Arts & Entertainment
Tony Award nominations 2019 announced
‘Hadestown, ‘Ain’t Too Proud to Beg’ lead the pack

The 2019 Tony Award nominations were unveiled by Brandon Victor Dixon, Bebe Neuwirth and Gayle King on Tuesday.
“Hadestown,” the folk-opera that sets the myth of Orpheus and Eurydice during the Great Depression era, earned the most nominations with 14. “Ain’t Too Proud,” a musical based on the story of The Temptations, came in second with 12 nominations.
“The Prom,” the musical about a teenage girl whose high school refuses to let her take her girlfriend to prom, received seven nominations including Best Musical. Caitlin Kinnunen, who recently came out that she is dating a woman, was nominated for Best Performance by an Actress in a Leading Role in a Musical for her role in “The Prom.”
Harvey Fierstein’s “Torch Song” and “The Boys in the Band” by Matt Crowley were both nominated for Best Revival of a Play.
Out playwright Tarell Alvin McCraney, who penned the play “In Moonlight Black Boys Look Blue” which he also adapted into the Academy Award-winning “Moonlight,” also scored a nomination for Best Play for his play “Choir Boy.”
Actress Judith Light will also be honored with the 2019 Isabelle Stevenson Award for her LGBTQ rights activism and advocacy in the fight against HIV/AIDS.
The 73rd annual Tony Awards, hosted by James Corden, will air from Radio City Music Hall in New York City on June 9 on CBS.
Best Musical
“Ain’t Too Proud—The Life and Times of The Temptations”
“Beetlejuice”
“Hadestown”
“The Prom”
“Tootsie”
Best Play
“Choir Boy” by Tarell Alvin McCraney
“The Ferryman” by Jez Butterworth
“Gary: A Sequel to Titus Andronicus” by Taylor Mac
“Ink” by James Graham
“What the Constitution Means to Me” by Heidi Schreck
Best Revival of a Musical
“Kiss Me, Kate”
Rodgers and Hammerstein’s “Oklahoma!”
Best Revival of a Play
Arthur Miller’s “All My Sons”
“The Boys in the Band” by Mart Crowley
“Burn This”
“Torch Song” by Harvey Fierstein
“The Waverly Gallery” by Kenneth Lonergan
Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas- “The Prom”
Derrick Baskin- “Ain’t Too Proud”
Alex Brightman- “Beetlejuice”
Damon Daunno- “Oklahoma!”
Santino Fontana- “Tootsie”
Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block- “The Cher Show”
Caitlin Kinnunen- “The Prom”
Beth Leavel- “The Prom”
Eva Noblezada- “Hadestown”
Kelli O’Hara- “Kiss Me, Kate”
Best Performance by an Actor in a Leading Role in a Play
Paddy Considine- “The Ferryman”
Bryan Cranston- “Network”
Jeff Daniels- “To Kill a Mockingbird”
Adam Driver- “Burn This”
Jeremy Pope- “Choir Boy”
Best Performance by an Actress in a Leading Role in a Play
Annette Bening- Arthur Miller’s “All My Sons”
Laura Donnelly- “The Ferryman”
Elaine May- “The Waverly Gallery”
Janet McTeer- “Bernhardt/Hamlet”
Laurie Metcalf- “Hillary and Clinton”
Heidi Schreck -“What the Constitution Means to Me”
Best Book of a Musical
“Ain’t Too Proud”- Dominique Morisseau
“Beetlejuice”- Scott Brown and Anthony King
“Hadestown”- Anaïs Mitchell
“The Prom” – Bob Martin and Chad Beguelin
“Tootsie” -Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theater
“Be More Chill” -Joe Iconis
“Beetlejuice” – Eddie Perfect
“Hadestown”- Anaïs Mitchell
“The Prom”- Matthew Sklar and Chad Beguelin
“To Kill a Mockingbird”- Adam Guettel
“Tootsie” -David Yazbek
Best Direction of a Musical
Rachel Chavkin- “Hadestown”
Scott Ellis- “Tootsie”
Daniel Fish- “Oklahoma!”
Des McAnuff- “Ain’t Too Proud”
Casey Nicholaw- “The Prom”
Best Direction of a Play
Rupert Goold- “Ink”
Sam Mendes- “The Ferryman”
Bartlett Sher- “To Kill a Mockingbird”
Ivo van Hove- “Network”
George C. Wolfe- “Gary: A Sequel to Titus Andronicus”
Best Performance by an Actor in a Featured Role in a Musical
Andre De Shields- “Hadestown”
Andy Grotelueschen- “Tootsie”
Patrick Page- “Hadestown”
Jeremy Pope- “Ain’t Too Proud”
Ephraim Sykes- “Ain’t Too Proud”
Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper- “Tootsie”
Amber Gray- “Hadestown”
Sarah Stiles- “Tootsie”
Ali Stroker- “Oklahoma!”
