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‘Deep Talk’ with Andy Cohen

‘Real Housewives’ mastermind coming to Baltimore with pal Cooper

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Andy Cohen, gay news, Washington Blade
Andy Cohen, gay news, Washington Blade

Andy Cohen, left, and Anderson Cooper in their joint show AC2. Cohen says it works because they’re friends in real life. (Photo by Glenn Kulbak)

AC2

 

An Intimate Evening with Anderson Cooper and Andy Cohen

 

‘Deep Talk and Shallow Tales’

 

Hippodrome Theatre

 

12 N. Eutaw St., Baltimore

 

Friday, April 28

 

8 p.m.

Some celebs are witty and fabulous enough, they don’t need a script. They can just get on stage and start gabbing and people eat it up.

Such is the case with gay pals Anderson Cooper (of CNN fame) and Andy Cohen, who almost gives Ryan Seacrest a run for his money in terms of having his hand in the most pop culture pots, with their show “AC2: Deep Talk and Shallow Tales.”

Cohen is an Emmy-winning host of “Watch What Happens: Live” on Bravo late night, executive producer of the “Real Housewives” franchise and a New York Times bestselling author.

The pair were last here in 2015 at the Warner Theatre in Washington. This is the first AC2 show in Baltimore. Cohen spoke to the Blade last week by phone from his home in New York.

WASHINGTON BLADE: What’s your favorite on-stage conversation you’ve ever had with Anderson?

ANDY COHEN: It’s really like going out to a bar with us and just hanging out. Just a night of storytelling and fun conversation. There’s a story in the show that kind of just stayed in the show and we don’t really tell it outside of the show which involves a near-death experience that Anderson had that I was involved in that’s quite shocking and terrifying. I don’t know that that’s my favorite, but it’s certainly one of the more shocking ones.

BLADE: What’s the most outrageous audience question you ever got during one of these?

COHEN: Oh my God, I’ve had someone ask how hung we are. I’ve had people ask if we’re tops or bottoms. We’ve gotten everything.

BLADE: Do you playfully deflect?

COHEN: Well I try to answer everything. Anderson has a little more decorum than I do.

BLADE: Are you ever offended? Nobody would have asked that 30 years ago.

COHEN: Yeah, I know. No, because I like it and think it’s fun. I think people expect me to be open about anything, so I’m OK with it.

BLADE: Do you ever have to steer the tone to keep it from getting to heavy or serious or silly or whatever?

COHEN: We’re pretty good. We vibe it out pretty well with each other. We really just talk to each other and then we open it up towards the last half hour. We keep it on track pretty well.

BLADE: You’re both well versed in both hard news and pop culture. Is that partially why it works?

COHEN: Yeah, I totally think so.

BLADE: How do you coordinate your schedules. You’re both crazy busy.

COHEN: We just book it far, far in advance and pray for the best.

BLADE: Your career path is so unusual from going behind the scenes to being a host and celeb. That would seem like such a different skill set. Is it as unusual as you’d think?

COHEN: It is unusual but it’s been kind of organic and I think that’s why it’s worked. One thing has led to the next, so I don’t question how it happened. I’m thrilled about it.

BLADE: By the time you did get in front of the camera, you were pretty high up. Was it ever scary not getting to make your rookie mistakes on a smaller stage?

COHEN: Not really, no. I think it all happened for a reason.

BLADE: Trump has brought narcissism into the national dialogue in a way we haven’t seen before. Does everyone who signs up for a reality show like “Real Housewives” have some narcissism issues in your experience?

COHEN: Yes, I think absolutely. I think anybody who opens themselves up to that kind of moment, you know, open up their lives in that way in that way I think, for sure. I think all of us who decide to go in front of the camera have some level of narcissism. I don’t know if it’s a bad thing or what.

BLADE: Dealing with a whole cast of those types sounds like a nightmare. Is it?

COHEN: Oh absolutely. That’s why these shows are so successful still. People ask that and it’s because of the casting. People ask if they’re real or not and they’re definitely real. We cast people who are dramatic by nature and I think that’s why the shows are still going.

