Arts & Entertainment
MTV VMAs noms include Hayley Kiyoko, Cardi B
The ceremony airs on Aug. 20
![](https://www.washingtonblade.com/content/files/2018/04/Hayley_Kiyoko_Instagram_460_by_470.jpg)
![](https://www.washingtonblade.com/content/files/2018/04/Hayley_Kiyoko_Instagram_600_by_400.jpg)
Hayley Kiyoko (Photo via Instagram)
The MTV VMAs announced its 2018 nominations which include big recognition for Cardi B and the Carters.
Cardi B received the most nominations (10) including for Video of the Year, Artist of the Year and Song of the Year. The Carters (Beyonce and Jay-Z) followed close behind with eight nominations for their video “Apeshit.” Childish Gambino and Drake earned seven nominations each, Bruno Mars received six and Ariana Grande and Camila Cabello came in at five nominations.
Lesbian pop singer Hayley Kiyoko also received a VMA nomination for Best New Artist. She will face off against Bazzi, Cardi B, Chloe x Halle, Lil Pump and Lil Uzi Vert.
The VMAs air from Radio City Music Hall on Monday, Aug. 20 at 9 p.m.
See the nominees below.
Video of the Year
Ariana Grande – “No Tears Left To Cry”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana”
The Carters – “APESH*T”
Childish Gambino – “This Is America”
Drake – “God’s Plan”
Artist of the Year
Ariana Grande
Bruno Mars
Camila Cabello
Cardi B
Drake
Post Malone
Song of the Year
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana”
Drake – “God’s Plan”
Dua Lipa – “New Rules”
Ed Sheeran – “Perfect”
Post Malone ft. 21 Savage – “rockstar”
Best New Artist
Bazzi
Cardi B
Chloe x Halle
Hayley Kiyoko
Lil Pump
Lil Uzi Vert
Best Collaboration
Bebe Rexha ft. Florida Georgia Line – “Meant To Be”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
The Carters – “APESH*T”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
N.E.R.D & Rihanna – “Lemon”
Push Artist of the Year
July 2018 – Chloe x Halle
June 2018 – Sigrid
May 2018 – Lil Xan
April 2018 – Hayley Kiyoko
March 2018 – Jessie Reyez
February 2018 – Tee Grizzley
January 2018 – Bishop Briggs
December 2017 – Grace VanderWaal
November 2017 – Why Don’t We
October 2017 – PRETTYMUCH
September 2017 – SZA
August 2017 – Kacy Hill
July 2017 – Khalid
June 2017 – Kyle
May 2017 – Noah Cyrus
Best Pop
Ariana Grande – “No Tears Left To Cry”
Camila Cabello ft. Young Thug – “Havana”
Demi Lovato – “Sorry Not Sorry”
Ed Sheeran – “Perfect”
P!nk – “What About Us”
Shawn Mendes – “In My Blood”
Best Hip-Hop
Cardi B ft. 21 Savage – “Bartier Cardi”
The Carters – “APESH*T”
Drake – “God’s Plan”
J. Cole – “ATM”
Migos ft. Drake – “Walk It Talk It”
Nicki Minaj – “Chun-Li”
Best Latin
Daddy Yankee – “Dura”
J Balvin, Willy William – “Mi Gente”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Luis Fonsi, Demi Lovato – “Échame La Culpa”
Maluma – “Felices los 4”
Shakira ft. Maluma – “Chantaje”
Best Dance
Avicii ft. Rita Ora – “Lonely Together”
Calvin Harris & Dua Lipa – “One Kiss”
The Chainsmokers – “Everybody Hates Me”
David Guetta & Sia – “Flames”
Marshmello ft. Khalid – “Silence”
Zedd & Liam Payne – “Get Low (Street Video)”
Best Rock
Fall Out Boy – “Champion”
Foo Fighters – “The Sky Is A Neighborhood”
Imagine Dragons – “Whatever It Takes”
Linkin Park – “One More Light”
Panic! At The Disco – “Say Amen (Saturday Night)”
Thirty Seconds To Mars – “Walk On Water”
Video with a Message
Childish Gambino – “This Is America”
Dej Loaf and Leon Bridges – “Liberated”
Drake – “God’s Plan”
Janelle Monáe – “PYNK”
Jessie Reyez – “Gatekeeper”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
Best Cinematography
Alessia Cara – “Growing Pains” – Cinematography by Pau Castejón
Ariana Grande – “No Tears Left To Cry” – Cinematography by Scott Cunningham
The Carters – “APESH*T” – Cinematography by Benoit Debie
Childish Gambino – “This Is America” – Cinematography by Larkin Seiple
Eminem ft. Ed Sheeran – “River” – Cinematography by Frank Mobilio & Patrick Meller
Shawn Mendes – “In My Blood” – Cinematography by Jonathan Sela
Best Direction
The Carters – “APESH*T” – Directed by Ricky Saix
Childish Gambino – “This Is America” – Directed by Hiro Murai
Drake – “God’s Plan” – Directed by Karena Evans
Ed Sheeran – “Perfect” – Directed by Jason Koenig
Justin Timberlake ft. Chris Stapleton – “Say Something” – Directed by Arturo Perez Jr.
