Arts & Entertainment
Comedian Lil Duval defends transphobic remarks, refuses to apologize
Transgender activist Janet Mock published a response essay in Allure

(Screenshot via YouTube.)
Lil Duval is defending the transphobic comments he made on “Breakfast Club” last week, which led to a Twitter hashtag campaign to boycott the popular morning radio show.
When asked how he would react if he found out he was dating a transgender woman, Duval responded that he would kill her.
Appearing on TMZ on Monday, Duval says his comments weren’t transphobic and were about “power of choice.”
“I said that because (the hosts) were saying, taking away someone’s power of choice, and that’s what you did,” Duval says. “When you take away somebody’s power of choice, it should be criminal.
He went on to say he doesn’t have a problem with the LGBT community.
“I don’t got no problem with transgender, I ain’t got no problem with gay people. I got a problem with somebody trying to take something from me. That’s psychological damage,” Duval continued.
Host Charlamagne Tha God was also under fire when he was approached by transgender activists during his appearance at Politicon. Listeners were furious that the hosts of the show laughed along with Duval’s jokes.
#Transgender community @Politicon telling @cthagod “We Are Not A Joke” over comments made @breakfastclubam #Politicon2017 #ResistHate @eqca pic.twitter.com/PgcDNchiQp
— Anthony (@hollywoodblvd1) July 30, 2017
Transgender activist Janet Mock penned a response essay to the “Breakfast Club” episode for Allure. Mock had appeared on the “Breakfast Club” to discuss transgender issues and her new book just days before Duval’s appearance.
During Duval’s interview, the hosts showed Duval the cover of Mock’s book and prodded him to admit Mock is attractive.
“Nope. That ni**a doing his thing….ain’t finna get me,” Duval responded.
Mock made it clear she would not stand for being used “for laughs, vitriol, and a deeper call and justification for violence.”
“Duval purposefully misgendered me (as the hosts laugh, thereby cosigning) in an attempt to put me in my place and erase my womanhood. Their fragile masculinity would not allow them to recognize a simple truth: I am an accomplished, beautiful black trans woman. Your willful ignorance will not stop me from being exactly who I am. My sisters and I are here and we exist, and you will not diminish our light and our brilliance,” Mock writes.
She continued, “Until cis people — especially heteronormative men — are able to interrogate their own toxic masculinity and realize their own gender performance is literally killing trans women, cis men will continue to persecute trans women and blame them for their own deaths. If you think trans women should disclose and ‘be honest,’ then why don’t you work on making the damn world safe for us to exist in the first place?”
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
