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FALL ARTS 2018 DANCE: ‘Realm of the Jaguar’

Fall dance offerings range from freestyling contemporary works to classical standards

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dc fall dance 2018, gay news, Washington Blade

’SOMBRERISIMO’ with choreography by Annabelle Lopez Ochoa and music by Banda Ionica and Titi Robin is a ballet for six men who use a bowler hat to explore masculine identity set to flamenco guitar and Spanish rap in a ‘playful, sexy atmosphere.’ (Photo by Dean Alexander; courtesy Washington Ballet)

PrioreDance presents “Cirque De Nuit” at Atlas Performing Arts Center (1333 H St., N.E.) tonight (Friday, Sept. 14) at 8 p.m. Set during the times of traveling circuses, the dance follows a group of outcasts that come together inside and outside the circus tent. Tickets are $10. For more details, visit atlasarts.org.

National Museum of the American Indian (4th St., S.W. and Independence Ave., S.W.) presents “Realm of the Jaguar” on Sept. 22-23 from 10 a.m.-5 p.m. There will be a series of dance performances from Bolivia, Mexico and Guatemala honoring the jaguar. Attendees can also learn about mask making from Alex Vasquez and artistry from Carlos Chaclán Solís, who tells the story of the jaguars through ceramics. Free admission. For more information, visit nmai.si.edu.

City of Takoma Park presents “Sly Anansi: A Mini Musical” at Takoma Park Community Center (7500 Maple Ave., Takoma Park, Md.) on Sept. 22 at 1 p.m. The musical retells the West African folk tale about Anansi, the trickster spider who gets tricked himself. The performance features Caribbean dance with original choreography, African drumming, live music and audience participation. Admission is free. For more details, visit facebook.com/takomaparkmd.

The Washington Ballet offers its TWB Welcomes series with “Program A: Exquisite and Exotic” featuring “Serenade,” “Bolero” and three pas de deux Sept. 26, 27, 29 and 30. “Program B: Ethereal and Evocative” features “Les Sylphides,” “SOMBRERISIMO” and three pas de deux Sept. 28, 30 and 30. Its season continues with “Contemporary Masters,” “The Nutcracker” (more details below on that), “The Sleeping Beauty” and three world premieres. Full details at washingtonballet.org.

The D.C. Fall Salsa & Bachata Dance Festival is at the Westin Alexandria (400 Courthouse Square, Alexandria, Va.) on Sept. 27-Oct. 1. There will be more than 50 workshops and dance performances throughout the weekend. Theme parties will be held every night with salsa, bachata, zouk and kizomba rooms. Weekend passes are $169 and include access to workshops and parties. VIP weekend passes are $195 and includes a T-shirt and VIP seating for all performances. Passes only for workshops are $115. Daily passes range from $15-125. 

The AfroCuban D.C. Dance Festival is at the Capitol Quarter Community Center (1000 5th St., S.E.) on Oct. 6 from noon-2 a.m. There will be AfroCuban and folkloric dance and music workshops. Afterwards, there will be an after party. An all access class pass is $100. Individual classes are $20. For a complete list of workshops and instructors, go here

Gin Dance Company presents “The Story of Our Lives” at the CenterStage at Reston Community Center (2310 Colts Neck Rd., Reston, Va.) on Oct. 6 at 7:30 p.m. The performance will feature the premiere of “We, The Moon, The Sun,” a work by Artistic Director Shu-Chen Cuff which fuses Chinese Opera movements with modern dance. “200 Feet,” a dance performance inspired by author Jack Canfield, Gin Dance Company’s critically acclaimed piece “L.E.O.” and the storytelling performance “The Other Side” will also be included in the showcase. Tickets are $30. For more information, visit gindance.org.

Robert Fairchild joins Renée Fleming for “Voices,” a spotlight series, at the Kennedy Center (2700 F St., N.W.) on Oct. 12 at 7:30 p.m. Fairchild, known for portraying the lead role in “An American in Paris,” will perform songs and dance from “An American in Paris” and more. Tickets range from $59-69. For more details, visit kennedy-center.org.

Flamenco dancer and choreographer Eduardo Guerrero performs at George Mason University Center for the Arts (4400 University Dr., Fairfax, Va.) on Oct. 12 at 8 p.m. Guerreror will perform a mix of classical and contemporary Spanish dance and ballet. Tickets range from $30-50. For more information, visit cfa.calendar.gmu.edu.