BLADE: You and Teresa Giudice from “The Real Housewives of New Jersey” were friends at the time she and her husband were sentenced to jail. Was it hard being friends but also covering it for the show?

COHEN: Not really. I think we have good relationships, so yeah.

BLADE: What’s been your favorite moment from one of the reunions?

COHEN: Oh wow. There’s a moment involving a bunny that’s coming up in the Beverly Hills reunion. That was pretty kind of hilarious. That’s coming up in the next couple of weeks.

BLADE: You’ve said Kellyanne Conway would make a great housewife. What would her opening tagline be?

COHEN: (pauses) I think it would be about alternative facts. I think hers would be the only truth that matters are my alternative facts.

BLADE: Are you cool with it if it turns out “Real Housewives” is your legacy?

COHEN: Yeah, I would be OK with that. I was always a big soap opera fan and I think it has replaced the soap opera. I think it’s today’s modern-day version of a soap opera so I think that’s an absolutely fine thing.

BLADE: Does it ever surprise you which cast members end up becoming huge in pop culture?

COHEN: Sometimes. It used to surprise me more but now kind of nothing surprises me. You know, because we’ve been through it so many times.

BLADE: Pop culture is so instant gratification, like junk food. Not to be all Oprah or anything, but you’re so immersed in it, is it a soul drain over time? Do you meditate or anything?

COHEN: Well, I think in the last few years my social life has actually — I’m probably working much more than I was, but I used to go out almost every night after the show so I don’t anymore. I’m still obviously a very social person, but I’m much less so than I was before and I think there’s something — I’m a little more calm now.

BLADE: There must be moments where you just wish everybody would go away.

COHEN: It’s all right. It’s all fun, you know what I mean? I consider myself very blessed. I know it sounds trite or lame or whatever, but it’s good problems to have. I’m sure, by the way, that in a couple years there will be a lot less demand for my services or interest in me and then I’ll have more time.

BLADE: You and Anderson like to egg each other on. Are you ever afraid you’ll say something on TV or stage and suddenly be in really hot water? Like some Natalie Maines moment or something?

COHEN: Yeah, I worry about that all the time and it was a theme in my last book actually. It was just me kind of always wondering if this would be the moment that I would wind up blowing it all.

BLADE: Why did you open “Superficial,” your last book, with the death of Joan Rivers?

COHEN: Because the last book ended right around the time. I took a couple weeks off from writing and it was just the day that I decided to start writing again.

BLADE: You were a little nervous when that book first came out that it would piss people off. How did it play out?

COHEN: It turned out OK. Whoever’s mad at me hasn’t told me they’re mad at me. I’m sure there are people.

BLADE: Any truth to the rumor that Caitlyn Jenner might join the “Real Housewives of Beverly Hills”?

COHEN: Totally not true.

BLADE: Who’s somebody famous whose house you’ve been to that was totally not what you expected?

COHEN: (pauses) I don’t know. Everybody kind of seems to live how I expect them to. If it’s someone rich and fancy, they usually have a rich and fancy house. When I went to Anderson’s many years ago, I was surprised it wasn’t nicer. But now he has a really nice house. But the first apartment of his that I went to, I was like, “This is not —,” you know.

BLADE: He officially came out pretty late but you’ve known him for ages. Did he ever talk to you about if he should come out or not come out?

COHEN: We had some — he was out to all his friends so it didn’t really seem like a big thing.

BLADE: Who’s the most different when the camera’s rolling vs. not?

COHEN: Oh, many people. Well, not really. I don’t want to sell anybody out.

BLADE: But it’s not uncommon for some people to just come alive when it’s on?

COHEN: Well, now that I think about it, no, it’s not really that much different.

BLADE: There was some almost scoffing when Barry Manilow finally made it official that he’s gay a couple weeks ago. Do you think with some celebrities it gets to the point that it’s so long and so widely assumed that it just gets almost ridiculous?

COHEN: Well look, I’m all for everybody coming out. Look, he did it in his own time and he had his own reasons and so, you know, I can’t speculate on someone else’s reasons and what they may be.

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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