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‘Queer Eye’ star Bobby Berk feuds with Meghan McCain over Green New Deal

The interior designer called out ‘The View’ panelist for ‘spreading lies’

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Bobby Berk. (Screenshot via YouTube)

“Queer Eye” star Bobby Berk went head to head with “The View” panelist Meghan McCain on Twitter over the Green New Deal, the progressive proposed legislation from Sen. Ed Markey (D-Mass.) and Rep. Alexandria Ocasio-Cortez (D-N.Y.) which aims to tackle climate change and economic inequality.

On a recent episode of “The View,” McCain brought up Republican concerns with the Green New Deal to guest Washington governor and 2020 presidential candidate Jay Inslee (D).

McCain claimed that the Green New Deal “would cost $93 trillion or, to every person in this room, $600,000 for each of your households.”

“We’re talking about $51 trillion, the elimination of planes, the elimination of cows, a railway, no planes. I guess nobody can go to Hawaii anymore,” she added.

Inslee responded that McCain’s information is incorrect and cited President Donald Trump as the source for the incorrect information.

“Let’s get this straight: That is not what’s proposed in the Green New Deal,” Inslee told McCain.

Berk noticed the exchange and called out McCain for being “everything wrong with journalism.”

McCain responded: “I am NOT a journalist, it makes me sad and scared so many people confuse this. I am a conservative political commentator – I represent the most conservative point of view in the country, which is my job every day on The View.”

“Blatant lies are not a point of view honey! There are just a way to rile the base just like Trump does. I used to have a lot of respect for you and not lump you on with the likes of him, but you were literally repeating his lies and are becoming no better,” Berk shot back.

McCain replied that she was “pointing out the financial implications” of the deal. She signed off by saying she won’t be watching “Queer Eye” anymore.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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