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Yankees one of four MLB teams to never have held LGBT pride night

the team insists they aren’t anti-LGBT

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MLB, Major League Baseball, Gay News, Washington Blade
MLB, Major League Baseball, Gay News, Washington Blade

(Photo courtesy Flickr user adwriter)

The New York Yankees are one of four MLB teams to have never hosted an LGBT pride night for fans.

The Yankees are joined by the Los Angeles Angels, Cincinnati Reds and Milwaukee Brewers as the only teams who have never held a pride night.

According to the New York Times, the Yankees don’t appear partial to singling out a particular group of fans except on certain occasions.

“The Yankees have in recent years largely shied away from promotions with an ethnic or cultural flavor, although there are regular instances when they honor a cause with a brief pregame ceremony, such as last year’s Puerto Rican Day Parade,” the New York Times writes.

Out MLB executive Billy Bean told the New York Times that a team not hosting a pride night doesn’t mean they’re anti-LGBT.

“The idea of a team not hosting a pride night is not a complete assessment of its stance on inclusion, especially where baseball’s responsibility lies,” Bean says.

Yankees spokesman Jason Zillo also told the New York Times that the team has shown their support for the LGBT community numerous times.

“…the work by General Manager Brian Cashman and the assistant general manager Jean Afterman with organizations that assist lesbian, gay, bisexual and transgender youths; a pregame ceremony last year to acknowledge those killed in a mass shooting at a gay nightclub in Orlando, Fla.; and an invitation to Billy Bean, the gay Major League Baseball executive who promotes inclusion, to speak with Yankees players on the major and minor league levels,” the New York Times writes.

 

 

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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