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Dekkoo’s ‘Stranger Hearts’ a sensitive look at interconnected queer lives

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Amo and Qua Robertson Harper in “Stranger Hearts” (Image courtesy of Dekkoo)

“Stranger Hearts,” a new original series from queer streaming Network Dekkoo, is set to launch this weekend.

Created by filmmaker Kevin James Thornton (“How To Get From Here To There”), and described by the network as “thoughtful, sexy and deeply heartfelt,” it follows three queer characters from wildly different backgrounds, played by Amo (MTV’s “The Challenge”, “The Real World: Go Big or Go Home,” musician Matt Moran, and newcomer Qua Robertson Harper.

The series seeks to illuminate the connections that bind the diverse, disparate LGBTQ community together though the stories of three people whose lives are intertwined, although they don’t know it – yet.

In the first two episodes, we meet each of them: Andre, a shy young African-American man who lives with his mother and is struggling with his sexual identity; Luka, a gender non-conforming photographer who is broke and out of work to find a job; and Billy, a smooth-taking media mogul who runs an understaffed empire by day while cruising the leather bars at night.

The series introduces them briskly but succinctly in its debut chapter. Luka’s melancholy internal musings on turning 30 serve as narration while we follow the three through a day in their lives, each of them somehow trapped – knowingly or not – in a life that seems unsustainable for them. By the end of the first brief, introspective episode, we get the sense that something is about to break.

It’s in the second entry that the wheels begin to be set in motion; Andre’s mom finds his secret stash of gay porn, Luka’s fruitless job search leads him to make a desperate decision, and Billy faces a health crisis that will force him to change everything about his life.

It’s to creator Thornton’s credit that his show packs a lot of information into its first two installments and yet never seems strained or rushed. It reveals the details through careful, quiet observation rather than expository dialogue, and it flows smoothly through a documentarian cinematic style that is enhanced by the authenticity of its performances.

That authenticity is further bolstered by the casting; the three leading players are not the kind of ripped, cookie-cutter hunks that often grace queer stories on the screen, but actors that look like “real people.” That’s not to say they’re not just as attractive; indeed, the series, which looks in its early installments to be aiming for a welcome self- and sex-positive approach in its depiction of gay life, offers proof (if any were really needed) that “real people” are just as sexy as any magazine cover fitness model fantasy – and maybe even more so.

“Stranger Hearts” enters a market that is increasingly loaded with new LGBTQ content, and it might be easily overlooked in the sea of bigger titles from bigger networks with bigger stars – but it deserves not to be. It gives us an up-close, slice-of-life look at queer experience that not only avoids cliché, but delivers an affirming message while treating all of its characters with empathy and sensitivity.

The first five-episode season of “Stranger Hearts” will be available on Dekkoo beginning March 12, via iTunes, Google Play, Xbox, AppleTV, Xfinity X1 and Roku.  In the U.S. and U.K., Dekkoo is also available via Prime Channels.

You can watch the trailer below.

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Out & About

LGBTQ Military Happy Hour set for Sept. 15

In-person gathering to be held at Tom’s Watch Bar

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A scene from the 2026 Capital Pride Parade. (Washington Blade photo by Michael Key)

Modern Military Association of America will host “Pride in Service: An LGBTQ+ Military Happy Hour” on Tuesday, Sept. 15 at 4 p.m. at Tom’s Watch Bar. 

This in-person gathering is the perfect chance to connect, share stories, and celebrate the diversity within the military community. Come relax, meet fellow LGBTQ+ service members and allies, and enjoy a fun, supportive atmosphere. Don’t miss out on an evening full of pride, camaraderie, and good vibes. Visit Eventbrite for more details. 

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Calendar

Calendar: September 11-17

LGBTQ events in the days to come

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Friday, September 11

Go Gay DC will host “Out in DC LGBTQ+ Community Social” at 7 p.m. at Hotel Zena.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Women in their Twenties and Thirties will meet at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, visit Facebook.

Saturday, September 12

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center will host screenings of “Princess Sparkles” and “Kiloran Bay” at 1:30 p.m. “Kiloran Bay” is a 13-minute musical short set amid the wild beauty of the Scottish Hebrides and the fierce joy of a wedding cèilidh. “Princess Sparkles” is about a girl who accidentally signs up to pet-sit a princess only to discover she’s actually a nippy, Fox News-watching pig. More details are available on the DC LGBTQ+ Community Center’s website

Sunday, September 13

“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite

Monday, September 14

“Center Aging: Monday Coffee Klatch” will be at 10:00a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, September 15

Center Bi Pan+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.

Wednesday, September 16

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website

Thursday, September 17

The DC Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.  

