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The bonds of battle

New AIDS book tells stories of 15 long-time survivors

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AIDS Generation, Perry N. Halkitis, books, gay news, Washington Blade

‘The AIDS Generation: Stories of Survival and Resilience’

By Perry N. Halkitis

Oxford University Press

$49.95

249 pages

AIDS Generation: Stories of Survival and Resilience, Perry N. Halkitis, books, gay news, Washington Blade

AIDS Generation‘ by Perry N. Halkitis. (Book cover image courtesy of Oxford University Press)

Some of the best experiences you had last year were with your friends.

When you think back about the highlights, you remember dancing together, eating together, late-night bull sessions, parties, travels and idle man watching. Those shared experiences are the glue that forever hold your friendship together.

Or maybe, like the men in “The AIDS Generation” by Perry N. Halkitis, your bond is that you’re survivors.

The history of AIDS is vast and can’t be told without the stories of the people lost to the disease and the ones they left behind. Of the latter, Halkitis writes, “All the gay men of my generation, infected or not, are long-term survivors.”

Those are the men who came of age in the 1980s when “the promise for sexual freedom and sexual expression existed.” They are the men who, in the prime of their lives and when they should’ve been the picture of health, watched their friends and lovers die and who were told, upon their own AIDS diagnosis, that they, too, would probably be dead within two years.

But of course, that wasn’t necessarily true. This book, the culmination of a large-scale project on gay men who have lived with AIDS for decades, pulls together 15 survivors who were “still alive to tell their stories as middle-aged men.”

Some of them don’t remember when they learned of their diagnosis, while some remember the day clearly. Regardless, all exhibited “the pause,” as Halkitis calls the stress reaction to remembering that time.

Some of the 15 knew, deep-down, that they’d been infected; one said it would’ve been “a miracle … not to be positive.” For others, it came as a surprise. Some got sick, while others waited for illness that never really came. All are “resilient,” says Halkitis, and are now surprised and amazed to experience the kind of normal health issues that men in middle age endure.

“I’ve been at the worst of this virus,” one of the men told Halkitis, “and now I’m in the golden years of this virus. This virus has taken me halfway around the world and I’m still here.”

At first blush, “The AIDS Generation” may seem like it’s more academic than not. That assessment is true; there is plenty for academics in this book, but casual readers will find something here, too.

As one of the “AIDS Generation,” author Perry N. Halkitis knew which questions to ask of his subjects in order to get the memories and emotions he pulled from them. That questioning leads to a fresh sense of heartache in the telling of tales and a distant theme of horror that bubbles with anger and ends with a general awe for life and an appealing sense of triumph. Despite linguistic stumbles that might’ve been better off edited out, that makes them compellingly readable.

I believe there are two audiences for this book: long-term survivors who count themselves among the warriors, and younger men who need to learn. If you fall into either category, then reading “The AIDS Generation” will be a worthwhile experience.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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