Arts & Entertainment
Jay-Z says he cried with joy when his mother came out to him
Gloria Carter admitted she was in love while the rapper was working on his album
Jay-Z (Screenshot courtesy of YouTube)
Jay-Z got candid about his mother coming out to him during an interview on David Letterman’s Netflix show “My Next Guest Needs No Introduction.”
Gloria Carter came out to the public on Jay-Z’s track “Smile” from his latest album “4:44.”
“Living in the shadow/Can you imagine what kind of life it is to live?” Carter says in a monolugue. “In the shadows people see you as happy and free/Because that’s what you want them to see/Living two lives, happy, but not free.”
Jay-Z also detailed his mother’s trauma from being closeted rapping, “Mama had four kids, but she’s a lesbian/ Had to pretend so long that she’s a thespian/ Had to hide in the closet, so she medicate/ Society shame and the pain was too much to take.”
The rapper also explained to Letterman that when his mother came out to him he cried tears of joy.
“For her to sit in front of me and tell me ‘I think I love someone’ – I mean, I really cried,” Jay-Z says. “That’s a real story. I cried because I was so happy for her that she was free.”
Jay-Z went on that while he knew his mother was gay she had never discussed her sexuality with him.
“This was the first time we had the conversation,” Jay-Z says. “And the first time I heard her say she loved her partner. Like, ‘I feel like I love somebody.’ She said ‘I feel like.’ She held that little bit back, still. She didn’t say ‘I’m in love,’ she said ‘I feel like I love someone.’ And I just, I cried. I don’t even believe in crying because you’re happy. I don’t even know what that is. What is that?”
Jay-Z’s full interview with Letterman premieres on Netflix on April 6.
Watch below.
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)
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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.
Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)
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