Arts & Entertainment
Best of Gay D.C. 2017: PEOPLE
Winners from the Washington Blade’s annual poll


(Washington Blade photos by Michael Key)
Local Hero
Gavin Grimm
The American Civil Liberties Union in 2015 filed a federal lawsuit on behalf of Gavin Grimm, who was a student at Gloucester County High School in Gloucester, Va., at the time.
Grimm and his lawyers argued the Gloucester County School District’s policy that prohibited him from using the boys restroom or locker room because they were not consistent with his “biological gender” is unconstitutional under the 14th Amendment’s Equal Protection Clause. The lawsuit also alleged the regulation violated Title IX of the U.S. Education Amendments of 1972 that prohibits schools receiving federal funds from discriminating on the basis of sex.
The Justice Department under the Obama administration argued in Grimm’s case that Title IX requires school districts to allow trans students to use restrooms that correspond to their gender identity. The Department of Education’s Office of the General Council at the time also filed a brief in support of Grimm.
The 4th U.S. Circuit Court of Appeals in Richmond — which is the first federal appeals court to consider whether Title IX allows trans students to use facilities that are consistent with their gender identity — in April 2016 ruled in favor of Grimm. The Gloucester County School District subsequently announced it planned to petition the U.S. Supreme Court to hear the case.
The Supreme Court last October said it would hear Grimm’s case. Oral arguments were scheduled to take place on March 28, but the justices remanded the case to the 4th Circuit after President Trump rescinded the Title IX guidance.
The 4th Circuit in July sent Grimm’s case back to the U.S. District Court for the Eastern District of Virginia. The ACLU subsequently withdrew Grimm’s request for an immediate injunction against the Gloucester County School Board policy.
Grimm, 18, graduated from Gloucester County High School in June.
“I am in this for the long haul,” he said in an ACLU press release that announced the decision to amend his case. “I remain hopeful that my case will help make sure that other transgender students are able to attend school safely and without discrimination.”
Grimm in February was among those who spoke at a White House protest that corresponded with Trump’s decision to rescind the Title IX guidance.
“We will not be silenced and that we will stand with and protect trans youth,” said Grimm, speaking through tears with his mother standing by his side. “No matter what happens, no one, not even the government can even defeat a community so full of live, color, diversity and most importantly love.”
Equality Virginia and GLAAD are among the organizations that have honored Grimm over the last year.
— MICHAEL K. LAVERS

Gavin Grimm (Photo by Scout Turankjian; courtesy Wikimedia Commons)
Best Amateur Athlete
Mark Hofberg, D.C. Gay Flag Football
Runner-up: Grace Thompson, D.C. Front Runners (last year’s winner)

Mark Hoffberg (Washington Blade photo by Michael Key)
Best Artist
John Jack Gallagher
Runner-up: Glenn Fry
John Jack Gallagher has been taking photos since his first boyfriend gave him a 35-millimeter camera for his birthday more than 30 years ago. In 2012, he started shooting professionally after members of the Stonewall Kickball team he’d been photographing insisted he shoot their wedding. This is his second consecutive win in this category. (JD)

John Jack Gallagher (Photo courtesy of John Jack Photography)
Best Businessperson
Dr. Gregory Jones
Capital Center for Psychotherapy & Wellness
1330 U St., N.W.
Runner-up: Bob Witeck

Dr. Gregory Jones (Washington Blade photo by Michael Key)
Best Clergy
Bishop Allyson Abrams
Abrams reclaims her 2015 title after being last year’s runner-up. Abrams is the founder and pastor of Empowerment Liberation Cathedral in Silver Spring.
Runner-up: Rayceen Pendarvis (last year’s winner)

Bishop Allyson Abrams (Washington Blade photo by Michael Key)
Most Committed Activist
Ruby Corado
Corado was named Best of Gay D.C. Local Heroine in 2014 and Most Committed Activist in 2015.
Casa Ruby
2822 Georgia Ave., N.W.
Runner-up: Jason Lindsay

Ruby Corado (Washington Blade photo by Michael Key)
Best D.C. Public Official
Mayor Muriel Bowser
Runner-up: Randy Downs

