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Gay pop duo drop new song and video, ‘No Prince Charming’

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Fab the Duo (Photo Credit: Matt Monath)

Gay New York rockers Fab the Duo have released a brand new song and video, following up their 2019 viral hit “I Want A Man” with “No Prince Charming,” which dropped on Friday.

Fab the Duo is a biracial glam pop-rock duo comprised of Greg Driscoll and Brendan Eprile, who are also a real-life couple that met on Tinder. Describing themselves as a “modern day Sonny and Cher (but we’re both Cher),” they say they are aiming to change the cultural narrative about love in the LGBTQ space.

“We’re two men in a healthy relationship not afraid to sing about being gay,” the duo says in a press release. “Our main goal is to be the heroes we never had growing up. There’s no shame in being authentic and loving who you want. In short, our love is resistance.”

The pair’s new release is an upbeat empowerment anthem that assures listeners, “I don’t need no Prince Charming to save me/I don’t need no dragon just to slay,” because “all I need is me.”

The musicians explain, “‘No Prince Charming’ is about realizing your own worth and knowing you don’t need anyone but yourself to make you happy. Even though we’re a couple, we’re also very strong individuals and we wouldn’t be able to be together if we weren’t confident in who we are.”

They go on to add, “Finding love in the gay community can be super hard – we’re often separated into obscure groups divided by race or body type. It can be superficial and demeaning. Everyone needs to be reminded that they’re fabulous and deserve nothing but the best.”

“No Prince Charming” features superstar rapper Mariahlynn. On working with her, Fab the Duo says, “Having someone so talented and influential in the studio with us collaborating on our song was the best feeling in the world. We’ve been obsessed with her song ‘Once Upon A Time’ because, in a slut-shaming world, it takes a lot of guts for a woman to proudly admit that ‘she was a hoe.’”

I Want A Man” earned Fab The Duo a reputation for catchy melodies and visually bold scenery and “No Prince Charming” is a continuation of this legacy. An EP from the duo is expected later this in 2020.

You can watch the video for “No Prince Charming” below.

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Music & Concerts

DC Different Drummers Jazz Band to perform ‘Oasis’

Performance by combo ‘2nd Independence’ scheduled

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The DC Different Drummers Jazz Band will perform on Sunday, Oct. 16 at 3 p.m. at Martin Luther King Jr. Memorial Central Library.

This concert, titled “The Oasis,” will feature the 20-person big band playing jazz pieces in a variety of styles, from swing to bossa nova to jazz fusion and more. There will also be a performance from the improvisational jazz combo, 2nd Independence.

Admission is free and more details are available on the event’s website

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Out & About

Smithsonian Zoo programming is back

Family-friendly Halloween event begins Oct. 28

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(Washington Blade photo by Michael Key)

The Smithsonian National Zoo and Conservation Biology Institute will host “Boo at the Zoo” starting on Friday, Oct. 28 at 5:30 p.m. 

This is a family-friendly Halloween event that includes special after-hours access for animal viewing at the Elephant Community Center, Small Mammal House, Reptile Discovery Center, Great Ape House and Think Tank, a Halloween souvenir treat bag, dance party and 30 trick-or-treat stations around the festively decorated Zoo. 

Tickets start at $25 and can be purchased on the Smithsonian’s website.

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Theater

‘Hamilton’ star boosting Afro-Latinx, queer representation

Gonzalez and partner launch DominiRican Productions

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Pierre Jean Gonzalez (Photo courtesy Ambe J. Photography)

‘Hamilton’
Through Oct. 9
The Kennedy Center Opera House
2700 F St., N.W.
$59–$399
Kennedy-center.org

For gay Latinx actor Pierre Jean Gonzalez, playing the title Founding Father in the national tour of “Hamilton” isn’t just another part.

“It’s a powerful thing,” says Gonzalez, recognizing the enormity of the job. “We all learned history in school. We know who’s who when we look at a textbook; but when people who look like you are telling the story, it shifts.”

Currently moored to the Kennedy Center Opera House through Oct. 9, Lin-Manuel Miranda’s seminal 2015 sung-and-rapped through musical presents early American history in a novel and inclusive way, focusing on the life experience of one man. With 11 Tony Awards and a Pulitzer Prize for Drama, the show continues to be the hottest draw in town wherever it pitches its tent. 

“When I step on stage as Hamilton, I’m continually amazed by the pandemonium in the audience, especially the younger fans. If we miss a single lyric, the children know,” he says. 

“It’s a drama, a soap, and an action movie. An ambitious immigrant, Hamilton pushes through obstacles, creates his own narrative, and doesn’t throw away a shot. Audiences like that.”

Reared in a housing project in the Bronx as the only boy in a Dominican/Puerto Rican family it wasn’t cool to be queer, says Gonzalez. So, he played it straight until his second year at Rutgers University when a comfortably out friend inspired him to follow suit. Back at home, the family wasn’t all that surprised, he adds with a chuckle.

Navigating through life as his authentic self gives Gonzalez a leg up. He explains, “I think feeling more connected and open makes me a better actor.”

As a drama student at Rutgers University in New Jersey, Gonzalez spent a life-altering junior year studying Shakespeare at the Globe in London: “For me the metronome, cadence, the words and music in ‘Hamilton’ are very much connected to Shakespeare, and that’s why I’m here now.”

After school, despite finding an agent and auditioning, those first four years weren’t good. “For a Latinx actor with my look there were three roles: thug #3, a dishwasher, or hitman.”

He was dismayed. Despite possessing training, talent, energy, and good looks, casting agents didn’t see him as a leading man. But with “Hamilton,” the industry changed and so did Gonzalez’s self-perception: “Finally, I knew I was the right choice to play a leading man.”

In total, Gonzalez has toured with “Hamilton” for five years counting 18 months of “pandemic nothingness,” he says. Before being promoted to playing Alexander Hamilton in August of 2021, he was standby, covering Hamilton, Burr (the villain) and Britain’s King George. At a moment’s notice he might have been called on to play one of three tracks. “It was turning me on artistically,” he says. “One of the last crazy days before the pandemic, I was Hamilton for a Saturday matinee and that same evening I was Burr. Not a lot of actors can say that.”

During the early days of the pandemic and before, Gonzalez and his fiancé Cedric Leiba Jr., an Afro-Latino actor, had many conversations surrounding career frustrations. They discussed the challenges faced by actors of color, and how those challenges can be compounded when said actors are also queer.

In 2020, the couple founded DominiRican Productions, an award-winning film production company whose mission is to ramp up Afro-Latinx and queer representation both behind and in front of the camera.

“It kind of happened as a protest,” he explains. “George Floyd had just been killed and the country was starting to look at itself and ask why are Black and Brown bodies treated this way?”

Success has ensued with two collaborative, celebrated shorts — “Release” and “Rhythm Is Gonna Get Who?” — both directed by Gonzalez. 

While working with your partner can sometimes be a lot, it also has its advantages, says Gonzalez. He appreciates the pair ultimately always have one another’s back. Also, they’re different in complementary ways. “Cedric is more type A, really gets things done,” says Gonzalez “He keeps me tethered to the ground.” 

For the moment, the affianced actors have put nuptials on the back burner, preferring to invest their time and money in the company. Gonzalez says, “We don’t have kids or a mortgage, the company is our child; it’s what drives us.” 

And what about “Hamilton”? “Another year, maybe longer? Whatever happens, I’m taking it one day at a time and feeling a lot of gratitude,” he says. 

Pierre Jean Gonzalez as Hamilton. (Photo by Joan Marcus)
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