Mary Testa- “Oklahoma!”
Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel- “Ink”
Robin De Jesús- “The Boys in the Band”
Gideon Glick- “To Kill a Mockingbird”
Brandon Uranowitz- “Burn This”
Benjamin Walker- Arthur Miller’s “All My Sons”
Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan- “The Ferryman”
Celia Keenan-Bolger- “To Kill a Mockingbird”
Kristine Nielsen- “Gary: A Sequel to Titus Andronicus”
Julie White- “Gary: A Sequel to Titus Andronicus”
Ruth Wilson- “King Lear”
Best Choreography
Camille A. Brown- “Choir Boy”
Warren Carlyle- “Kiss Me, Kate”
Denis Jones- “Tootsie”
David Neumann- “Hadestown”
Sergio Trujillo- “Ain’t Too Proud”
Best Orchestrations
Michael Chorney and Todd Sickafoose- “Hadestown”
Larry Hochman- “Kiss Me, Kate”
Daniel Kluger- “Oklahoma!”
Simon Hale- “Tootsie”
Harold Wheeler- “Ain’t Too Proud”
Best Scenic Design of a Musical
Robert Brill and Peter Nigrini- “Ain’t Too Proud”
Peter England- “King Kong”
Rachel Hauck- “Hadestown”
Laura Jellinek- “Oklahoma!”
David Korins- “Beetlejuice”
Best Scenic Design of a Play
Miriam Buether- “To Kill a Mockingbird”
Bunny Christie- “Ink”
Rob Howell- “The Ferryman”
Santo Loquasto- “Gary: A Sequel to Titus Andronicus”
Jan Versweyveld- “Network”
Best Costume Design of a Musical
Michael Krass- “Hadestown”
William Ivey Long- “Beetlejuice”
William Ivey Long- “Tootsie”
Bob Mackie- “The Cher Show”
Paul Tazewell- “Ain’t Too Proud”
Best Costume Design of a Play
Rob Howell- “The Ferryman”
Toni-Leslie James- “Bernhardt/Hamlet”
Clint Ramos- “Torch Song”
Ann Roth- “Gary: A Sequel to Titus Andronicus”
Ann Roth- “To Kill a Mockingbird”
Best Sound Design of a Musical
Peter Hylenski- “Beetlejuice”
Peter Hylenski- “King Kong”
Steve Canyon Kennedy- “Ain’t Too Proud”
Drew Levy- “Oklahoma!”
Nevin Steinberg and Jessica Paz- “Hadestown”
Best Sound Design of a Play
Adam Cork- “Ink”
Scott Lehrer- “To Kill a Mockingbird”
Fitz Patton- “Choir Boy”
Nick Powell- “The Ferryman”
Eric Sleichim- “Network”
Best Lighting Design of a Musical
Kevin Adams- “The Cher Show”
Howell Binkley- “Ain’t Too Proud”
Bradley King- “Hadestown”
Peter Mumford- “King Kong”
Kenneth Posner and Peter Nigrini- “Beetlejuice”
Best Lighting Design of a Play
Neil Austin- “Ink”
Jules Fisher and Peggy Eisenhauer- “Gary: A Sequel to Titus Andronicus”
Peter Mumford- “The Ferryman”
Jennifer Tipton- “To Kill a Mockingbird”
Jan Versweyveld and Tal Yarden- “Network”
Anja Dick will host “Song Birds – Live Music Drag Cabaret” on Saturday, Aug. 15 at 9 p.m. at Shaw’s Tavern.
This is an all live singing drag hit sensation. The event will debut performances from Breast Midler and Harri Balls.
Tickets start at $17.85 and are available on Eventbrite.
Friday, August 14
Go Gay DC will host “First Friday LGBTQ+ Happy Hour” at 7 p.m. at Freddie’s Beach Bar and Restaurant.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Women in their Twenties and Thirties will meet at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, visit Facebook.
Saturday, August 15
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.
Sunday, August 16
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, August 17
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, August 18
“Self-Defense Class with Avi Rome” will be at 12:30 p.m. Rome is a proud member of the LGBTQ+ community and a full-time Martial Arts instructor with 25 years of teaching experience. He holds a 5th Degree Black Belt in Jhoon Rhee Tae Kwon Do and is the director of the studio’s Adaptive Tae Kwon Do program for students with special needs. He has also run numerous self-defense workshops for various groups and situations. For more details, visit the center’s website.
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Wednesday, August 19
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, August 20
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
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