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‘Velocity’ of D.C. theater

Broadway-bound star vehicles and blistering family dramas among year’s highlights

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Sarah Marshall, The Beauty Queen of Leenane, theater, gay news, Washington Blade
Sarah Marshall, The Beauty Queen of Leenane, theater, gay news, Washington Blade

Sarah Marshall in ‘The Beauty Queen of Leenane,’ one of several crackling family dramas produced in the Washington area this year. (Photo courtesy Round House)

The year in theater has been an intriguing blend of old and new.

Many works contained gay content or were written by gay playwrights and most productions benefited from the efforts of gay actors, directors and designers.

It’s also been a good year for the stirring family drama. The crop of memorable plays exploring dysfunctional relationships between parents and adult children was bigger and better than usual.

In the spring, Arena Stage presented the area premiere of gay playwright Jon Robin Baitz’s “Other Desert Cities,” a well-made play about an aging Republican power couple dealing with their liberal daughter’s soon-to-be-released tell-all autobiography. The production was compelling but uneven — the cast didn’t quite ring true as family.

Not the case with Arena’s “The Velocity of Autumn,” Eric Coble’s two-hander staged by Arena’s Molly Smith and beautifully acted by the enduringly vital Estelle Parsons as an elderly woman on the edge and Broadway vet Stephen Spinella as her estranged gay son who comes home to Brooklyn and saves the day. “Velocity” opens on Broadway in 2014 with Smith slated to direct the New York production (the local theater legend’s Broadway debut).

Round House Theatre explored family too with Bill Cain’s powerfully autobiographical “How to Write a New Book for the Bible.” In the touching drama, the playwright recounts many of the details of his 82-year-old mother’s death from liver cancer while also celebrating his life spent as the younger son in a mostly functional family. Out actor MaryBeth Wise gave a wonderfully nuanced performance as the practical and independent mother. The role called for her to age 40 years and she pulled it off brilliantly.

Round House’s family riff continued with Martin McDonagh’s “The Beauty Queen of Leenane,” the dark tale of an isolated old Irish woman and her adult daughter who engage in an ongoing game of control with disastrous consequences. Sarah Marshall, who is gay, gave an admirably layered performance as the mostly immobile, but fiendishly domineering mother. The reliably terrific Kimberly Gilbert played the emotionally dependent daughter. The company’s most recent offering was “The Lyons,” gay playwright Nicky Silvers’ evisceration of a middle class family. Marcus Kyd played the damaged gay son.

In 2013, Shakespeare Theatre Company Artistic Director Michael Kahn shared his skills with the competition, directing “Torch Song Trilogy” at Studio Theatre, and “Pride in the Falls of Autry Mill” at Signature Theatre in Shirlington. Both shows are family dramedies rife with gay content. In “Torch Song,” New York-based actor Brandon Uranowitz triumphed as Arnold, the sharp-tongued, big hearted drag queen hell-bent on creating a happy family. “Pride” (penned by Paul Downs Colaizzo) featured a terrific cast including Christine Lahti as an unhappy suburban perfectionist and Anthony Bowden as her angry college-age gay son. Both shows boasted finely drawn performances.

At Signature last winter, Joe Calarco staged a production of “Shakespeare’s R&J,” an acclaimed all-male prep school-set take on “Romeo and Juliet” that he wrote and premiered in New York in the late ‘90s. Signature’s four man cast included talented out actors Alex Mills and Jefferson Farber.

In August, Slovenia’s Mladinsko Theatre performed its production of out playwright Norman Allen’s solo drama “Nijinsky’s Last Dance” at Mead Theatre Lab at Flashpoint. Allen’s play about the tortured ballet dancer premiered in D.C. in the late ‘90s.

And 15 years after Matthew Shepard’s death, Ford’s Theatre presented an anniversary production of gay playwright Moisés Kaufman’s “The Laramie Project,” an affecting ensemble piece that gives insight into the community’s response to the 1998 brutal murder of Shepard, a young gay man living in Laramie, Wyo. The production (directed by Matthew Gardiner, who is gay) received roundly positive notices despite being plagued with venue issues due to the government shutdown (Ford’s Theatre is operated through a public-private partnership between Ford’s Theatre Society and the National Park Service).

Memorable 2013 musicals included a cracking national tour of gay composer Cole Porter’s “Anything Goes” starring triple threat Rachel York at the Kennedy Center; “Fela,” a tour of the energized musical bio of legendary Nigerian pop star and political activist Fela Kuti staged by gay choreographer and director Bill Cunningham at Shakespeare Theatre Company; a tight reworking of “Miss Saigon” at Signature; and Studio 2nd Stage’s “The Rocky Horror Show” with Mitchell Jarvis as Dr. Frank’N’Furter. Also of note was the Broadway-bound “If/Then,” an engaging production that revitalized the National Theatre with its buzz and star power (Idina Menzel, LaChanze and Anthony Rapp).