Shawn Mendes – “In My Blood” – Directed by Jay Martin
Best Art Direction
The Carters – “APESH*T” – Art Direction by Jan Houlevigue
Childish Gambino – “This Is America” – Art Direction by Jason Kisvarday
J. Cole – “ATM” – Art Direction by Miles Mullin
Janelle Monáe – “Make Me Feel” – Art Direction by Pepper Nguyen
SZA – “The Weekend” – Art Direction by SZA and Solange
Taylor Swift – “Look What You Made Me Do” – Big Machine Records – Art Direction by Brett Hess
Best Visual Effects
Ariana Grande – “No Tears Left To Cry” – Visual Effects by Vidal and Loris Paillier for Buf
Avicii ft. Rita Ora – “Lonely Together” – Visual Effects by KPP
Eminem ft. Beyoncé – “Walk On Water” – Visual Effects Supervisor Rich Lee for Drive Studios
Kendrick Lamar & SZA – “All The Stars” – Visual Effects by Loris Paillier for BUF Paris
Maroon 5 – “Wait” – Visual Effects by TIMBER
Taylor Swift – “Look What You Made Me Do” – Visual Effects by Ingenuity Studios
Best Choreography
Bruno Mars ft. Cardi B – “Finesse (Remix)” – Choreography by Phil Tayag & Bruno Mars
Camila Cabello ft. Young Thug – “Havana” – Choreography by Calvit Hodge and Sara Bivens
The Carters – “APESH*T” – Choreography by Sidi Larbi Cherkaoui and Jaquel Knight
Childish Gambino – “This Is America” – Choreography by Sherrie Silver
Dua Lipa – “IDGAF” – Choreography by Marion Motin
Justin Timberlake – “Filthy” – Choreography by Marty Kudelka, AJ Harpold, Tracy Phillips and Ivan Koumaev
Best Editing
Bruno Mars ft. Cardi B – “Finesse (Remix)”– Editing by Jacquelyn London
The Carters – “APESH*T” – Taylor Ward and Sam Ostrove
Childish Gambino – “This Is America” – Editing by Ernie Gilbert
Janelle Monáe – “Make Me Feel” – Editing by Deji Laray
N.E.R.D & Rihanna – “Lemon” – Editing by Taylor Ward
Taylor Swift – “Look What You Made Me Do” – Editing by Chancler Haynes for Cosmo
Theater
Two queer artists ready to debut new operas at Kennedy Center
Works by JL Marlor, Omar Najmi part of American Opera Initiative
![](https://www.washingtonblade.com/content/files/2025/01/JL_Marlor_insert_by_Sy_Chounchaisit.jpg)
American Opera Initiative
Kennedy Center Terrace Theater
Jan. 18, 7 p.m. and 9 p.m.
$25.00 – $39.00
Kennedy-center.org
For those who find traditional opera off-putting or mired in the past, there’s the American Opera Initiative (AOI). Now in its 12th season, the Washington National Opera’s well-known program pairs composers and librettists who under mentorship spend months collaborating on new work, culminating with the premiere of three 20-minute operas.
Included in this year’s exciting group are queer artists JL Marlor and Omar Najmi. While these multi-taskers lend their composition talents to AOI, they are also performers and arts administrators. Marlor’s bio includes electric guitarist, and performer (she fronts the celebrated indie rock band Tenderheart Bitches), and Najmi divides most of his time writing music and performing as an operatic tenor.
Marlor and librettist Claire Fuyuko Bierman’s “Cry, Wolf” is a short yet probing opera about three males (a late teen and two college age) who are navigating some dark internet ideologies. The work explores how the red-pilled manosphere pipeline serves as spaces of community for some people.
“To me it’s a very timely piece inspired by an outlook that has consequences in the real world.” She adds, “We’ve heard a lot about how angry incels [involuntary celibates] think about women. I want to hear what incels think about themselves.”
While Marlor tends to gravitate toward more serious opera pieces, Fuyuko Bierman, whose background includes standup, tends toward humor.
“I think this work brought out the best in both of us. The libretto feels like a comedy until suddenly it doesn’t.”
