunity.”
When her time with the show ends, which she hints could be in the next year or so, Matlock will get back to writing and performing, hopefully in New York.
It was 10 years ago when she collaborated with the band Inner Princess to develop “Sum Of Us,” which explored transgender history including Billy Tipton and the life of Harlem renaissance blues singer Gladys Bentley, and was staged at New York City’s Dixon Place.
“I had come across the history of Gladys Bentley, a crossdresser and blues singer, and I was friends with Inner Princess, who were singing and creating performances about the transgender experience, so we got together and wrote this show,” Matlock says. “We decided to create something that could blend the music and the historical figures, and we did it for three weeks in New York.”
Right after, Matlock was whisked away for Cirque and she never had the opportunity to develop it further.
“That theater did just commission me to write another piece for 2019, so I’ve been exploring possibly bringing that back to life,” she says. “If not that project, I would like to do something again with those people. That was a really fun project and it was a time before the transgender story was really popular. In 2007, it was on the edge of people becoming aware of the issues. It’s interesting to think about creating something new for 2019.”
By then, Matlock won’t be continuing as Ladybug full-time, but will always be available to her Cirque family if they need her to do some coverage or teaching.
“Nine years has been fantastic and I love it, but I am looking forward to the opportunity to step away and do some other stuff over the next few years,” she says. “There’s still a lot left I hope to do.”
Michelle Nicole Matlock, center, as Ladybug in ‘Cirque du Soleil: OVO.’ Matlock has traveled the world playing the mysterious creature she helped create. (Photo courtesy Cirque du Soleil)
a&e features
Mr. Henry’s celebrates 60 years of proud inclusivity
Capitol Hill staple remains ‘a caring community’
America’s 250th isn’t the only milestone birthday D.C. is celebrating this year.
Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.
Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.
“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”
Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.
Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.
Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”
Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”
From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.
Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”
Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.
For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.
In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.
Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
a&e features
D.C. prepares to party as Pride celebrations kick off Saturday
Bars, clubs have busy lineups; Pride on the Pier returns
Capital Pride’s date change isn’t slowing down the festivities. Back in December, the Capital Pride Alliance shifted the calendar for Pride celebrations in the nation’s capital from the second weekend of June to two weeks later to the weekend of June 20-21 to not conflict with President Trump’s birthday and 250th anniversary of America celebrations, with the aim that “our community can gather safely and without unnecessary barriers… We are protecting our space and preserving Pride as a powerful act of visibility, solidarity, and resistance.”
On the heels of WorldPride last year, the city shows no sign of slowing down. Instead, restaurants, bars, clubs, and neighborhoods are taking the opportunity to be even more visible. The Blade has put together a (non-comprehensive) list of parties, activations, and activities across town:
Pride on the Pier returns on Saturday, June 13 to the Wharf on the Southwest waterfront. The event, sponsored and hosted by the Washington Blade, is free and runs from 4-9 p.m. There will be vendors, DJs, and drag performances all day. VIP tickets are $25 and come with air conditioned party room, private bathrooms, and free cocktail. More details at prideonthepierdc.com.
Capital Pride Official Opening Party: RIOT! is the official opening dance party of Capital Pride, taking place Friday June 19, 9 PM-3AM. The 2026 edition headlining performer is Myki Meeks, a finalist of “RuPaul’s Drag Race” season 18; Bob The Drag Queen will perform a special set. DMV-area DJs and performers include: Bambi, Baphomette, Bumper, Cake Pop!, Connor, DJ Ed Bailey, DJ Diyanna Monet, Evry Pleasure, Jakknife Complex, Mari Con Carne, Pussy Noir, WessTheDJ. Trade owner Ed Bailey is producing the event.
Kinetic Presents brings the heat across the entirety of Pride weekend as well. It again is partnering with Capital Pride Alliance to produce four events over four days this Pride, including the Official Main Event on Saturday (the Friday official event is at Echostage). Kinetic’s parties are splayed across various D.C. venues, with special performances, massive productions, shirtless dancers, play zones, dance-forward audio and visuals, and international DJ talent. Thursday, June 18 at 10 PM at District Eagle is Lust, with music by Dan Slater and TOMI. Friday, June 19 at 10 PM is UNCUT XXL Heavy Load, at A.i. Warehouse in Union Market District, with music by Alex Acosta, Felipe Lira & Mitch Ferrino; the party is a “high-octane night of muscular house and tribal rhythms.” Saturday, June 20 at 10 PM brings that official main event, Kinetic Toy Land, at Echostage, with music by GSP & Matt Suave. Alaska Thunderfuck headlines. Sunday evening June 21 at 10 PM closes with discoVERS at SAX. A portion of tickets supports the DC LGBTQ+ community through Capital Pride Alliance.
9:30 Club always comes in clutch for the LGBTQ community. Already in June, it produced Kitty Kat Ball on June 7, and Kiesza performed on June 8. On June 20 at 10 PM, the famed Mixtape party hits the stage, care of gay DJs Shea van Horn and Matt Bailer, who have spun together for coming up on two decades. Mixtape has been held at several venues across the city over those years, and now settled on 9:30 Club for Pride. On June 25 at 7 PM, Big Freedia – the bounce artist from New Orleans – hits the 9:30 Club scene for the eighth time, as part of the Big Freedom Tour.
