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Pink Martini braintrust Thomas Lauderdale teams up with Meow Meow for new album, mini-tour

Duo brings show to Washington March 25

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thomas lauderdale interview, Pink Martini, gay news, Washington Blade
Thomas Lauderdale says his collaboration with Meow Meow has resulted in some of the greatest musical collaborations he’s ever done. (Photo by Preston Thalindroma; courtesy Sacks and Co.)

Meow Meow and Thomas Lauderdale
Monday, March 25
Lincoln Theatre
1215 U St., N.W.
8 p.m.
$35

Thomas Lauderdale (the Pink Martini bandleader) and musical gal pal Meow Meow go way back. Their new joint album “Hotel Amour” took about 10 years to make. 

Out today (March 22) on Heinz Records, “Hotel” features originals and international standards in French, German and more, on a mood journey through bittersweet tragedy, humor, politics and more.

They opened a 10-city mini-tour this week in California and play Washington on Monday, March 25. Lauderdale, in his first interview with the Blade since 2013, spoke by phone Monday from his Portland home. His comments have been edited for length.

WASHINGTON BLADE: I understand you and Meow have been recording off and on for several years. How did it work out that now was the time for the record?

THOMAS LAUDERDALE: At the time we started recording this, people were still selling albums, selling CDs and records and of course, as the years have passed, that landscape has changed so we decided we were going to go ahead and release it before that goes any further, before the possibility of selling a single record is lost. Also the timing seemed right in terms of all the collaborations we hoped for. They kind of came together magically in the last year. 

BLADE: Will there be a vinyl?

LAUDERDALE: There will be and hopefully we’ll have the vinyl in hand by the time we hit D.C. It should be here any day now. 

BLADE: Vinyl is pretty hot now. You really think the album form will eventually die?

LAUDERDALE: Yeah, I do. I think physical objects in our culture are becoming scarcer and scarcer and as the population shifts, the new generation is not used to touching things so there will be more virtual of everything. I feel like a dinosaur. All the things I like are disappearing.

BLADE: How many LPs do you own?

LAUDERDALE: I don’t know. Thousands probably. I also have 78s. I’ll take a photo and send it to you. … I much prefer records to CDs any day. This (album) sounds better on record. It was largely recorded on analog so it’s gonna sound better on vinyl than any other medium.

BLADE: How would you characterize your musical chemistry with Meow Meow?

LAUDERDALE: I’m not a songwriter … but writing with Meow Meow is the easiest of all the collaborations I’ve ever had. We just sort of sit down and start writing. I come up with a melody and she comes up with lyrics and there’s never any problem. It’s just effortless and I totally trust her taste and her aesthetic. We have different tastes but somehow it comes together in a really great way and we save each other from our worst instincts.

BLADE: What do (Pink Martini lead singers) Storm (Large) and China (Forbes) think of this? Are they jealous?

LAUDERDALE: I don’t know, I haven’t asked. … Whenever we all perform together, it never feels like a competition. We all support each other and recognize each other’s genius.

BLADE: Are you gonna perform the whole record?

LAUDERDALE: We’ll mix in other stuff. There’s a melancholy aspect to it, some are quiet and introspective, which is not really how Meow is in performance. A Meow performance is maybe the wildest and funniest show I’ve ever seen. People laugh so hard … but the album is more contemplative. If the album was like a Meow show, I think it would be like a disco record. It would have a certain shelf life.

BLADE: Is that a common concern? There are certainly raucous classic albums but what’s streaming through your house on Pandora while you’re cooking dinner isn’t necessarily the cacophony you’re down for at a live show.

LAUDERDALE: Yeah, it’s a constant sort of quandary. Over the years, I feel like I’ve always been able to sort of slow things down in recording ‘cause live, there’s a tendency to play faster and louder. On a record, that can make the listener feel anxious. It’s something I’m aware of. We need more beauty, not more noise to compete with.

