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‘Truly, Madly’ full of dish, glam, and eccentricities

Exploring the fiery romance of Olivier and Vivien Leigh

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(Book cover image courtesy of Grand Central Publishing)

‘Truly, Madly’
By Stephen Galloway
c.2022, Grand Central Publishing
$30/406 pages

“Real passion — I’ve only seen it that once,” actress Jill Esmond told her son Tarquin. “If you are ever hit by it, God help you.”

Esmond, the first wife of actor Laurence Olivier, was speaking of the fiery romance of Olivier and the actress Vivien Leigh.

Decades before paparazzi trailed the tempestuous trysts of Elizabeth Taylor and Richard Burton, there was the love-struck coupling of Hollywood royalty Olivier and Leigh.

You might think love and passion are only dramatic in Shakespeare or movies from Hollywood’s Golden Age. But “Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century” by Stephen Galloway, former executive editor of The Hollywood Reporter, tells a story as steamy and spellbinding as any of Will’s tales or Tinseltown’s plots.

Much has been written about Olivier, who lived from 1907 to 1989, and Leigh, who died in 1967 at age 53, – from Donald Spoto’s superb 1992 biography of Olivier to Alan Strachan’s engaging Leigh bio “Dark Star.” Olivier wrote two memoirs “Confessions of an Actor” and “On Acting.” 

Yet Galloway, now dean of Chapman University’s Dodge College of Film and Media Arts, provides a fresh take on this well-trod ground.   

It’s tempting to view Olivier and Leigh as Tinseltown mavens who had it all. But Galloway makes it clear that there was much pain in the midst of the glittering surface of their  relationship.

Olivier, born in Dorking, Surrey, England, was renowned for his work on stage and screen. “Romeo and Juliet” and “The Entertainer” were among his many acclaimed productions in the theater. He received numerous honors, including a Best Actor Oscar for his role in “Hamlet.” In 1947, he was knighted.

Leigh was born in India. After studying at the Royal Academy of Dramatic Art, she married Leigh Holman. She took her stage name “Leigh” from him. Leigh and Holman had a daughter named Suzanne.

Leigh is remembered most for her portrayal of Scarlett O’Hara in “Gone with the Wind” and her performance as Blanche DuBois in “A Streetcar Named Desire.” She won the best actress Oscar for both movies.

Olivier became transfixed by Leigh when he saw her perform on stage in 1935. For two years, “Day in and day out, they would sneak off the set of their new movie,” Galloway writes, “or sit lost amid a swirl of dreams, real-life versions of the lovers they would later play, Romeo and Juliet.”

In 1937, Olivier and Leigh ran away together, though they were both married to other people. The couple carried out their affair at a time when divorce wasn’t common. Then, Hollywood wanted its stars’ extra-marital liaisons to be kept secret.

After Esmond and Holman divorced them, Olivier and Leigh got married in 1940.

Katharine Hepburn was the maid of honor and writer Garson Kanin was the best man at their wedding. Kanin’s account of the nuptials (Hepburn says she’s a “prude” – the newlyweds talk is too “racy” for her) is laugh-out-loud funny.

“Truly, Madly” is full of dish, glam and eccentricities. Celebs from Noel Coward to Marilyn Monroe appear. Along with a lemur named Tony. Olivier gives Tony to Esmond to cheer her up when their marriage is on the rocks.

Galloway doesn’t shy from or overly emphasize speculations about sexuality. Friends talk of Esmond having “liaisons” with women. Despite Olivier’s denials, Spoto and others claim that Olivier had affairs with Danny Kaye and Noel Coward. 

Though they adored each other, Olivier and Leigh’s marriage wasn’t a Coward cocktail party.

Leigh had bipolar disorder. At that time, there wasn’t the treatment for this condition that there is today, and there was much stigma around mental illness. It’s easy to romanticize or sensationalize mental illness. By talking with Kay Redford Jamison and other mental health experts, Galloway avoids these pitfalls.

A friend visited Olivier shortly before he died, Galloway reports. Olivier was watching Leigh in one of her movies. “This, this was love,” Olivier told his friend.

“Truly, Madly” is a fab read. Warning: have a handkerchief in hand.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

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Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

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(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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