Arts & Entertainment
Looking ahead
A few events for your 2011 social calendar
Plans are still being made but many of the region’s signature annual LGBT events have been penciled in for 2011, mostly — but not always — in their usual slots.
The biggest out-of-the-norm loop will be Reel Affirmations, Washington’s annual LGBT film festival which has moved from its usual October slot to April 28 to May 7 (2011).
The 20-year-old festival staged by the non-profit One in Ten has moved its screening marathon because the economic crash of 2008 and the resignation of its former director left it in the red after the 2009 event. Three films were shown in October but the main event was bumped to 2011.
One in Ten has monthly selections now at the D.C. JCC on 16th Street. Look for “The Secret Diaries of Miss Anne Lister” on Jan. 21, “Children of God” on Feb. 11 and “You Should Meet My Son” on March 11. Screenings are at 7 and 9:15 p.m. on those nights. Tickets are $12. Visit HYPERLINK “http://reelaffirmations.org/”reelaffirmations.org for details.
Phasefest, the indie music festival hosted each fall by lesbian bar Phase 1, will return with its fifth annual event. Founder Angela Lombardi starts making plans each year in January.
“I haven’t even started looking for headliners yet,” she says. “Basically I get through New Year’s and then start planning. I was just thinking today this is kind of my last week of not worrying about Phasefest. But we were really off the train last year with MEN headlining and I hope we have an even stronger year in 2011.
Phasefest runs from a Thursday to a Saturday in late September. The exact weekend hasn’t been selected.
Also usually in September is Ganymede’s GLBT Fall Arts Festival, though it wasn’t held per se this year and plans are still being decided for 2011. Ganymede had several strong productions this year — “Naked Boys Singing!,” “Falsettos,” “Edie Beale Live at Reno Sweeney” and several Galactica shows, but the organization has struggled financially.
Artistic Director Jeffrey Johnson says nothing for sure is planned.
“We have a lot to figure out,” he says. “Home, budget, etc., before we can announce anything.”
Capital Pride will be June 2 to 12 with all the usual events. No headliners have been announced yet. Latino Pride and Trans Pride usually plan their events to coincide with Capital Pride week.
D.C. Black Pride is usually the last weekend in May but no dates have been announced yet.
Another big event will likely be the 25th anniversary of Michael Kahn‘s spot as artistic director of the Shakespeare Theatre Company. Publicist Lindsay Mady says an anniversary season is planned but details haven’t been finalized. Look for more information in late January or early February.
Team DC holds its annual fashion show and model search on March 12 at Town and look for the return of Night Out at the Nationals in July.
Other annual staples are the AIDS Walk, a Whitman-Walker benefit (usually the first Saturday in October), the Human Rights Campaign national dinner (Oct. 1), the SMYAL Fall Brunch (usually a Sunday in late September), and the Victory Fund’s National Champagne Brunch on March 20, among others.
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)
Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
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(Washington Blade photos by Linus Berggren)
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