D.C. Mayor Muriel Bowser (Washington Blade photo by Michael Key)
Best Hill Staffer/LGBT Bureaucrat
Yesenia Chavez
Runner-up: Scott Filter
Yesenia Chavez identifies as queer. She got her start on Capitol Hill interning with the Victory Fund during her senior year at the University of Houston. After graduating with a degree in political science, she returned to the Hill in 2013 to work as a professional staffer for Arizona Congressman Raul Grijalva. “Typically, I handle LGBT policy and push my boss on different efforts like the LGBT Data Inclusion ACT,” she says.
Chavez also serves on the board of LGBT Congressional Staff Association.
“For the past three years I’ve been coordinating events,” she says. “Our goal is to increase the professional development growth of members interns, fellow and staff on the Hill on the House side.”
“It’s important to have queer women of color at the table,” says Chavez, 26. “We’re a smaller contingency on the Hill. We must make sure we’re safe there.”
Chavez recently bought a home with her partner in D.C.’s Eckington neighborhood and is looking to put down roots.
“Washington is an interesting place to live. Young professionals come her because they feel passionate about giving back and doing something to make the country a better place, despite their political leaning. I don’t have the same conversation here that I have with people at back in Texas.” (PF)

Yesenia Chavez (Washington Blade photo by Michael Key)
Best Local Pro Athlete
Bryce Harper, Washington Nationals
Last year’s runner up!
Runner-up: John Wall, Washington Wizards

Bryce Harper (Photo by Arturo Pardavila III; courtesy Wikimedia Commons)
Best Local Pro Sports Team
Washington Nationals
Editor’s choice: D.C. United

(Washington Blade photo by Michael Key)
Best Massage
Ben Auman
Runner-up: Jacob Gough
Ben Auman says he “values connections over everything else.” That’s what led him to a successful and fulfilling career as a massage therapist.
“I’m making connections with people I never would have gotten to make connections with before,” he says.
Auman moved to D.C. from North Carolina in 2005 and worked as a non-profit association manager and financial consultant. Helping his clients with their goal setting and financial planning led him to follow his own true passion: massage therapy. He studied at the Potomac Massage Training Institute and is now a Massage Therapist at Logan 14 Aveda Lifestyle Salon/Spa and the owner of Auman Massage Therapy.
Switching careers gave Auman a whole new perspective on life. “Before, getting up and going to work was a way to get paid. Now, I’m getting up every morning to do something I love and that I’m passionate about. It’s very fulfilling.” (BTC)

Ben Auman (Washington Blade photo by Michael Key)
Best Fitness Instructor
Jared Keith Lee
Runner-up: Grace Thompson
After relocating from New York to Washington, Jared Keith Lee felt out of place in his new surroundings, and longed for a feeling of belonging. He found what he was looking for at SoulCycle.
“I left my job as a graphic designer to become a SoulCycle instructor,” he says. “I was having a hard time finding my own way here and a place that fit. At SoulCycle people were accepting. And it was fun.”
With inspirational coaching, loud music, candle light and a full body workout (they’ve added hand weights and core work), SoulCycle is indoor cycling re-invented.
“The music and lighting allows riders to separate from their inhibitions and insecurities. It’s an individual journey, and we welcome all levels of experience,” says Lee who’s been an instructor for two years and currently works at SoulCycle’s 14th and U and Mount Vernon locations.
Lee grew up in Virginia Beach, Va. He won a soccer scholarship to Hampden-Sydney College in Farmville, Va. And while he came out in his freshman year there, Lee never felt at home on the conservative campus, so he transferred to Maryland Institute College of Art in Baltimore to study photography and design. (PF)

Jared Keith Lee (Washington Blade photo by Michael Key)
Best Real Estate Agent
Valerie Blake
Runner-up: Stacey Williams-Zeiger
Valerie Blake has sold real estate professionally in the D.C. area for 20 years.
Blake’s eclectic former positions include working as a diplomat overseas, a federal government executive and an adult education administrator for a training school in the federal government. She has lived in 12 states, D.C. and two foreign countries.
For Blake, working in the region is a great match.
“I think that there are so many people who are transients here that provide an opportunity to meet a lot of people that I would not get the opportunity to do otherwise,” Blake, who also won this award in 2015, says.” They come from all walks of life which really helps with my varied background because I’ve found that there are very few people that I can’t find something in common with. That’s one of the things that I think makes me help them.”
Blake, a straight ally and regular Blade contributor, has serviced the LGBT community since 1999.
“They have been a continued source of great clients and wonderful friends over the years,” Blake says.
As for her best tip for buying a home in the area, she says it’s all about balance.
“Find out how much of a mortgage you’re approved for and then reduce it so that you can continue to have a life as well as a house,” Blake says. (MC)
Valerie Blake
11 Dupont Circle, N.W.