In 2013, some openly gay actors dug deep for accents. As the aforementioned scary old woman in “Beauty Queen,” Sarah Marshall successfully tried on a very thick Irish brogue. Out actor Will Gartshore adopted a sexy French accent to play a worldly doctor unwittingly entangled in the drama of a group of romantically challenged Americans in “This” at Roundhouse. And Rick Hammerly went British with a charming performance as jovial Fezziwig in Ford’s “A Christmas Carol,” a sterling production of the Dickens’ December standard. Jeffrey Johnson reprised the tones of old school New York society for the revival of his cabaret act “Edie Beale Live at Reno Sweeney” at the intimate Café L’Enfant in Adams Morgan.

Holly Twyford kicked off the year playing the boss from hell in Studio’s superb production of Mark Bartlett’s “Contractions.” A celebrated local actor, Twyford (who is gay) finishes 2013 back at Studio directing British playwright Sam Holcroft’s “Edgar and Annabel.”  Studio describes the play as “a dark and cheeky look at what the future might hold, featuring undercover agents, surveillance algorithms and explosive karaoke.” Not a bad way to close the year.

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Sports

Bisexual former umpire sues Major League Baseball for sexual harassment

Brandon Cooper claims female colleague sexually harassed him

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Arizona Complex League game in 2023. (YouTube screenshot)

A fired former umpire is suing Major League Baseball, claiming he was sexually harassed by a female umpire and discriminated against because of his gender and his sexual orientation. 

Brandon Cooper worked in the minor league Arizona Complex League last year, and according to the lawsuit he filed Wednesday in federal court in Manhattan, he identifies as bisexual. 

“I wanted my umpiring and ability to speak for itself and not to be labeled as ‘Brandon Cooper the bisexual umpire,’” he told Outsports. “I didn’t want to be labeled as something. It has been a passion of mine to simply make it to the Major Leagues.”

But that didn’t happen. Instead of being promoted, he was fired. His suit names MLB and an affiliated entity, PDL Blue, Inc., and alleges he had endured a hostile work environment and wrongful termination and/or retaliation because of gender and sexual orientation under New York State and New York City law.

“Historically the MLB has had a homogenous roster of umpires working in both the minor and major leagues,” Cooper claims in his suit. “Specifically, to date there has never been a woman who has worked in a (regular) season game played in the majors, and most umpires are still Caucasian men. To try to fix its gender and racial diversity issue, defendants have implemented an illegal diversity quota requiring that women be promoted regardless of merit.”

Cooper claims former umpire Ed Rapuano, now an umpire evaluator, and Darren Spagnardi, an umpire development supervisor, told him in January 2023 that MLB had a hiring quota, requiring that at least two women be among 10 new hires.

According to the suit, Cooper was assigned to spring training last year and was notified by the senior manager of umpire administration, Dusty Dellinger, that even though he received a high rating in June from former big league umpire Jim Reynolds, now an umpire supervisor, that women and minority candidates had to be hired first. 

Cooper claims that upon learning Cooper was bisexual, fellow umpire Gina Quartararo insulted him and fellow umpire Kevin Bruno by using homophobic slurs and crude remarks. At that time, Quartararo and Cooper worked on the same umpiring crew and being evaluated for possible promotion to the big leagues.

This season, Quartararo is working as an umpire in the Florida State League, one of nine women who are working as minor league umpires.

Cooper said he notified Dellinger, but instead of taking action against Quartararo, he said MLB ordered Cooper to undergo sensitivity training. According to his lawsuit, he was also accused of violating the minor league anti-discrimination and harassment policy.

Cooper’s suit says he met with MLB Senior Vice President of Diversity, Equity and Inclusion Billy Bean — who the Los Angeles Blade reported in December is battling cancer. 

The lawsuit says at that meeting, Bean told the umpire that Quartararo claimed she was the victim, as the only female umpire in the ACL. Cooper said he told Bean Quartararo regularly used homophobic slurs and at one point physically shoved him. He also claims that he has video evidence, texts and emails to prove his claim. 

But he said his complaints to Major League Baseball officials were ignored. His lawsuit said MLB passed him over for the playoffs and fired him in October. He said of the 26 umpires hired with Cooper, he was the only one let go.

Through a spokesperson, MLB declined to comment on pending litigation. Quartararo has also not publicly commented on the lawsuit.

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a&e features

Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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