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Books

Historiography with heart

Pioneering author John D’Emilio continues to enlighten us in new book ‘Making Gay History’

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(Book cover image courtesy of Duke University Press)

‘Making Gay History, Memoir of a Scholar-Activist’
By John D’Emilio
Dukeupress.edu/making-gay-history

“Dear Dr. Kameny,” wrote the earnest graduate history student almost 50 years ago. “As you know, the academic community only rarely deemed the lives of gay men and women to be worthy of serious scholarly study. To my knowledge, no American history faculty at a major university has yet sponsored a dissertation that deals with gays historically.”  

That student was a young man from the Bronx who would change all that. His name is John D’Emilio. 

“I must be able to uncover ‘manuscript’ sources, that is unpublished and unique historical materials,” he explained to D.C. gay civil rights pioneer Dr. Franklin E. Kameny who lived in a house stacked to the ceiling with “unique historical materials.” In reality, these were piles of correspondence with government officials and politicians, legal filings, mimeograph copies, gay newspapers, press releases, Mattachine Society brochures and picket signs. Frank Kameny, a self-described “pack rat,” invited D’Emilio into his private world of papers and memorabilia to begin uncovering an erased and forgotten pre-Stonewall history. This was one of many such research forays into “basements, garages and overcrowded living rooms” across America conducted by John D’Emilio. He was a young man on fire to complete a Ph.D. dissertation at the frontier of a distant galaxy — writing a scholarly gay and lesbian history backed by original research where there had been none, only a void.

Reading D’Emilio’s memoir “Making Gay History” (2026, Duke University Press) one has the sense of watching an emerging galaxy spinning around a galactic core of New York scholars and their mentors, young activists, and community historians throbbing with the New York City energy celebrated by Walt Whitman a century before in his epic poem “Mannahatta”.   Spinning out of the ‘60s anti-Vietnam War activism; Marxist historical analysis, the Stonewall riots and gay liberation, we can see it coalescing around this one history student’s search for a dissertation topic and himself piecing together a new history that “no one had yet written about … a pioneering work in this newly emerging field.” D’Emilio pitches his idea for a dissertation that “spanned the length of U.S. history, moving from the religious teachings that shaped law and social attitudes … to how the federal government dealt with the increasing visibility of a homosexual world in the twentieth century.” With the blessings of Columbia’s Department of History, he completed his dissertation leading to the publication of his groundbreaking history: “Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States” (1983). When he received his first copy of the bound book in the mail, he “cradled the book in my arm holding it close to my chest….It was as if I had fathered a child.” 

More so, D’Emilio fathered a new history. Historiography is the story of how history gets written, conducting original research, uncovering the data and creating the narrative(s) — often a snoozing read of academic process. But not this historiography. “Making Gay History” is a historiography with heart.

“Nothing was going to stop me from giving everything I had to this effort at making change in society and myself,” he declares while connecting with others who share his “boundless excitement for the collection of documents.” There were many others in this spiral with D’Emilio who are mentioned and play important roles. In the spiral were Jonathan Ned Katz (“Gay American History”, 1976); Allan Berube (“Coming Our Under Fire” 1990), Martin Duberman (“Hidden from History”, 1989); Daughters of Bilitis activists Del Martin and Barbara Gittings; Civil War historian Eric Foner and author/activist Larry Kramer. No libertarians among them. Well, maybe the divine Bette Midler who was well known for performing uptown at the Continental Baths who makes an appearance at a Washington Square rally.

He craved his parents’ approval. Among the most riveting scenes in the memoir are a series of family dinners in the Bronx with his old-school parents who go into near shock when he tells them he is gay. How to evade this any longer, especially now that his dissertation is going to be on homosexuality? It is a moving and hilarious sequence. After he says it out loud, “I am gay”: “No. No. No!” his father gasps. “This can’t be true. It can’t be.” D’Emilio thinks, “Oh my God, he’s going to die. I’ve killed my father.”  

The D’Emilios — Vincent and Sophie — so resemble the wonderful Castorinis in “Moonstruck,” I am thinking “Oh my God, this is Cher coming out to her parents Cosmo and Rose.” The young graduate student survives the family dramatics even more certain that this was not just his success but “a gay liberation success.” From the family dinner table to the streets, he writes how he marched in the 1973 Pride parade beneath a banner held high: “Gay Socialists.”  This man is a born scholar-activist.

D’Emilio does not seem able to pull back. There are passages that veer into autobiographical minutia, detail about the grind to earn a living from the University of North Carolina Greensboro to the University of Illinois Chicago. He writes, ”I would be living on less than half my usual salary for the year, but with the small amount of royalties that I got for my three books, plus some occasional speaking gigs and dipping into savings…”.   Much of this is gray matter compared to the galaxy John D’Emilio helped energize that even now brightens our sky.

Charles Francis is president of The Mattachine Society of Washington, D.C. and author of Archive Activism: Memoir of a Uniquely NastyJourney” (University of North Texas, 2023)

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