Arts & Entertainment
Actress Katherine MacGregor remembered as ‘Little House’ villain Harriet Oleson
Larger-than-life grand dame of Walnut Grove showed depth on rare occasions
Katherine MacGregor as Mrs. Oleson, the villain fans loved to hate on ‘Little House on the Prairie.’ (Photo courtesy NBC)
When actress Alison Arngrim, best known as Nellie Oleson on “Little House on the Prairie” (1974-1983) came to Washington to do a book signing at (where else?) Nellie’s Sports Bar in 2011, I went to meet her and interviewed her for the Blade in advance of her appearance.
She was everything I’d hoped for and more. “Little House” was one of my favorite childhood TV shows and the outrageous Oleson family — father Nells (Richard Bull), mother Harriet (Katherine MacGregor), daughter Nellie and son Willie (Jonathan Gilbert; real-life brother to series star Melissa Gilbert) — were my favorites. The Ingalls family the show was centered on were just too loving, sickening and saccharine for me, even as a kid. The Olesons brought comedy relief, bitchiness and flair to the show — they were just the counterflavor the long-running series needed. You always knew which of the towns folk would be in any given “Little House” episode as they were credited only in the episodes in which they appeared after Mary, Laura and Carrie ran through the field (God, why did they never reshoot that opening over eight friggin’ years?). I always waited to eagerly to see if Harriet and Nellie would be in the episode at hand.
So it was with sadness but also happy memories that I heard last week that Katherine MacGregor died at age 93. Harriet and Nellie had places in the hearts of many gay men who love female villains. They’re cut from the same cloth as Pat Carroll’s Ursula, Margaret Hamilton’s Wicked Witch of the West, Glenn Close’s Marquise de Merteuil and scores of others. When my nieces and nephews were very young, they were baffled by my affinity for these types. It’s never been so much that they’re evil — they’re just so much more fabulous, larger than life and colorful than the anodyne protagonists.
Arngrim’s memoir “Confessions of a Prairie Bitch” is a hoot and should be required reading if you’re a “Little House” fan. We had such a fun time chatting for the Blade, I decided to see if I could track down MacGregor as well. I’d heard from Arngrim that MacGregor would sometimes do Oleson family sketches for fans and wanted to write to her and request one. I thought a hand-drawn sketch would be a fun “Little House” memento.
I got MacGregor’s Los Angeles address and packaged up a few sheets out of a sketch tablet, some black Sharpies, a nice stiff self-addressed and stamped return folder and a fan letter. I wanted to make it as easy as possible for Miss MacGregor so all she’d have to do would be open it up, draw her sketch, slip it in the mail and be done with it. I heard back from her a short time later. I did not get my sketch but what I got back was even better — a signed photo and a four-page (!) handwritten letter. I was flabbergasted that she would take the time to write at such length and her letter is priceless.
Initially, however, Miss MacGregor was not pleased. She found the large package I sent all this in cumbersome, unwieldy and difficult to open and sent my paper, pens and envelope back (hell, I wouldn’t have cared if she’d kept them).
“I do have a suggestion,” she wrote. “If you write to other celebrities, DO NOT send your request in such a gigantic envelope that fits NO mailbox at all!! And for me at any rate was almost impossible to open.” Naturally I heard Harriet’s voice in my head saying all this and felt dutifully chided. From this and other parts of her letter, you could just tell there was a lot of Harriet in Katherine — I’m not saying Katherine was a huge bitch in real life, but the easily exasperated, crusty exterior was there.
Arngrim would say as much in her book as well. Melissa Gilbert wrote on Instagram of how “loving and nurturing she was with the younger cast.” A funny snapshot of the real Katherine is her appearance on a heroes vs. villains episode of “Family Feud” from the early ‘80s. It’s on DVD and gives you a feel for how she carried herself out of character.
The crux of the letter itself, however, was warm. She reminisced about “Little House” cast members who’d died, sent me a picture of her dog, told me about her aches and pains and shared a vaguely cryptic note I was left to interpret: “Just to let you know — I have written my own memoir telling the TRUTH about my career and life. I didn’t have to MAKE IT UP or make up anyone else’s life as some do when they write their memoirs.” Hmmmm. She also declined my request for a Blade interview.
Some may argue Harriet was a one-note role played shrilly and broadly. About 10 years ago, on a whim, I dove into “Little House” season five and couldn’t really stomach it. There seemed no nuance and I didn’t like the storyline of the whole town being forced out of Walnut Grove. But just about a month ago I gave season six a try and am discovering again why I loved the show so much. Nobody ever talks about it, but there were a few moments throughout the series when Harriet exhibited humanity and depth. She has a lovely scene in the season six episode “The Preacher Takes a Wife,” when she and a former fiancé reconnect. Sure, 99 percent of the time, she was Walnut Grove’s version of Miss Gulch, but when tragedy hit, Harriet could rise to the occasion. Actor Dean Butler (Almanzo) gave an insightful comment in one of the DVD season six extras — “Little House” is not literal; it’s a child’s (i.e. Laura’s) perspective. That clicked for me and I appreciated MacGregor and Arngrim’s work even more.
But MacGregor deserved more. She was never nominated for an Emmy, never got any industry recognition and never did any further acting after “Little House.” Betty White, Carol Burnett and Lucille Ball were all wonderful, of course, but there are so many female comedians on hit ‘70s and ‘80s shows who got next to nothing — MacGregor, Polly Holliday (Flo on “Alice”) or Nell Carter (“Gimme a Break!”) and many others. Thankfully their work lives on via DVD. And what great work it was.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
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