National
Gay U.S. ambassador brings hope to Dominican advocates
James ‘Wally’ Brewster is ‘from our community’
SANTO DOMINGO, Dominican Republic – Dominican LGBT rights advocates remain hopeful that gay U.S. Ambassador to the Dominican Republic James “Wally” Brewster will continue to generate more visibility around their nascent movement in the Caribbean country.
“In reality the Dominican LGBT community is not a rather large community,” Cristian King of Trans Siempre Amigas told the Washington Blade on March 7 during a meeting with nearly a dozen Dominican LGBT rights advocates at the home of Deivis Ventura of the Amigos Siempre Amigos Network of Volunteers in the San Carlos neighborhood of the Dominican capital. “[Brewster] is a person from our community. It is a big impact.”
King spoke with the Blade alongside Amigos Siempre Amigos Executive Director Leonardo Sánchez, radio host Franklyn Sánchez, Edward Tavarez da Silva of the website Zona VIP, Lorena Espinosa of the Woman and Health Colective, Marinela Carvajal of Republika Libre, Anyi Fermin of the Metropolitan Community Church of Santo Domingo’s Women’s Ministry, Pedro Mercedes, Stephanía Hernández of Gente Activa y Participativa, Dominic Rincon of University Students for Diversity and Marta Arredondo of Amigos Siempre Amigos. Ventura is among the seven Latin American LGBT rights advocates who visited the U.S. earlier this year as part of the State Department’s International Visitor Leadership Program.
Espinosa told the Blade that Brewster “helps us a lot.” Carvajal added the gay U.S. ambassador has brought more visibility to the Dominican LGBT rights movement.
“There is more discussion of [LGBT] issues,” said Carvajal. “There has been an opportunity to highlight our issues.”
The U.S. Senate last November confirmed Brewster as ambassador to the Caribbean nation.
Brewster, who is a former member of the Human Rights Campaign board of directors, introduced his husband, Bob Satawake, in a video to the Dominican people shortly after his confirmation. The two men met with Carvajal, King and other Dominican LGBT rights advocates last month at the U.S. Embassy in Santo Domingo.
The State Department said Brewster was unavailable to speak with the Blade in Santo Domingo. He and Satawake gave an exclusive interview to Ritmo Social, a society magazine published by Listín Diario, a conservative Dominican newspaper, in January.
“I was chosen by President Obama to represent his government and the American people as a reflection of our country, its diversity and its mission. I am committed to serving this ideal,” said Brewster. “President Obama was aware of our understanding of the Dominican Republic and knew that we were going to work diligently to advance the extraordinary relationship between our two countries and people.”
Brewster continues to face criticism from Dominican religious figures who oppose his ambassadorship because of his sexual orientation.
Cardinal Nicolás de Jesús López Rodríguez of the Archdiocese of Santo Domingo last June referred to Brewster as a “maricón” or “faggot” in Spanish during a press conference. Rev. Luís Rosario of the Santo Domingo Youth Ministry last month said he feels the gay ambassador is a “bad example” for Dominican society and families.
Archbishop Jude Thaddeus Okolo, the Vatican’s envoy to the Dominican Republic, cited the country’s Constitution that defines marriage as between a man and a woman as the reason he declined to invite Satawake to a diplomatic reception with Dominican President Danilo Medina that was scheduled to take place in January. The event was cancelled after a number of ambassadors said they would not attend because Okolo did not invite Brewster’s husband.
Hernández noted to the Blade a group of Brewster’s opponents dress in black each Monday to protest “the homosexual ambassador.”
“We are defending a person who is homosexual, that is gay and has come to occupy his country’s public position in the Dominican Republic,” said Ventura. “We are defending the right that we have to occupy public positions equally as gay, lesbian, bisexual and trans people. This is why we are defending Wally.”
LGBT Dominicans becoming more visible
The activists with whom the Blade spoke in Santo Domingo insist the country has slowly become more open and accepting of LGBT people.
Parque Duarte in Santo Domingo’s Colonial City remains Santo Domingo’s de facto LGBT community center. Hundreds of LGBT people gather on weekend nights in spite of López and some neighbors’ efforts to ban them from the square that is across the street from a church.
Listín Diario, which announced on Saturday that López will have a weekly column in the newspaper, in 2010 published an article with the headline “Parque Duarte is a center of promiscuity” that outlined “homosexuals, prostitutes and drug users have invaded it.” The newspaper also ran a picture of two trans women kissing.
A number of young gender non-conforming Dominican men on a recent Saturday night were dancing at Fogoo Discotec, a gay nightclub in Santo Domingo’s Colonial City that is across the street from the gay-owned Adam Suites Hotel. Middle-class Dominicans and visitors typically frequent Esedeku and other nearby gay and lesbian bars and clubs.
Listín Diario and Ritmo Social earlier this month published pictures of Brewster and Satawake at an Elton John concert they attended at Altos de Chavón near Casa de Campo on Feb. 28. King told the Blade that Dominicans are increasingly aware of their advocacy efforts because newspapers and other media outlets reach out to them for comment on LGBT-specific issues.
“We are in the press,” he said. “With any gay problem that has to do with the community, the press reaches out to us. We are the community’s spokesperson.”
Serious problems persist for LGBT Dominicans in spite of increased visibility since Brewster assumed his post.
Espinosa and other advocates with whom the Blade spoke pointed out López and others with close ties to the Catholic Church continue to discriminate against LGBT Dominicans, Haitians and other marginalized groups in the country.
“The Catholic Church constantly rebukes us,” said Hernández. “If you are gay, you’re discriminated against. If you’re trans, you’re discriminated against. If you’re poor, you’re discriminated against.”
Hernández told the Blade that trans Dominicans continue to suffer violence from the police and a lack of access to health care. She noted staff at a clinic frequently treats her as though she is a man, even though her gender identity is female and she lives as a woman.
“They call me by the man’s name that is on my documents,” said Hernández. “I make a scene. I reclaim my rights. But there are others who do not reclaim their rights. These people that need to go to a health service. What do they do? The don’t seek the service.”
LGBT advocacy groups receive the bulk of their funds from the U.S. and Europe through HIV/AIDS prevention programs and human rights initiatives.
Hernández and others noted the Catholic Church continues to block any efforts to expand access to condoms and contraception in the country. Dominican lawmakers in 2009 approved a constitutional amendment banning abortion that then-President Leonel Fernández introduced with the church’s support.
“The Dominican government does not give one peso to any LGBT group,” Ventura told the Blade.
Ventura added wealthy gay Dominicans who own businesses in Miami and other cities have also not contributed to Dominican LGBT rights organizations. One gay man with whom the Blade spoke at Esedequ said he was not familiar with their work.
“They are not going to donate a peso to the community,” said Ventura.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.