Valerie Blake (Washington Blade photo by Michael Key)
Best Real Estate Group
The Bediz Group, Keller Williams
1918 18th St., N.W.
Runner-up: The Evan and Mark Team, Compass

(Photo courtesy of the Bediz Group)
Best Rehoboth Real Estate Agent
Chris Beagle
Third consecutive win in this category!
Runner-up: Andy Staton

Chris Beagle (Washington Blade photo by Daniel Truitt)
Best Straight Ally
Pamala Stanley
Runner-up: Muriel Bowser
Singer Pamala Stanley joins an elite group as this year’s Best Straight Ally. Past title holders include everyone from Barack Obama and Hillary Clinton to local allies such as Meghan Davies (Whitman-Walker), Leigh Ann Hendricks (Level One) and Phil Hicks (PFLAG).
Stanley is beloved for her string of Billboard Hot Dance Club Play hits such as “This is Hot,” “I Don’t Want to Talk About It,” “Coming Out of Hiding” and more in the late ‘70s through the mid-‘80s.
Stanley says it’s hard to convey why she’s always felt so strongly at home with her gay fans.
“There’s a love for life there. They listen to what you have to say and you can really be yourself,” the dance diva says. “Years ago with the straight crowd, I felt there were certain things I couldn’t talk about — dating, life, men. I had to always make sure that I kept it a certain way. But when I played for the gay crowd, I could tell them anything — good, bad, whatever, and they just got a big kick out of it. They didn’t judge, they just loved you no matter what you were doing and … I think I needed that. They were always very good to me and just fun people.”
Stanley splits her time between her home on Virginia’s Eastern Shore and Rehoboth Beach, Del., where she performs year around at tea dances, jazz brunches, private parties and more. She’s at the Blue Moon (35 Baltimore Ave., Rehoboth Beach, Del.) every Sunday and Monday and says she’s grateful to be in demand.
“I’m very busy here,” she says. “I’m lucky.” (JD)

Pamala Stanley (Washington Blade photo by Michael Key)
Best Transgender Advocate
Sarah McBride
Runner-up: Gavin Grimm
By any measure, Sarah McBride has an impressive resume and an amazing list of accomplishments.
She first came to national attention in 2012 when she came out as transgender while serving as student body president at American University. Following her graduation, she interned at the Obama White House, becoming the first openly transgender woman to work there in any capacity. When McBride spoke at the 2016 Democratic National Convention in Philadelphia, she became the first openly transgender person to address the national convention of major political party.
McBride, who also won this category last year, has worked on LGBT issues at the Canter for American Progress and is currently the National Press Secretary for the Human Rights Campaign. A native of Wilmington, Del., she is also on the board of Equality Delaware and is widely credited with leading the successful effort to add gender identity and expression to her state’s nondiscrimination and hate-crimes laws.
McBride describes herself as an “outgoing introvert” and says that some of her major influences are Barack Obama, Franklin Roosevelt, Carl Sagan, Hilary Clinton and Abraham Lincoln. She dedicates her fierce activism to her late husband Andrew Cray, a transgender man and fellow advocate. They met when McBride was working at the White House. Cray was diagnosed with terminal cancer in 2014, and just days after they married, he died. His death instilled in McBride a firm belief in the urgency of political and social change.
Her first book “Tomorrow Will Be Different” will be published in March. (BTC)
Human Rights Campaign Fund
1640 Rhode Island Ave., N.W.

Sarah McBride speaking at the 2016 Democratic National Convention. (Blade photo by Michael Key)
Best Stylist
Quency Valencia
Second consecutive win in this category!
Salon Quency
1534 U St. N.W. No. 1
Runner-up: Bryan Smith

Quency Valencia (Washington Blade photo by Michael Key)
To see winners in other categories in the Washington Blade’s Best of Gay D.C. 2017 Awards, click here.
Music & Concerts
Indigo Girls coming to Capital One Hall
Stars take center stage alongside Fairfax Symphony

Capital One Center will host “The Indigo Girls with the Fairfax Symphony Orchestra” on Thursday, June 19 and Friday, June 20 at 8 p.m. at Capital One Hall.
The Grammy Award-winning folk and pop stars will take center stage alongside the Fairfax Symphony, conducted by Jason Seber. The concerts feature orchestrations of iconic hits such as “Power of Two,” “Get Out The Map,” “Least Complicated,” “Ghost,” “Kid Fears,” “Galileo,” “Closer to Fine,” and many more.
Tickets are available on Ticketmaster or in person at Capital One Hall the nights of the concerts.

