Arts & Entertainment
INTO apologizes for publishing ‘anti-queer’ Ariana Grande critique
The publication says it has cut ties with the writer

Ariana Grande in ‘thank u, next’ music video. (Screenshot via YouTube)
LGBT website INTO, which is owned by the app Grindr, has apologized for publishing a think-piece on Ariana Grande’s “thank u, next” music video which deemed the video “surprisingly anti-queer.”
“thank u, next” became a viral sensation with the biggest debut ever on YouTube. People were clicking to see the references to Grande’s exes and to watch nostalgic recreations of the popular rom-com flicks “13 Going on 30,” “Bring It On,” “Legally Blonde” and “Mean Girls.”
Writer and transgender activist Eli Erlick wasn’t impressed by the video. In an op-ed penned for INTO, Erlick claims that the story is ultimately an “anti-queer/transmisogynistic video.”
“Her music video failed to support the basic dignity of queer and trans people,” the story reads. “Laden with transmisogyny, anti-queer jokes, and blackface, the video follows Ariana’s white feminist awakening through a celebrity-laden nod to several cult classics.”
Erlick cites moments from the video to validate these points. In one scene, Erlick says that a man in drag was meant to mock transgender women. In another scene singer Troye Sivan says of Grande “I heard she’s a lesbian now and dating some chick called Aubrey. It’s fucking sick.” The quote is a homage to a similar scene from “Mean Girls.” Erlick believed that the line was homophobic.
The end scene with Kris Jenner yelling “Thank you, next, bitch” was also criticized as a call out to Caitlyn Jenner.
“She simply shouts ‘Thank you, next, bitch!’ while holding a camera — the final line of the music video. As ‘bitch’ is generally directed at women and ‘thank you, next’ is in reference to relationships, this is likely aimed at Caitlyn Jenner… Perhaps this is in reference to Caitlyn’s far-right politics. Perhaps it’s a jab at her trans identity. We can’t be sure unless Kris Jenner speaks out about the line,” Erlick writes.
The take was confusing for many people including Sivan.
This literally can’t be real I’m scream
— troye (@troyesivan) December 3, 2018
I’m sorry but this is the farthest reaching article I’ve read in my whole entire life. Like realllllly trying to make something from absolutely nothing. Wild ?
— TATIANNA (@TATIANNANOW) December 4, 2018
I’m sorry but claiming that Kris Jenner was referring to Caitlin Jenner when she said thank u, next is the biggggggest reach.
— CAnnedy Cane HOHOHO’Hara ??? (@annelizaohara) December 4, 2018
This article is completely absurd… and should be removed immediately… ???? @ArianaGrande is nothing but respectful to the LGBT community. And to try to save this writer’s take is awful.
— La Princesa de Chapultepec (@Ricardo_Peralta) December 4, 2018
After the negative backlash, INTO removed the author’s name from the op-ed saying that the author had received “numerous death threats.”
“While I could go into the HOW/WHY of why the piece missed the mark and should not have been published as is, what I am going to focus on is this: We as editors failed the writer by not working with her to ensure the piece met our standards,” INTO Editor-in-Chief Zach Stafford wrote in a post.“We have decided to remove the author’s name from this piece after the editorial team was alerted that a high number of death threats were being made against the writer as a result of the opinions presented in this piece,” reads the editor’s note.“These opinions never warrant violence, and when a writer’s own life could potentially be at stake, we must take necessary steps to ensure their safety.”
On Tuesday, Stafford posted another update that the publication had cut ties with the writer over “concerning allegations.”
“Given the seriousness of these allegations, I personally spoke with the writer and immediately launched an internal investigation,” Stafford writes. “INTO was not aware of these until Monday after publishing. And the writer will not be contributing to INTO for the time being.
Stafford did not specify what the allegations are.
The Ariana Grande story is still currently published on INTO’s website.
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
Photos
PHOTOS: Capital Pride Festival and Concert
Annual LGBTQ celebration held on Pennsylvania Ave.
The 2026 Capital Pride Festival was held on Pennsylvania Ave. on Sunday, June 21.
(Washington Blade photos by Michael Key and Landon Shackelford)










































The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































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