Arts & Entertainment
Disney heir comes out as Trans, denounces ‘Don’t Say Gay’ bills
Disney admitted that they had little experience with advocacy &, expressed regret for not doing more to support the LGBTQ+ community
Walt Disney Company heir Charlee Disney came out as Trans and denounced anti-LGBTQ+ legislation in the U.S. in a recent Los Angeles Times interview.
Roy P. Disney, Disney’s father and the grandson of the company’s co-founder, revealed the news in a recent statement announcing the family would double its initial promise and match up to $500,000 in donations to the Human Rights Campaign (HRC), the nation’s largest LGBTQ+ rights organization. Last month, Charlee Disney said the family would match up to $250,000 at the organization’s annual gala in Los Angeles.
“Equality matters deeply to us,” Roy P. Disney said in a statement, according to the LA Times. “Especially because our child, Charlee, is transgender and a proud member of the LGBTQ+ community.”
The HRC gala was sort of a public coming out for them, Charlee Disney told Times columnist Robin Abcarian, given that they came out privately four years ago.
“I have a trans kid, and I love my kid no matter what,” Disney’s mother, Sheri, told the newspaper.
The news comes after Florida Republican Gov. Ron DeSantis signed the so-called “Don’t Say Gay” bill into law. The legislation will ban classroom instruction about sexual orientation and gender identity in grades K-3 and allow parents to sue schools or teachers.
Disney CEO Bob Chapek came under fire for his response to the bill, which many viewed as muted. After widespread criticism for declining to speak out against the legislation, Chapek ultimately apologized, publicly opposed the measure, paused all political donations in Florida and urged Republican Gov. Ron DeSantis to reject the bill in a phone call.
After DeSantis’ signature, the company also released a statement, saying the bill “should never have been signed into law.” The governor later said the company “crossed the line,” adding that Disney has “alienated a lot of people now,” at a press conference in West Palm Beach.
Charlee Disney, 30, a high school biology and environmental science teacher, had a difficult journey, even with “all the apparent privilege in the world,” Abcarian wrote.
“I had very few openly gay role models,” they said. “And I certainly didn’t have any trans or nonbinary role models. I didn’t see myself reflected in anyone, and that made me feel like there was something wrong with me.”
Disney, who admitted that they had little experience with public speaking or advocacy, expressed regret for not doing more to support the LGBTQ+ community.
“I feel like I don’t do very much to help,” Charlee Disney told the Times. “I don’t call senators or take action. I felt like I could be doing more.”
They also widely condemned anti-LGBTQ+ legislation in the U.S. So far this year, state lawmakers have proposed over 240 anti-LGBTQ+ bills – many of which target Trans youth – according to Freedom for All Americans’ legislative tracker.
Disney said that LGBTQ+ youth already face high rates of depression and anxiety, not to mention bullying and suicide. “Then to put something like this law on top of that? They can’t learn about their community and their history at school, or play sports or use the bathroom they want to use?”
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
PHOTOS: Lambda Legal in the Pines
Calendar: July 31-August 6
Taiwan’s government has failed to update process to change gender markers on ID documents