Marlor was introduced to opera through osmosis. At her gay uncles’ house there was always music – usually Maria Callas or Beverly Sills. She appreciated grand opera but not with the same ardor of true buffs. But her relationship with opera changed dramatically while attending Smith College.
“I was lucky enough to have Kate Soper as my first composition teacher and saw her opera ‘Here Be Sirens’ as my first piece of modern opera. I was totally hooked.”
Originally from picturesque Beverly, Mass., Marlor now lives in Brooklyn with her partner and their very senior dog. For Marlor, coming out at 25 in 2017 wasn’t entirely smooth, but finding support among the many queer women in the world of classical music helped. And more recently, AOI has bolstered her confidence in continuing a career in the arts, she says.
Najmi and librettist Christine Evans’ opera is titled “Mud Girl.” Set against a post-apocalyptic, climate-affected world, it’s the story of a mother, daughter, and the daughter’s child Poly, created from toxic detritus, trying to navigate relationships.
“Most people go into opera without having had a ton of exposure. Often through musical theater or choir,” says Najmi, 37. In his case, he was pursuing a BFA in musical theater at Ithaca College. After an unanticipated internal transfer to the School of Music, where he transitioned from baritone to young gifted tenor, his interest veered toward opera.
While enjoying a performance career, he wrote his first opera on a whim. “And now,” he says “composition is my creative passion. Singing is more like a trade or sport. I love the action of doing it and practicing.”
In one of his recent operas, “Jo Dooba So Paar,” Najmi, who is half Pakistani American, draws specifically from personal experience, exploring how queer and Muslim don’t necessarily need to be conflicting identities. And while he grew up in liberal Boston in a secular environment, he still had insights into what it means to exist in two worlds. It’s a story he wanted to tell.
On a broader level, he says coming of age in the 1990s and aughts, on the cusp of homosexuality becoming normalized and accepted, created certain angsts. Today, his artist’s voice is drawn to the sentimentality that comes with unrequited longing.
What’s more, Najmi collaborates with his husband Brendon Shapiro. In 2022, the Boston-based couple co-founded Catalyst New Music, an organization dedicated to fostering, developing, and producing new works.
AOI’s three 20-minute operas will be led by conductor George Manahan and performed by Cafritz Young Artists on Jan. 18, at 7 p.m. and 9 p.m. in the Kennedy Center Terrace Theater.
Following their world premiere at the Kennedy Center, the three operas will travel to New York City in a co-presentation with the Kaufman Music Center. The Jan. 23 performance will mark AOI’s first appearance in New York City.
Music & Concerts
Gay Men’s Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
![](https://www.washingtonblade.com/content/files/2025/01/Postcards_split_insert_courtesy_GMCW.jpg)
The Gay Men’s Chorus of Washington will perform “Postcards,” a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures they’ve had and hope to have. Songs include “Midnight Train to Georgia,” “Streets of Dublin,” “Magic To Do,” “Home,” and “I Left My Heart in San Francisco.” Tickets cost $35 and can be purchased on Camp Rehoboth’s website.
![](https://www.washingtonblade.com/content/files/2022/10/rainbow_calendar_December_insert_by_Bigstock.jpg)
Friday, January 10
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, join their closed Facebook Group.
Go Gay DC will host “First Friday LGBTQ+ Community Happy Hour” at 7 p.m. at Puro Gusto. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, January 11
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Ms. Capital Pride will host “MAL Weekend Drag Brunch” at 12 p.m. at Baby Shank. Guests will enjoy a lively gathering full of joy, laughter, and connection. They will also indulge in food and drinks while enjoying dazzling performances and entertainment. Tickets are $27 and can be purchased on Eventbrite.
LGBTQ People of Color Support Group will be at 1 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.
Sunday, January 12
Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
DC9 Nightclub will host “Dance Club” at 8 p.m. at 1940 9th St., N.W. At this event, Jacq Jill and Flotussin will join Dance Club for the Sunday night closing party of MAL Weekend at DC9. The Baltimore staples will be joined by Dance Club resident DJs Baronhawk Poitier, Joyce Lim & Tommy C, plus Artemis on lights, to close out a jam-packed MAL 2025. Tickets start at $10 and can be purchased on Eventbrite.
Monday, January 13
Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, January 14
Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook page.
Wednesday, January 15
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, January 16
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
-
District of Columbia3 days ago
Teen gets probation in attack on gay man at 14th & U McDonald’s
-
Virginia5 days ago
Fire set at Arlington gay bar listed as arson
-
National5 days ago
Homophobe Anita Bryant dies at 84
-
Congress23 hours ago
Marjorie Taylor Greene calls Sarah McBride a ‘groomer’ and ‘child predator’ for reading to kids