BLADE: How did you and Rufus (Wainwright, who sings on the record) get so chummy? 

LAUDERDALE: I met him in 1995 when he was doing his first show in Portland … and it’s been amazing to watch him progress and become more himself as the decades passed. Whenever he comes to town, if I’m in town, we have a dinner party or a cocktail party or take him berry picking on the nude beach. He’s such a genius.

BLADE: Are you still with Philip (Iosca)?

LAUDERDALE: No. Phil and I were together almost a decade. He would say I did too many drugs and I would say he was too mean to my friends so we were kind of incompatible. We tore out all the walls in my 1859 building in downtown Portland and built a new inside. This was a three-year process. At the end, he moved back in and that lasted just a few months and then he left. He won’t speak to me.

BLADE: Are you with anyone now?

LAUDERDALE: Yeah, I have a new partner named Hunter Noack and he’s a pianist as well. He’s got an incredible project where he takes 9-foot Steinways out into the wild and people listen through wireless headphones and wander the landscape. It’s really astonishing.

BLADE: Did you eve get a TV? 

LAUDERDALE: No. Life is so interesting. If I turn on the TV in a hotel room, it sucks you in and there’s nothing worthwhile except maybe an animal show.

BLADE: Don’t you feel out of the loop culturally if everybody’s talking about a hot show you’ve never seen? 

LAUDERDALE: No. I don’t think my friends watch TV either. There’s so much to do, to read, who has time for TV? 

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Music & Concerts

Pianist Jeremy Denk to play George Mason

Soloist performs Beethoven’s Piano Concerto No. 4 alongside FSO

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Pianist Jeremy Denk (Photo by Shervin Lainez)

The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk — one of America’s foremost pianists—on Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethoven’s Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of “She Dreams of Flying” by American composer Quinn Mason, and Rachmaninoff’s Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).

A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain. 

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Music & Concerts

Lana Del Rey, Katy Perry plan fall releases

A Fleetwood Mac live album, more Joni archives among vintage options

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Dolly Parton’s ‘Smoky Mountain DNA’ is slated for a Nov. 15 release. (Image courtesy Owepar Entertainment)

Paris Hilton released her “Infinite Icon” album on Sept. 6. It’s just the second effort following a massive hiatus — her debut album “Paris” was released way back in 2006. Sia produces. This summer’s “I’m Free” was the first single. A tour is planned. Hilton promised a “heavily gay-leaning release.”

Miranda Lambert’s “Postcards from Texas” is slated to drop today. Lambert’s 10th studio album was preceded by the May release of single “Wranglers,” which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the project’s 14 cuts. 

Katy Perry’s “143” is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single “Woman’s World” stalled at No. 63 on the Billboard Hot 100. Follow-up “Lifetimes” failed to crack the Hot 100 at all. 

Fleetwood Mac releases “Mirage Tour ’82” on Sept. 20. It includes six tracks previously unreleased including “Don’t Stop,” “Dreams,” “Never Going Back Again,” “Sara” and more. Available on double CD, triple vinyl and digitally.  

Volume four of Joni Mitchell’s “Archives” series dubbed “The Asylum Years: 1976-1980” releases Oct. 4. It’s being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe. 

Sophie B. Hawkins releases her “Whaler Re-Emerging” album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original. 

Joe Jonas’s “Music for People Who Believe in Love” and Shawn Mendes’s “Shawn” are both set for Oct. 18 releases. Jonas’s album (his first solo effort since 2011’s “Fastlife”) will feature songwriting he says is of a more personal nature. Billboard called it “unvarnished” but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single “Work It Out” was released over the summer and failed to chart. 

“Shawn” will be Mendes’s first album since 2020’s “Wonder,” the tour of which he cancelled citing mental health. Two singles — “Why Why Why” and “Isn’t That Enough” — have been released. The former stalled at no. 84 on the Hot 100. He has called the album his “most musically intimate and lyrically honest work to date.” 