Friday, June 13
“Center Aging Friday Tea Time” will be at 2 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in Their Twenties and Thirties will be at 8 p.m. at Wundergarten. An update will be posted the night of the event on where to find WiTT’s table. There’ll be a Pride flag to help people find the group. For more details, join WiTT’s closed Facebook group.
Go Gay DC will host “LGBTQ+ Community Pride Month Happy Hour” at 7 p.m. at Freddie’s Beach bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, June 14
Go Gay DC will host “LGBTQ+ Community Pride Month Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Rainbow History Project will host “Behind the Scenes With the Senior Curator of ‘Pickets, Protests and Parades’” at 7:30p.m. at Freedom Plaza. This behind-the-scenes experience offers a rare glimpse into the creative process behind this groundbreaking showcase of DC’s LGBTQ+ history. Learn about the bold design decisions that shaped the Quote Wall and Hero Cubes and the powerful stories that almost made the cut. Tickets cost $82 and can be purchased on Eventbrite.
Monday, June 16
“Center Aging Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. in person at the DC Center for the LGBT Community. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more information, visit their website at www.genderqueerdc.org or check us out on Facebook.
Tuesday, June 17
Bi+ Roundtable and Discussion will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Check out Facebook or Meetup for more information.
Wednesday, June 18
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Legends Live Loud: A Queer Karaoke Experience” will be at 7 p.m. at the DC Center for the LGBT Community. This will be a dynamic, Center-wide karaoke event celebrating the brilliance and cultural impact of some of our most colorful queer icons. The Center will honor legends through music, pop culture, dance, and inextinguishable liberation. For more details and to sign up, visit the DC Center’s website.
Thursday, June 19
Go Gay DC will host “LGBTQ+ Book Club” at 7:30 p.m. at Federico Ristorante Italiano. This book club is co-hosted by EQUALITY NoVa and is another opportunity to engage in a fun and rewarding activity. The group doesn’t discriminate when it comes to genres it reads – from classic literature to best selling novels to biographies to histories to gay fiction. For more details, visit Eventbrite.
Cultivating Change Foundation will host “Cultivating Pride Happy Hour” at 5:30 p.m. at Dacha Beer Garden. This Pride month, the organization is inviting LGBTQ+ people and allies in food and agriculture to come together in communities nationwide. These informal gatherings are a chance to connect, celebrate, and build community, whether it’s over coffee, a cocktail, or a conversation. Attendance is free and more details are available on Eventbrite.