Companhia de Dança Deborah Colker presents “Dog Without Feathers” at the Kennedy Center (2700 F St., N.W.) on Oct. 18-20. The performance is inspired by Brazilian author João Cabral de Melo Neto. Tickets range from $29-79. For more information, visit kennedy-center.org.

The San Francisco Ballet presents the East Coast premieres of works from “Unbound: A Festival” at the Kennedy Center (2700 F St., N.W.) Oct. 23-28. Program A will be performed Oct. 23-24 and 27-28. It will include works from Trey McIntyre, Christopher Wheeldon and David Dawson. Program B will be performed on Oct. 25-27 and includes works from Edwaard Liang, Cathy Marston and Justin Peck. Tickets range from $29-129. For more details, visit kennedy-center.org.

Dana Tai Soon Burgess debuts “Silhouettes” at the Nan Tucker McEvoy Auditorium in the Smithsonian’s National Portrait Gallery (8th St., N.W. and F St., N.W.) on Oct. 27 and Oct. 30 at 6:30 p.m. The dance performance is inspired by the National Portrait Gallery’s exhibit “Black Out: Silhouettes Then and Now,” an examination of the art form and its impact on American history and culture. This gay-helmed company is celebrating its 25th anniversary this year. For more information, visit dtsbdc.org.

“Demo by Damian Woetzel: Gathering” is at the Kennedy Center (2700 F St., N.W.)  on Oct. 29 at 7:30 p.m. Woetzel, a former New York City Ballet principal dancer, curates and hosts cross-genre performances. Tickets range from $49-59. For more details, visit kennedy-center.org.

Ragamala Dance Company presents “Written in Water” at the Kennedy Center (2700 F St., N.W.) Nov. 2-3. “Written in Water” is inspired by the Indian board game Paramapadam and combines dance, music, text and painting. There will be a free, pre-show interactive game-playing experience. Tickets are $30. For more details, visit kennedy-center.org.

“So You Think You Can Dance Live” comes to the Warner Theatre (513 13th St., N.W.) Nov. 3 at 8 p.m. Season 15’s top 10 finalists Hannahlei Cabanilla, Jay Jay Dixonbey, Chelsea Hough, Evan Debendedetto, Genessy Castillo, Cole Mills, Darius Hickman, Madalena Fialek, Slavic Pustovoytov and Jensen Arnold will perform along with the season 15 winners and America’s Favorite Dancers. All star guests will be announced. Doors open at 7 p.m. Tickets range from $57-87. For details, visit warnertheatredc.com.

The Washington Ballet presents “The Nutcracker” at Thearc Theater (1901 Mississippi Ave., S.E.) on Nov. 24 at 1 p.m. and 5:30 p.m. and Nov. 25 at 1 p.m. and 5:30 p.m. and the Warner Theatre (513 13th St., N.W.) from Nov. 29-Dec. 28. This version of the classic Christmas tale is set in Georgetown featuring the traditional “Nutcracker” characters and historical figures such as George Washington and King George III. Tickets for Thearc range from $30-55. Tickets for the Warner Theatre range from $32-125. For more information, visit washingtonballet.org.

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Music & Concerts

DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami

Pool party celebrates most charismatic personalities, creative artists in adult entertainment

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DJ Chanel Santini (Photo courtesy of Miss Lainie PR)

Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.

Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.

“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade. 

“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.

While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.” 

Santini loves how DJ-ing brings people together. 

“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”

 Santini describes DJs as the “modern rock stars” in today’s world. 

“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.

Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.

“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.” 

Santini acknowledged they felt respected more when dressed as a woman.

“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”

Recently, Santini has been embracing their feminine side more.

“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.” 

And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

Santini is already working on big plans for the future.

“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”

Santini plans to go “all out” for this show. 

“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”

Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.

“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”

Santini acknowledged that, in the recent past, it was a struggle.

“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”

In addition to being a DJ/artist, Santini is starting college next semester. 

“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”

Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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Washington chorale kicks off Christmas with vibrant program

‘Thine Own Sweet Light’ concerts planned

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(Photo by orson/Bigstock)

The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).

The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites. 

For more details, visit the Washington Master Chorale website.

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