Music & Concerts
Pink Martini braintrust Thomas Lauderdale teams up with Meow Meow for new album, mini-tour
Duo brings show to Washington March 25

Meow Meow and Thomas Lauderdale
Monday, March 25
Lincoln Theatre
1215 U St., N.W.
8 p.m.
$35
Thomas Lauderdale (the Pink Martini bandleader) and musical gal pal Meow Meow go way back. Their new joint album “Hotel Amour” took about 10 years to make.
Out today (March 22) on Heinz Records, “Hotel” features originals and international standards in French, German and more, on a mood journey through bittersweet tragedy, humor, politics and more.
They opened a 10-city mini-tour this week in California and play Washington on Monday, March 25. Lauderdale, in his first interview with the Blade since 2013, spoke by phone Monday from his Portland home. His comments have been edited for length.
WASHINGTON BLADE: I understand you and Meow have been recording off and on for several years. How did it work out that now was the time for the record?
THOMAS LAUDERDALE: At the time we started recording this, people were still selling albums, selling CDs and records and of course, as the years have passed, that landscape has changed so we decided we were going to go ahead and release it before that goes any further, before the possibility of selling a single record is lost. Also the timing seemed right in terms of all the collaborations we hoped for. They kind of came together magically in the last year.
BLADE: Will there be a vinyl?
LAUDERDALE: There will be and hopefully we’ll have the vinyl in hand by the time we hit D.C. It should be here any day now.
BLADE: Vinyl is pretty hot now. You really think the album form will eventually die?
LAUDERDALE: Yeah, I do. I think physical objects in our culture are becoming scarcer and scarcer and as the population shifts, the new generation is not used to touching things so there will be more virtual of everything. I feel like a dinosaur. All the things I like are disappearing.
BLADE: How many LPs do you own?
LAUDERDALE: I don’t know. Thousands probably. I also have 78s. I’ll take a photo and send it to you. … I much prefer records to CDs any day. This (album) sounds better on record. It was largely recorded on analog so it’s gonna sound better on vinyl than any other medium.
BLADE: How would you characterize your musical chemistry with Meow Meow?
LAUDERDALE: I’m not a songwriter … but writing with Meow Meow is the easiest of all the collaborations I’ve ever had. We just sort of sit down and start writing. I come up with a melody and she comes up with lyrics and there’s never any problem. It’s just effortless and I totally trust her taste and her aesthetic. We have different tastes but somehow it comes together in a really great way and we save each other from our worst instincts.
BLADE: What do (Pink Martini lead singers) Storm (Large) and China (Forbes) think of this? Are they jealous?
LAUDERDALE: I don’t know, I haven’t asked. … Whenever we all perform together, it never feels like a competition. We all support each other and recognize each other’s genius.
BLADE: Are you gonna perform the whole record?
LAUDERDALE: We’ll mix in other stuff. There’s a melancholy aspect to it, some are quiet and introspective, which is not really how Meow is in performance. A Meow performance is maybe the wildest and funniest show I’ve ever seen. People laugh so hard … but the album is more contemplative. If the album was like a Meow show, I think it would be like a disco record. It would have a certain shelf life.
BLADE: Is that a common concern? There are certainly raucous classic albums but what’s streaming through your house on Pandora while you’re cooking dinner isn’t necessarily the cacophony you’re down for at a live show.
LAUDERDALE: Yeah, it’s a constant sort of quandary. Over the years, I feel like I’ve always been able to sort of slow things down in recording ‘cause live, there’s a tendency to play faster and louder. On a record, that can make the listener feel anxious. It’s something I’m aware of. We need more beauty, not more noise to compete with.
BLADE: How did you and Rufus (Wainwright, who sings on the record) get so chummy?
LAUDERDALE: I met him in 1995 when he was doing his first show in Portland … and it’s been amazing to watch him progress and become more himself as the decades passed. Whenever he comes to town, if I’m in town, we have a dinner party or a cocktail party or take him berry picking on the nude beach. He’s such a genius.
BLADE: Are you still with Philip (Iosca)?
LAUDERDALE: No. Phil and I were together almost a decade. He would say I did too many drugs and I would say he was too mean to my friends so we were kind of incompatible. We tore out all the walls in my 1859 building in downtown Portland and built a new inside. This was a three-year process. At the end, he moved back in and that lasted just a few months and then he left. He won’t speak to me.
BLADE: Are you with anyone now?
LAUDERDALE: Yeah, I have a new partner named Hunter Noack and he’s a pianist as well. He’s got an incredible project where he takes 9-foot Steinways out into the wild and people listen through wireless headphones and wander the landscape. It’s really astonishing.
BLADE: Did you eve get a TV?
LAUDERDALE: No. Life is so interesting. If I turn on the TV in a hotel room, it sucks you in and there’s nothing worthwhile except maybe an animal show.
BLADE: Don’t you feel out of the loop culturally if everybody’s talking about a hot show you’ve never seen?
LAUDERDALE: No. I don’t think my friends watch TV either. There’s so much to do, to read, who has time for TV?
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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