There was a time, early in his career, that young filmmaker Wes Anderson’s work was labeled “quirky.”
To describe his blend of dry humor, deadpan whimsy, and unresolved yearning, along with his flights of theatrical fancy and obsessive attention to detail, it seemed apt at the time. His first films were part of a wave when “quirky” was almost a genre unto itself, constituting a handy-but-undefinable marketing label that inevitably became a dismissive synonym for “played out.”
That, of course, is why every new Wes Anderson film can be expected to elicit criticism simply for being a Wes Anderson film, and the latest entry to his cinematic canon is, predictably, no exception.
“The Phoenician Scheme” – released nationwide on June 6 – is perhaps Anderson’s most “Anderson-y” movie yet. Set in the exact middle of the 20th Century, it’s the tall-tale-ish saga of Anatole “Zsa-Zsa” Korda (Benicio del Toro), a casually amoral arms dealer and business tycoon with a history of surviving assassination attempts. The latest – a bomb-facilitated plane crash – has forced him to recognize that his luck will eventually run out, and he decides to protect his financial empire by turning it over (on a trial basis, at least) to his estranged daughter Liesl (Mia Threapleton), currently a novice nun on the verge of taking her vows. She conditionally agrees, despite the rumors that he murdered her mother, and is drawn into an elaborate geopolitical con game in which he tries to manipulate a loose cadre of “world-building” financiers (Tom Hanks, Bryan Cranston, Riz Ahmed, Mathieu Amalric, and Jeffrey Wright) into funding a massive infrastructure project – already under construction – across the former Phoenician empire.
Joined by his new administrative assistant and tutor, Bjorn (Michael Cera), Korda and Liesl travel the world to meet with his would-be investors, dodging assassination attempts along the way. His plot is disrupted, however, by the clandestine interference of a secret coalition of nations led by an American agent code-named “Excalibur” (Rupert Friend), who seeks to prevent the shift of geopolitical power his project would create. Eventually, he’s forced to target a final “mark” – his ruthless half-brother Nubar (Benedict Cumberbatch), with whom he has played a lifelong game of “who can lick who” – for the money he needs to pull it off, or he’ll lose his fortune, his oligarchic empire, and his slowly improving relationship with his daughter, all at once.
It’s clear from that synopsis that Anderson’s scope has widened far beyond the intimate stories of his earliest works – “Bottle Rocket,” “Rushmore,” “The Royal Tenenbaums,” and others, which mostly dealt with relationships and dynamics among family (or chosen family) – to encompass significantly larger themes. So, too, has his own singular flavor of filmmaking become more fully realized; his exploration of theatrical techniques within a cinematic setting has grown from the inclusion of a few comical set-pieces to a full-blown translation of the real world into a kind of living, efficiently-modular Bauhaus diorama, where the artifice is emphasized rather than suggested, and realism can only be found through the director’s unconventionally-adjusted focus.
His work is no longer “quirky” – instead, it has grown with him to become something more pithy, an extension of the surreal and absurdist art movements that exploded in the tense days before World War II (an era which bears a far-too-uncomfortable resemblance to our own) and expresses the kind of politically-aware philosophical ideas that helped to build the world which has come since. It is no longer possible to enjoy a Wes Anderson movie on the basis of its surface value alone; it is necessary to read deeper into his now-well-honed cinematic language, which is informed not just by his signature aesthetic but by intellectual curiosity, and by the art, history, and cultural knowledge with which he saturates his work – like pieces of a scattered puzzle, waiting to be picked up and assembled along the way. Like all auteurs, he makes films that are shaped by a personal vision and follow a personal logic; and while he may strive to make them entertaining, he is perhaps more interested in providing insight into the wildly contradictory, often nonsensical, frequently horrifying, and almost always deplorable behavior of human beings. Indeed, the prologue scene in his latest endeavor illustrates each of those things, shockingly and definitively, before the opening credits even begin.
By typical standards, the performances in “Phoenician Scheme” – like those in most of Anderson’s films – feel stylized, distant, even emotionally cold. But within his meticulously stoic milieu, they are infused with a subtle depth that comes as much from the carefully maintained blankness of their delivery as it does from the lines themselves. Both del Toro and Threapleton manage to forge a deeply affecting bond while maintaining the detachment that is part of the director’s established style, and Cera – whose character reveals himself to be more than he appears as part of the story’s progression – begs the question of why he hasn’t become a “Wes Anderson regular” long before this. As always, part of the fun comes from the appearances of so many familiar faces, actors who have become part of an ever-expanding collection of regular players – including most-frequent collaborator Bill Murray, who joins fellow Anderson troupers Willem Dafoe and F. Murray Abraham as part of the “Biblical Troupe” that enact the frequent “near-death” episodes experienced by del Toro’s Korda throughout, and Scarlett Johansson, who shows up as a second cousin that Korda courts for a marriage of financial convenience – and the obvious commitment they bring to the project beside the rest of the cast.
But no Anderson film is really about the acting, though it’s an integral part of what makes them work – as this one does, magnificently, from the intricately choreographed opening credit sequence to the explosive climax atop an elaborate mechanical model of Korda’s dream project. In the end, it’s Anderson himself who is the star, orchestrating his thoroughly-catalogued vision like a clockwork puzzle until it pays off on a note of surprisingly un-bittersweet hope which reminds us that the importance of family and personal bonds is, in fact, still at the core of his ethos.
That said, and a mostly favorable critical response aside, there are numerous critics and self-identified fans who have been less than charmed by Anderson’s latest opus, finding it a redundant exercise in a style that has grown stale and offers little substance in exchange. Frankly, it’s impossible not to wonder if they have seen the same movie we have.
“The Phoenician Scheme,” like all of its creator’s work, is ultimately an esoteric experience, a film steeped in language and concepts that may only be accessible to those familiar with them – which, far from being a means of shutting out the “unenlightened,” aims instead to entice and encourage them to think, to explore, and, perhaps, to expand their perspective. It might be frustrating, but the payoff is worth it.
In this case, the shrewd political and economical realities he illuminates behind the romanticized “Hollywood” intrigue and his deceptively eccentric presentation speak so profoundly to the current state of world we live in that, despite its lack of directly queer subject matter, we’re giving it our deepest recommendation.