Arts & Entertainment
The bonds of battle
New AIDS book tells stories of 15 long-time survivors
‘The AIDS Generation: Stories of Survival and Resilience’
By Perry N. Halkitis
Oxford University Press
$49.95
249 pages

‘AIDS Generation‘ by Perry N. Halkitis. (Book cover image courtesy of Oxford University Press)
Some of the best experiences you had last year were with your friends.
When you think back about the highlights, you remember dancing together, eating together, late-night bull sessions, parties, travels and idle man watching. Those shared experiences are the glue that forever hold your friendship together.
Or maybe, like the men in “The AIDS Generation” by Perry N. Halkitis, your bond is that you’re survivors.
The history of AIDS is vast and can’t be told without the stories of the people lost to the disease and the ones they left behind. Of the latter, Halkitis writes, “All the gay men of my generation, infected or not, are long-term survivors.”
Those are the men who came of age in the 1980s when “the promise for sexual freedom and sexual expression existed.” They are the men who, in the prime of their lives and when they should’ve been the picture of health, watched their friends and lovers die and who were told, upon their own AIDS diagnosis, that they, too, would probably be dead within two years.
But of course, that wasn’t necessarily true. This book, the culmination of a large-scale project on gay men who have lived with AIDS for decades, pulls together 15 survivors who were “still alive to tell their stories as middle-aged men.”
Some of them don’t remember when they learned of their diagnosis, while some remember the day clearly. Regardless, all exhibited “the pause,” as Halkitis calls the stress reaction to remembering that time.
Some of the 15 knew, deep-down, that they’d been infected; one said it would’ve been “a miracle … not to be positive.” For others, it came as a surprise. Some got sick, while others waited for illness that never really came. All are “resilient,” says Halkitis, and are now surprised and amazed to experience the kind of normal health issues that men in middle age endure.
“I’ve been at the worst of this virus,” one of the men told Halkitis, “and now I’m in the golden years of this virus. This virus has taken me halfway around the world and I’m still here.”
At first blush, “The AIDS Generation” may seem like it’s more academic than not. That assessment is true; there is plenty for academics in this book, but casual readers will find something here, too.
As one of the “AIDS Generation,” author Perry N. Halkitis knew which questions to ask of his subjects in order to get the memories and emotions he pulled from them. That questioning leads to a fresh sense of heartache in the telling of tales and a distant theme of horror that bubbles with anger and ends with a general awe for life and an appealing sense of triumph. Despite linguistic stumbles that might’ve been better off edited out, that makes them compellingly readable.
I believe there are two audiences for this book: long-term survivors who count themselves among the warriors, and younger men who need to learn. If you fall into either category, then reading “The AIDS Generation” will be a worthwhile experience.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