Lana Del Rey’s “Lasso” is expected for a possible fall release, although some sources say it’s been bumped to early 2025. No date had been announced as of yet. She’s apparently going the Beyonce route and releasing a straight-up country album. 

Dolly Parton plans a Nov. 15 release for “Smoky Mountain DNA — Family, Faith & Fables.” Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Parton’s familial roots. One song (“A Rose Won’t Fix It”) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album “Hungry Again.” An extremely limited-edition triple vinyl release is also planned. 

Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing.  

(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)

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Music & Concerts

Fall concerts feature Sivan, Eilish, Lauper, more

Ndegeocello pays tribute to Baldwin at Strathmore next month

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Sigur Ros plays the Anthem this month. Frontman JONSI (center) is gay. (Photo by Chloe Kritharas; courtesy motormouthmedia)

Sigur Ros will be joined by the Wordless Music Orchestra at the Anthem (901 Wharf St., S.W.) on Wednesday, Sept. 25th. They’re continuing their 2023 tour in support of “Atta,” their first LP of original music in a decade. Frontman Jonsi is gay. Tickets are $60.50-173.50 for this seated show. 

Troye Sivan brings the “Sweat Tour” with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. It’s sold out. The latter is touring behind her 2024 album “Brat.” The former is touring behind his 2023 album “Something to Give Each Other.” Sivan is gay and has performed at Capital Pride. 

Cyndi Lauper brings her “Girls Just Wanna Have Fun Farewell Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. It’s her first solo arena stateside tour since her ’86-’87 “True Colors World Tour.” Lauper is a longtime and avid LGBTQ ally. 

St. Vincent brings her “All Born Screaming Tour” to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it “minimalist” and said “with no video screens, backup singers or sketches, and a lot of electric guitar, it’s the purest distillation of St. Vincent we’ve had on stage in quite a few years.” Anne Erin Clark (aka St. Vincent) doesn’t identify as anything sexually but has mostly dated women in recent years. 

Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.

Out singer/songwriter Perfume Genius brings his “Too Bright 10th Anniversary Tour” to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. It’s sold out. 

Meghan Trainor brings “The Timeless Tour” to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. She’s touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show. 

Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ’90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As she’s done on tour with previous re-releases, Grant could include more songs than usual from her 1994 “House of Love” album, which was just released in an expanded edition and on LP for the first time. Tickets are $95. 

Sara Bareilles, a self-described LGBTQ ally,  joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. It’s sold out. 

Billie Eilish brings her “Hit Me Hard and Soft: the Tour” to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although she’s mostly dated guys publicly, Eilish identifies as bi. It’s sold out. 

Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed “No More Water: the Gospel of James Baldwin” and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, “The Gospel of Meshell Ndegeocello” is free but advanced registration is required. Tickets for the concert are $28-74. 

Former Capital Pride headliner Betty Who (“queer/bi” herself) brings her “An Acoustic Evening in Celebration of 10 years of TMWYG” to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. It’s a nod to her 2014 debut album “Take Me When You Go.” 

Justin Timberlake brings his “Forget Tomorrow World Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album “Everything I Thought it Was.” Reviews for the tour have been strong; the setlist looks career-spanning and generous. It’s sold out. 

Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80. 

’80s pop sensation Debbie Gibson brings her “Acoustic Youth: Songs & Stories from Electric Youth Era” to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album “Electric Youth,” her second. She’ll accompany herself on piano playing the songs “the way I first wrote them.” 

DJ/producer Diplo, who says he’s “not not gay,” plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60. 

Motown diva Diana Ross brings her “Beautiful Love Performances Legacy Tour” to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album “Thank You” (her latest), her setlist has not changed much in 15 years. She’s a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102. 

The Life and Music of George Michael” comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55. 

Sapphic Factory: Queer Joy Party” is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. It’s slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23. 

Kacey Musgraves brings her “Deeper Well World Tour” to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. It’s sold out. 

Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasn’t had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95. 

(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)

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