Crush: New this year from the 14th Street bar is the Pride Pop-Up, sitting pretty in the parking lot at 1820 14th St., N.W., at the corner of Swann Street by the start of the Pride Parade route. Hours are Friday from 2-10 PM and Saturday from 12-10 PM. Friday evening features Grizzly Bear Happy Hour, a DJ will set up shop on Saturday, and for those needing another layer, there’s a Crush merch store. Co-owner Mark Rutstein “has always wanted to throw a party in that parking lot, so he did,” said co-owner Stephen Rutgers. Note that Crush (the bar) will have a cover on Friday and Saturday.
Kiki: Over at Kiki, there’s a full slate of Pride-themed programming all week. Tuesday, June 16 at 9 PM brings karaoke; Wednesday, June 17 at 7:30 PM is trivia; Thursday June 18 at 9PM is “Night of 1000 Tatianna’s Drag Show”, and Friday June 19 at 9 PM brings the Juneteenth Serve Drag Show. Saturday, June 20 at 10 PM, post-parade, is a Pride Dance Party with DJ Lemz. Sunday daytime at 5 PM is the Father Figures Daddy Issues Special Drag Show; and after the festival at 8 PM, DJ Tezrah hits the tapes.
Jane Jane: Right along the parade route, gay-owned Jane Jane has transformed its space into a “No Kings, Yas Queens” activation in a direct response to the America 250th commemorations happening downtown, from the colorful window installation, to merch (including a custom bandana and tank) to disco wig installations. Events include industry night on Mondays, donations to LGBTQ charities, and to-go cocktails during the Pride Parade.
Shaw’s Tavern: Gay-owned Shaw’s Tavern on Florida Avenue celebrates Pride week with a full lineup of themed events, entertainment, and specials, including Pride trivia on Monday, June 15 at 7:30 PM, bingo on Tuesday, June 16 at 8 PM, a cabaret on Thursday, June 18 at 9 PM, Juneteenth Drag Brunch on Friday, June 19 at 12:30 PM, and both a pre-parade brunch (10 AM-4 PM) and post-parade party (5-9 PM) on Saturday, June 20. Sunday, June 21 at 7 PM brings Mama’s Sunday Supper & Drag Pride Show in the evening for anyone who is still awake.
Trade: This classic has a weekend of events, starting on Thursday, with Tiburon Pride Edition, a Latin Dance party in the Shark Tank. On Friday, the bar opens early (at 2 PM), with all-day happy hour and the Jx&Evry Show. On Saturday, the bar opens at noon, offering a prime parade viewing spot from its windows. There will be the CLASH drag show hosted by Tatianna and Crimsyn, and Sweet Spot party that night. On Sunday, the bar opens for normal hours at 2 PM, with DJs Adam K, Alex Love, and WESSTHEDJ.
Pitchers: The multi-level bar in Adams Morgan is hosting a Pride-themed show on Thursday, June 18 at 10 PM, with drawstring bag giveaways – the only kind of bag that will be allowed into the bar during Pride weekend. The show features drag queen Kyle Sonique Love.
Barrel House Cafe and Bar: Also by the parade route on 14th Street, Barrel House Cafe takes advantage of its large patio to have a slate of events during Pride week, including Schism, a drag and burlesque show on June 18 at 10 PM, as well as an all-day Pride party coinciding on parade day.
Bunker: Bunker again plays host to a series of afters. Friday night (Saturday 3:30 AM) is Unhinged, and Saturday night (Sunday 3:30AM) is Unholy. The regular Saturday night party (10 PM) brings in Venetian and Tiara Missou. All parties have cover charges.
District Eagle: Beyond the Kinetic party on Friday, June 19 brings Gear Night at 10 PM; Saturday, June 20 at 10 PM is LOBO presents PRISM, and Sunday, June 21 is Sundaze wit Papi at 6 PM.
African Art Museum: On Thursday, June 18 at 5 PM, this Smithsonian museum is hosting a free event with artists and curators celebrating its exhibit, “Here: Pride and Belonging in African Art,” “based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms,” according to the museum.
KNEAD Hospitality & Design: The gay-owned KNEAD restaurant group (including spots like Gatsby, Mi Vida, Succotash The Grill) is featuring the GLITTERATI cocktail, made with Tito’s, St-Germain Elderflower, Butterfly Flower, ginger, and yes, glitter. A portion of proceeds from every Glitterati cocktail sold will benefit The Trevor Project. The cocktail will be sold throughout June.
The Fountain Inn is partnering with Rhodium spirits (Rhode Island’s first LGBTQ+ owned distillery) all month, making cocktails like gimlets and espresso martinis featuring Rhodium’s liquors. Proceeds benefit SMYAL, an organization dedicated to empowering LGBTQ+ youth.
Hard Rock Cafe: Hard Rock DC is taking part in the chain’s annual “LOVE OUT LOUD” campaign, with Pride merch, specials on June 20, and a donation to The Trevor Project.
Campaign launched to elect more LGBTQ candidates to ANC seats
Gay librarian to discuss new novel at Green Lantern
Calendar: July 10-16
Gay Fla. Democrat Elijah Manley sees opportunity in Trump’s second term
Ron Singer, owner of popular Mount Vernon gay bar Leon’s, dies
In Trump’s divided America, Michael Weinstein’s AHF responds
Turkish authorities refuse to allow gay cruise to dock in country
When a church fears the rainbow
PHOTOS: Crush Dance Bar
